REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
This week, Ross Richie of BOOM! Studios wrote an editorial, and Matt Gagnon gave a thoughtful interview, on the topic of diversity in comics, and they followed it up with a Twitter hashtag, #comicsforward. It certainly got people talking, although perhaps not always in the way Gagnon and Richie intended.
The first thing that happened was exactly what they had in mind, which was a bunch of folks jumping onto Twitter to celebrate their favorite comics and creators or just applaud the idea. It’s definitely worth checking that hashtag to see some great recommendations.
It’s also a great showcase for established and emerging artists: Ryan Sohmer writes the comic but he brings in different artists to illustrate each page, so the style of the comic varies quite a bit from day to day, depending on who is being skewered.
After three years, however, The Gutters isn’t turning a profit, so Sohmer, who is also the writer of the webcomics Least I Could Do and Looking for Group, has turned to Kickstarter to basically pre-fund the next year. As he explains on the Kickstarter page, he pays the artist an average of $300 per comic, which comes to $15,000 per year for a comic that updates once a week. The campaign reached its initial goal this week, and Sohmer will add another weekly update for each additional $15,000 raised. I asked him why he was taking this route, and why he is doing things the way he does.
Comics | Dismayed by the portrayal of Catwoman in DC Comics’ relaunched series, Alyssa Rosenberg of ThinkProgress asks whether feminists are wasting their time in hoping and lobbying for better portrayals of women in mainstream superhero comics. While she understands the desire to walk away, the decides in the end “it’s worth it to keep nudging”: “… Even if the industry doesn’t change, there should be voices in the background when folks read these books pointing out their problems. The key is getting folks who really just want to see, say, Catwoman bang Batman and nothing else to hear those critiques and to find a way to engage with them constructively, which is really, profoundly difficult. But I’d rather live in a world where people who don’t want to hear the works they like criticized have to work to shut them out, rather than leaving them to relax into the blissful sounds of silence.”
At The Atlantic, Noah Berlatsky points out that not all comics are like Catwoman or Red Hood and the Outlaws, and recommends some alternatives. Meanwhile, Tom Foss jokingly suggests that the “new” Starfire is merely replacing longtime New Teen Titans creeper Terry Long. [ThinkProgress, The Atlantic]
Mash-ups have become a staple of modern culture. From the mash-ups of music albums to movies and virtually anything else. But I think this here might be the best comic mash-up yet.
Created by Ryan Sohmer and Tyler Walpole for Sohmer’s The Gutters webcomic series, it’s a great idea in theory but Walpole’s expert art here really shoots it over the top.
If you’ve not reading The Gutters, you’re missing out — it’s the closest thing the comics industry has gotten to editorial cartoons focused on our medium.
One of the best things about comics conventions is getting creators and marketers to talk about the things that aren’t quite ready for prime time yet, projects that are coming up but haven’t been the subject of a torrent of press releases. I heard about a number of interesting comics at C2E2 this past weekend; here are a few that piqued my interest.
The one that really grabbed me is Dark Horse’s nonfiction graphic novel about the Green River killer, which was first announced in 2009. The Dark Horse folks like to take their time with their books, and marketing director Jeremy Atkins tells me that it is now slated for a September release. The book is written by Jeff Jensen, whose father was a member of the investigative team on the murders. “It’s stories that have never been told before,” said Atkins. “It’s not sensationalized at all. It’s more for a true crime audience than a crime fiction audience.”
If that’s too dark for you, here’s a bit of sweetness and light: Amy Mebberson, whose super-cute art graced the global manga Divalicious (you can read the whole first volume online at the link) and many of Boom! Studios The Muppet Show comics, is not letting any grass grow under her feet: She is one of the artists on Ape Entertainment’s Strawberry Shortcake comics, doing the coloring and some of the pencilling. This increased my interest in Strawberry Shortcake 100%.