Comics sales | Is Mark Millar on to something after all? The first issue of Jupiter’s Legacy sold more than 105,000 copies to direct market stores in April; the only other Image comic to reach those numbers in recent years is The Walking Dead. ICv2 runs the numbers and also posts the Top 300 comics and graphic novels for April. [ICv2]
Passings | Matt Groening’s mother has died at the age of 94. Although she always went by Margaret, Groening borrowed her name for Marge Simpson in his animated series The Simpsons. [Comic Riffs]
Retailing | Amanda Emmert has resigned after nine years as executive director of ComicsPRO, the direct-market trade organization. [ComicsPRO]
Comics | The Wall Street Journal takes a look at comics as investments. Interestingly, while the rare, old issues bring in the big money, some more recent comics, like the first issue of Saga, have appreciated quite a bit. There’s also an accompanying video. [The Wall Street Journal]
Retailing | ComicsPRO, the comics retailers’ association, held its annual meeting over the weekend in Atlanta, where the group bestowed its Industry Appreciation Award on Cindy Fournier, vice president of operations for Diamond Comic Distributors. Thomas Gaul, of Corner Store Comics and Beach Ball Comics in Anaheim, California, also was elected as president of the board of directors. [ComicsPRO]
Love it or hate it, manga has revolutionized American comics by bringing in new readers, new genres and new creators. Sometimes the influences are obvious, as in the manga-style graphic novels of Svetlana Chmakova or Laurianne Uy, and sometimes they are less so; many artists who don’t work in what we think of as the “manga style” have adopted storytelling, paneling and pacing techniques from Japanese comics.
What we forget, because manga still seem so exotic and foreign, is that the influence went the other way, too, and that’s the underlying premise of a fascinating new line of manga scholar Ryan Holmberg is editing for PictureBox. Titled Ten-Cent Manga, it will showcase manga that explore “that mysterious underground country between Japanese and American popular culture.” Even the name suggests a pulpy sensibility that is straight out of the American mass market of the late 19th and early 20th centuries.