Axel-In-Charge: Waid & Samnee on "Black Widow" and the Dawn of the All-New, All-Different Era
Manga | The first printing of One Piece, Vol. 77, may have dropped below 4 million, but its sales aren’t slacking. According to Japanese market research firm, the latest volume of Eiichiro Oda’s hit manga has sold nearly 1.67 million copies since its release on Friday, more than seven times that of the No. 2 title on the weekly sales chart, the 67th volume of Tite Kubo’s Bleach. That’s marks a new weekly sales record for the year, surpassing the 67th volume of One Piece, which sold 1.6 million copies upon its release in January. [Crunchyroll]
Below are some links to news, commentary and reactions to the Charlie Hebdo shootings, but to start off, here’s a fascinating look at the staff at work, planning their first Prophet Muhammad cartoon issue. This five-minute video not only shows the slain cartoonists at work, it provides valuable context for everything that follows. [The New York Times]
Demonstrations | The crowd at Sunday’s rally in honor of the slain Charlie Hebdo cartoonists was estimated at 1.6 million, and leaders of more than 40 nations were there as well. [The New York Times]
Manga | Tadatoshi Fujimaki is bringing his manga Kuroko’s Basketball to an end. The final chapter will run in the Sept. 1 issue of Shonen Jump, followed in October by the release of the 29th and final collection. The manga isn’t licensed in North America (although the anime is), but it became famous worldwide after more than 400 threat letters were sent to venues in Japan hosting Kuroko’s Basketball events and to retailers selling the series. The perpetrator confessed to the crimes, and was sentenced last week to four and half years in prison. [Anime News Network]
Creators | Brian Truitt interviews two creators of Cloaks: actor David Henrie, who created the main character Adam, a street magician in New York who is recruited by a black-ops group, and Caleb Monroe, who wrote the comic. Says Monroe, “As a magician, Adam looks for underlying realities, those things many of us have forgotten or deceived ourselves about. Then he develops ways to slip those back into people’s lives disguised as entertainment.” The first issue is due out next week from BOOM! Studios. [USA Today]
Conventions | Complaints about comics conventions are apparently the same the world over, as a writer who attended the third annual Mumbai Film and Comic Convention (simply Mumbai Comic Con in its first year) this weekend notes, “Not to seem hypocritical, since we all tend to buy curios and the occasional t-shirt at Comicon every year, but when merchandising stalls (read: t-shirt shops) start outnumbering those which have an actual reason for being at a convention in the first place, we’ve got a problem.” According to DNA India, this year’s event saw the debut of the convention’s mascot, Wonder Bai (at right). [Think Digit]
Digital comics | Microsoft and the Indian publisher Amar Chitra Katha launched a comics app for Windows 8 at Mumbai Film and Comic Convention. “Children these days are drifting away from their Indian mythologies and stories, so this was our attempt to bring these value building stories on a platform familiar to them,” said Vineet Durani of Microsoft’s Windows Phone Business Group. [DNA India]
Editorial cartoons | Michael Cavna interviews Sacramento Bee editorial cartoonist Jack Ohman about Texas Gov. Rick Perry’s demand that the newspaper apologize for an April 25 cartoon in which the politician is depicted boasting that “Business is booming in Texas!” beneath a banner that reads, “Low Tax! Low Regs!,” juxtaposed with an image of the deadly fertilizer-plant explosion in West, Texas. “It was with extreme disgust and disappointment I viewed your recent cartoon,” Perry wrote in a letter to the editor. “While I will always welcome healthy policy debate, I won’t stand for someone mocking the tragic deaths of my fellow Texans and our fellow Americans.” Lt. Gov. David Dewhurst has reportedly called for Ohman to be fired.
Cartoonist Ruben Bolling, creator of Tom the Dancing Bug, rounded up 23 cartoonists to contribute their work to an animated ad for Mayors Against Illegal Guns, a coalition of mayors, led by New York City Mayor Michael Bloomberg, that is advocating for “common-sense measures that will close deadly gaps in our gun laws.”
The Mayors Against Illegal Guns ads eschew detailed discussion of the issues in favor of a simple images of people making an emotional appeal. This particular ad follows that format with cartoon characters, some familiar (the teenagers from Zits, the Family Circus family, Jason and his dad from FoxTrot), some more generic.
Richard Thompson is taking a couple of weeks off from his daily strip Cul de Sac to do some physical therapy for Parkinson’s disease, and he has not one but six guest artists filling in while he’s way. Mo Willems (Don’t Let the Pigeon Drive the Bus!) Stephan Pastis (Pearls Before Swine), Lincoln Peirce (Big Nate), Michael Jantze (The Norm), Corey Pandolph (The Elderberries) and Ken Fisher (Tom the Dancing Bug) will all be taking their turns on the daily and Sunday strips over the next five weeks. What’s that going to be like?
“I let them have free rein to re-create ‘Cul de Sac’ as they saw fit,” Thompson tells ‘Riffs, “hoping only that no one introduced anything too bizarre, like an angry talking Rat, or a Pigeon with some kind of bus-mania.”
Yeah, right. Good luck with that. Willems, Pastis, Peirce, Jantze, and Fisher were all contributors to the Team Cul de Sac art book, which is being sold to raise funds for the Michael J. Fox Foundation for Parkinson’s Research. The invasion of guest cartoonists begins on Feb. 20.
According to Bolling, the comic was canceled due to “severe budget constraints” rather than lack of traffic — indeed, as Bolling points out, Tom is frequently one of the site’s most-read features. He later added that Salon, which had hosted the strip since the site’s 1995 inception, seems unlikely to reverse the decision regardless of reader outcry.
I’m sure Tom Spurgeon will have further analysis, but even for someone with my casual dislike and distrust of all political cartooning, the cancellation seems notable for two reasons. First, Bolling is an obvious talent whose imaginative end-runs around the cliché-ridden visual vocabulary of your average political cartoonist made his comics that much more entertaining and his points that much more hard-hitting. Second, it’s almost creepy to think that editorial cartoonists may have just as hard a time making a go of things online as they do amid the staggering carcasses of America’s newspaper industry.
At least he’ll have an easier time getting health care.
(via Greg Pak)