Roz Chast Archives | Robot 6 | The Comics Culture Blog

Comics A.M. | Oregon paper pulls ‘Non Sequitur’ cartoon; Daniel Clowes honored by fellow artists

Non Sequitur

Non Sequitur

Comic Strips | The Portland Oregonian pulled three Non Sequitur strips that made fun of the occupiers of the Malheur National Wildlife Refuge after one of the occupiers was killed. “The strip, which had been making fun of such groups, seemed jarring and in poor taste given that someone now was dead,” said Oregonian editor Mark Katches. “That decision has yielded a grand total of two reader complaints.” Cartoonist Whitey Miller said he did not know the strips were being pulled and replaced with older ones. “This is the first I’ve heard about it,” he said. “Not controversial to my knowledge.” [Willamette Week]

Creators | Set aside some time this weekend to read Robert Ito’s in-depth profile of Daniel Clowes, which covers his life and career from his childhood through his most recent work, Patience. The piece is illustrated with drawings by prominent cartoonists such as Seth, Rutu Modan, and Richard Sala, as well as photos by Ian Allen. [California Sunday]

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Comics A.M. | Artist Jay Scott Pike passes away at 91

Dolphin on the cover of "Showcase" #79, by Jay Scott Pike

Dolphin on the cover of “Showcase” #79, by Jay Scott Pike

Passings | Jay Scott Pike, well known for his work as a “good girl” artist, died Sept. 13 at age 91. He started out in 1949 at Hillman Comics, and then moved on to Marvel predecessor Atlas, working on action and romance comics, including Jann of the Jungle and Lorna the Jungle Girl. In the 1960s he moved to DC Comics, where he drew mostly romance comics but also created the character Dolphin, who’s resurfaced repeatedly over of the years. Historian Mark Evanier estimates that Pike drew at least 800 comics stories between 1949 and 1973. [News From ME]

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Comics A.M. | Square Enix, SNK settle ‘Hi Score Girl’ dispute

Hi Score Girl, Vol. 3

Hi Score Girl, Vol. 3

Legal | Game company SNK Playmore has dropped its charges against manga publisher Square Enix and will allow the manga Hi Score Girl to use its characters without penalty. Last year, SNK filed a criminal complaint against Square Enix, charging that the manga, a comedy about gamers, included more than 100 instances of unauthorized use of SNK Playmore’s characters. As a result, serialization of the manga was suspended while police pursued charges against 16 of the people involved in its publication. Today, Square Enix announced that the two companies have reached an agreement: SNK Playmore has dropped its claim, and the two companies will work together with regard to sharing their characters. [Anime News Network]

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Comics A.M. | MoCCA Arts Festival moves to new venue

metropolitan west1

Metropolitan West

Festivals | After moving the event last year from New York City’s 69th Regiment Armory to Center 548, the Society of Illustrators has announced a new host venue for the 2016 MoCCA Arts Festival: Metropolitan West on West 46th Street, between 10th and 11th avenues. Programming will be held at Ink48, a boutique hotel at the corner of 10th Avenue and West 48th Street. The festival is scheduled for April 2-3. [Society of Illustrators]

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Comics A.M. | Roz Chast wins prestigious Reuben Award

Roz Chast

Roz Chast

Awards | Roz Chast won the Reuben Award for cartoonist of the year, presented over the weekend in Washington, D.C., by the National Cartoonists Society. Divisional award winners of note include Jules Feiffer (Kill My Mother) for Graphic Novel, Jason Latour (Southern Bastards) for Comic Book, Danielle Corsetto (Girls with Slingshots) for Online Comics-Short Form, Minna Sundberg (Stand Still, Stay Silent) for Online Comics-Long Form, Hilary Price (Rhymes with Orange) for Newspaper Panel Cartoon, and Stephan Pastis (Pearls Before Swine) for Newspaper Comic Strip. [National Cartoonists Society]

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Comics A.M. | Roz Chast wins $250,000 Heinz Award

Roz Chast

Roz Chast

Awards | Cartoonist Roz Chast is one of six recipients of this year’s Heinz Awards, which recognize “exceptional Americans, for their creativity and determination in finding solutions to critical issues.” The honor comes with an $250,000 cash prize. “‘Floored’ does not begin to describe it,” says the author of the acclaimed graphic memoir Can’t We Talk About Something More Pleasant? “I don’t think I’ve fully absorbed it yet.” [The Washington Post]

Political cartoons | In a radio interview, Afghan political cartoonist Habib Rahman Habib talks about his work. [NPR]

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Comics A.M. | Archie’s Paul Kaminski joins DC Comics

Paul Kaminski

Paul Kaminski

Publishing | Paul Kaminski, Archie Comics’ executive director of editorial since 2012, has left the publisher to become an associate editor for DC Comics’ Superman Group. Kaminski joined Archie in 2007, editing such titles as Sonic the Hedgehog, Mega Man and The New Crusaders. [Twitter]

Museums | The reason the Cartoon Art Museum is vacating its current location is familiar to San Franciscans, says curator Andrew Farago: “The price per square foot is going to more than double, and that’s just not viable for us. The landlords are giving us what considerations they can, but ultimately it’s a business decision.” The museum will remain open in its current location, on Mission Street, until June 28; a new venue has not been found yet. [SFGate]

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Comics A.M. | ‘MAD’ veteran Lou Silverstone passes away

From "Bananaz," written by Lou Silverstone

From “Bananaz,” written by Lou Silverstone

Passings | MAD Magazine writer Lou Silverstone has died at age 90. Silverstone was the writer of many of MAD‘s movie and television satires in the 1960s and 1970s, starting with “Bananaz,” a parody of Bonanza. Later he went to work for Cracked, MAD‘s chief competition, and he also wrote for the Jackson 5 animated series and the T.H.U.N.D.E.R. Agents comic, a gig that he got through former MAD artist Wally Wood. The MAD website also pays tribute to Silverstone. [News From ME]

Conventions | Oregon’s Cherry City Comic Con has a new owner and a new attitude. The con fell on hard times last year, and at one point this year’s show was canceled. New owner John Roache bought the show when he heard that news; he and his wife, artist Nicole Brune, had been to last year’s show and enjoyed it. He’s keeping the name but changing the format to more of a pop-culture convention, with a long list of entertainment guests, and he has expanded the number of slots available for vendors. The show is scheduled for April 11-12. [Statesman Journal]

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Comics A.M. | Roz Chast win National Book Critics Circle Award

Can't We Talk About Something More Pleasant?

Can’t We Talk About Something More Pleasant?

Awards | Roz Chast has won the National Book Critics Circle Award for Best Autobiography for her graphic novel Can’t We Talk About Something More Pleasant? Chast’s tale of taking care of her parents in their declining years seems to be one of those books that crosses the usual boundaries, winning recognition not only in comics circles but in general book awards such as the Kirkus Awards and the National Book Awards. [Comic Riffs]

Retailing | ICv2 continues its focus on manga with a profile of Boston’s Comicopia, where they stock a lot of manga (4,000 volumes) and the staff really understands it. Most of the manga is simply shelved by title, reflecting the fact that readers often cross the target demographics (i.e. a lot of girls read Shonen Jump), but Comicopia also has sections for yaoi, all-ages manga, and “Manga for People that Don’t Like Manga.” [ICv2]

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LA Times Book Prize graphic novel finalists announced

this one summer

The nominees have been announced for this year’s Los Angeles Times Book Prizes, a list that, unsurprisingly, includes awards-season favorites Can’t We Talk About Something More Pleasant? by Roz Chast and This One Summer by Mariko Tamaki and Jillian Tamaki.

The five finalists in the graphic novel category are:

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Comics A.M. | The effect of the ‘Valkyrie Bump’ on sales

The Valkyries

The Valkyries

Retailing | Susana Polo interviews several members of the Valkyries, the organization of women who work in comic shops, and examines the “Valkyrie Bump,” the sales boost that some comics, such as Sex Criminals, Lumberjanes and Batgirl, get when they benefit from their extra support. [Publishers Weekly]

Political cartoons | Reporter James Hookway interviews the Malaysian cartoonist Zunar, who’s facing sedition charges, and provides some background on Malaysian politics and trial of Anwar Ibrahim, which is the topic of some of Zunar’s controversial cartoons. [The Wall Street Journal]

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Comics A.M. | Heavy Metal to base its comics line in Portland

Hoax Hunters

Hoax Hunters

Publishing | Portland, Oregon, will be the home base for Heavy Metal’s new line of comics, which was announced in October, following the company’s sale to David Boxenbaum and Jeff Krelitz. “I think it’s being closer to the talent,” Krelitz said. “If you wanted to be a painter in the early 20th century, you went to Paris. The comics line launches in March with the second season of Michael Moreci and Steve Seely’s Hoax Hunters. The company plans to be publishing eight original series by the end of this year and another 12 next year, building up to 50 in five years. “We’re positioning to be a premier publisher,” Krelitz said. [The Oregonian]

Passings | Editorial cartoonist R.K. Laxman, who maintained a running commentary on Indian politics for almost 60 years, has died at age 93. The younger brother of novelist R. K. Narayan, Laxman got his start illustrating his brother’s work as well as doing drawings for local newspapers. He became an editorial cartoonist for the Times of India around 1947, about the time India became an independent country, and stayed there until 2010. Laxman’s most famous creation was the Common Man, a character that stood in for the average Indian. As the official obituary in the Times of India said, “His Common Man, created in 1957, was the symbol of India’s ordinary people, their trials and tribulations, their little joys and sorrows, and the mess they found themselves in thanks to the political class and bureaucracy. But despite the sobering reality of this, there was never any rancour in Laxman’s cartoons. His humour was always delightful, and no one could hold a candle to his brushstrokes.” [Times of India]

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Comics A.M. | The competition for Comic-Con International

Comic-Con International

Comic-Con International

Conventions | With the long-planned expansion of the San Diego Convention Center stalled indefinitely, the Los Angeles Times offers an overview of efforts to keep Comic-Con International in the city past 2016, and what suitors like Los Angeles and Anaheim, California, have to offer. “The proposals we’ve received are pretty amazing,” says Comic-Con spokesman David Glanzer. “It’s not an easy decision.” However, the San Diego Tourism Authority remains confident that convention organizers will sign a deal — possibly with a month — to remain in the city through 2018, based on an agreement for nearby hotels to offer their meeting space for Comic-Con programming. (The Tourism Authority has already asked hotels in the Comic-Con room block to freeze their rates at 2015 levels for the next two years.) [Los Angeles Times]

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Robot Reviews | ‘Can’t We Talk About Something More Pleasant?’

Can't We Talk About Something More PleasantCan’t We Talk About Something More Pleasant?
By Roz Chast

In Can’t We Talk About Something More Pleasant? Roz Chast has produced an amazingly honest and clear-eyed memoir of her relationship with her parents in their declining years. It’s both a universal story of something many of us will go through and a very particular account of a single family of quirky individuals.

Chast had an unusual upbringing: She was an only child (a sister died at birth 14 years before she was born), and her parents had her late in life, so she always felt like a bit of an interloper. Her mother had a domineering personality and a sharp temper — she described her own outbursts as “A blast from Chast.” Her father was quieter, easier to get along with, but also plagued by anxieties and phobias, which led him to rely completely on her mother. They were, as Chast describes them, “a tight little unit,” and they seemed to believe that if they carefully avoided the subject of future unpleasantness, nothing would change. She depicts this perfectly in a single panel in which the hooded figure of Death roars “What’s THIS??? The Chasts are talking about me! Why, I’ll show THEM!!!”

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Comics A.M. | DMP gives Tezuka Kickstarter another try

Ludwig B

Ludwig B

Crowdfunding | Digital Manga Publishing’s recent Kickstarter campaign raised some questions as to the proper role of crowdfunding in publishing. When DMP acquired the rights to all of Osamu Tezuka’s manga that haven’t already been translated into English, CEO Hikaru Sasahara launched an ambitious Kickstarter effort to publish about 400 volumes in just a few years. The campaign raised eyebrows not only because of the large amount of money involved (with stretch goals, it would have been more than half a million dollars) but also because it went beyond the direct costs associated with single volumes to include travel and staffing. That campaign failed, but DMP immediately launched another one that’s closer to the usual model. I interviewed Sasahara and one of his most prominent critics to get both sides of the discussion. [Publishers Weekly]

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