When learning to draw well I always thought there was some “secret” that would make me better. Turns out the “secret” was just hard work.
– Marvel artist Ryan Stegman, via Twitter
I don’t know how many times I’ve heard aspiring creators ask these questions of professionals: “Where do you get your ideas?” “What’s the secret to making great art or telling great stories?” As if there’s a magical incantation that will instantly transform learning amateurs into masters.
With the new year arrives the first trailer for Deathface, the homage to 1980s action heroes by Ivan Brandon, Chuck BB and Ryan Browne. The project is part of the first wave of releases from Offset Comics, which Brandon (Viking, NYC Mech) has described as a “giant, amorphous experiment” that approaches storytelling from a “100 percent creative declination.”
Also on the Offset slate is Destroyer, by Brandon and Eric Canete, and Doublecross, by Daniel Krall.
After quietly announcing Offset Comics in July, Viking and NYC Mech writer Ivan Brandon further introduced the project at New York Comic Con, describing it to The Associated Press as a “giant, amorphous experiment” that approaches storytelling from a “100 percent creative declination.” That doesn’t exactly clear up the mystery, does it?
“I’m calling Offset a lab,” he tells Comics Alliance. “And what that means to me, anyway, is that it’s a series of experiments intended to try completely new routes in terms of story and in terms of who’s entertained by it. Comics has been for all of my life and most of its life defined by some very specific logistical parameters: pages are 6.875 inches by 10.437 inches based on bulk paper costs. Margins and trims are determined by the potential for printer error. Comics are expressed in eight-page increments, and so on. Offset is among other things an attempt to discard logistical motivation and be 100% creatively motivated. Not worrying what markets will support a thing or what demographic it speaks to or how economical anything is. The first experiment people will see from us is, obviously, a form of comics.”
The first three Offset projects are Brandon and Eric Canete’s Destroyer, exploring what happens after the end of the world, Daniel Krall’s Doublecross, about a man who held the shadows at bay until the shadows made him a better offer, and Brandon, Chuck BB and Ryan Browne’s Deathface, an homage to 1980s action heroes.
Hello and welcome to What Are You Reading? Today our guest is Mark Sable, the writer and co-creator of Image’s Graveyard of Empires with Paul Azaceta and the upcoming Duplicate from Kickstart Comics with Andy MacDonald. You can find his work and thoughts at marksable.com and contact him @marksable on the Twitter.
To see what Mark and the Robot 6 crew have been reading, click below …
The New York Comic Con officially opened its doors this afternoon, but comics publishers and distributors have been releasing announcements leading up to it all this week. Here’s a round-up of news from today, as well as some that hit earlier this week.
• DC Comics, who were having a pretty good week already, announced two creative team changes for the New 52. Ann Nocenti of Daredevil and Longshot fame will write Green Arrow starting with issue #7. She spoke to Comic Book Resources about her approach to the series: “I have a particular way of writing a comic. Comics are short. They are only twenty pages, so you can take a year of comics and that can be your opera, and the opera can have a lot of different passages in it. I kind of believe every issue should be a single story, just a complete story. But there is a momentum that forms like triptychs over it, and then it forms your big overtures, and then the whole thing ends up kind of operatic. I also want a beginning, middle and end, a classic short story approach to every single comic. What I do is I try to figure out, what is the kick in this comic, what is the main feeling I want to get, and everything in the comic has to serve that.”
• And Marc Bernardin (Monster Attack Network, The Highwaymen, The Authority) will take over the writing duties on Static Shock beginning with issue #7. “As a fan and as a writer, one of the great things about Static isn’t just that he’s a new hero, it’s also that he’s a young hero,” Bernardin told CBR. “He will make the mistakes of youth and, even though the New 52 is resetting a lot of heroes to their early days as do-gooders, there’s nothing quite like the fumblings of a teenager.”