Paul Bettany Talks "Age of Ultron," Working with James Spader & More
Mercy St. Clair, star of Ron Randall’s long-running Trekker series, has been busting heads and collecting bounties since the mid-1980s — so it’s no wonder she needs a vacation. But when things go terribly awry on the train to her resort destination, the guns come out.
Trekker: The Train to Avalon Bay collects stories from Dark Horse Presents #24–#29 featuring that fateful train ride, as well as a 22-page crossover with Karl Kesel’s Johnny Zombie that ran on the Thrillbent website. It also includes a large pin-up section, and courtesy of our friends at Dark Horse, we’re pleased to present some of those pin-ups today — by Dustin Weaver, Steve Lieber, Jesse Hamm, Ron Chan and Pete Woods.
Also, if you live in Portland, you can meet Trekker creator Ron Randall at Bridge City Comics from 6 to 8 p.m. tonight. They’ll have advanced copies of the book, which arrives next Wednesday everywhere else.
Check out the pin-ups below, and for more on Randall, Willamette Week recently did a very thorough profile on him.
Periscope Studio, the Portland, Oregon, collective that’s home to more than 25 comics artists and writers, is looking to release a series of limited-edition art books, and it’s turning to Kickstarter to do it.
The $25,000 campaign, which launched Tuesday, is designed to fund the printing of 32-page, full-color books from each of six studio members: Ron Randall (Trekker), Paul Guinan (Boilerplate), David Hahn (Erfworld), Natalie Nourigat (Home Is Where the Internet Is), Erika Moen (Oh Joy, Sex Toy) and Benjamin Dewey (The Tragedy Series). There are also plans for a hardcover collecting all six books.
Pledge incentives include original art, signed and sketched-in books, art commissions. The campaign ends Dec. 19.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Joining us today is Ron Randall, creator of Trekker and artist on such comics as Warlord, Arak, Son of Thunder, Doom Patrol, Justice League International, and many, many more.
Now let’s get to it …
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
It’s a week where I’m happily embracing the superhero of it all. If I had $15, I’d go for the fifth issue of Marvel’s Fear Itself ($3.99), mostly because I’m this far in and I’ll probably keep going just to see how it turns out instead of actually enjoying it, as well as the first issue of “Spider Island” in Amazing Spider-Man #667 (Marvel, $3.99) to continue my love/hate relationship with Dan Slott’s Spider-Man run. But when it comes to full-on nostalgia, DC has me in the palm of its hand with DC Retroactive: Justice League of America – The ’80s #1 (DC, $4.99). No joke: The Justice League Detroit era is one of those guilty pleasures that I not only can’t explain, but also can’t resist – Gerry Conway revisiting that failed team for a new one-shot (especially with art by Ron Randall) is something that I literally can’t help myself but pick up.
The Portland Opera is currently putting on performances of Turandot, and for a dress rehearsal on Jan. 31 they invited several local comic artists to watch the performance and “draw whatever struck our fancy,” according to artist Mike Russell.
Russell not only drew some artwork you can find on the Portland Opera’s website, but also created a “live comic adaptation” you can find on his site. Other artists who participated include Barry Deutsch, Aaron McConnell, Ron Randall and Joëlle Jones, among others.
You can check out all the images on the Portland Opera’s website.
Attention, aspiring comics writers and weary comics artists: Sara Ryan and friends are about to make your lives much easier. On her blog, Ryan and a few of her comics-making chums are offering advice for writers on what not to do when writing comics scripts for others to draw.
Ryan — who’s currently wrapping up the script for her upcoming DC/Vertigo graphic novel Bad Houses — kicked things off by reminding us that it’s awfully hard to have a character do more than one thing per panel, even though it comes naturally to us to rattle off several actions in the course of a sentence.
Next up is Supergirl artist Ron Randall, who among other things notes that telling an artist to “impress me” with a particularly memorable scene or sequence is a roundabout way of insinuating that he or she otherwise isn’t all that impressive. And finally (for now), Family Man‘s Dylan Meconis offers seven tips, warning against everything from the overuse of film jargon to telling rather than showing to the dreaded words “Have fun with this!”
(Via Hope Larson)