Examining "Rebirth's" Treatment of Legacy & Promise of a Less "Grimdark" DC Universe
Saturday, aka Day 2, of HeroesCon was much busier for creators, so I didn’t always get the opportunity to chat with them that I did on the first day of the Charlotte, North Carolina, convention. In those instances, in place of project updates I provide links to the creators and/or their related works.
It’s been a good week for Ryan Stegman, one marked by the premiere of the highest-profile series of his entire career: Wolverine. The Michigan artist, who’s been working steadily for Marvel since 2011, has been primed to become one of comics’ breakout stars, only waiting for the right project, the right writer and the right positioning. Wolverine just may be it.
Stegman’s squat and square-jawed Wolverine shows an artist who pays attention to characters beyond just their most recent depictions. He wears his fan credentials with pride, citing influences as far-ranging as Katsuhiro Otomo, Bill Sienkiewicz and Joe Madureira, but chief among them is Todd McFarlane. Stegman has done much to establish his own trademark style, but his ability to comprehend and be inspired by McFarlane’s fluid linework has added new facets to a nuanced style.
For this edition of “Conversing on Comics,” I spoke with Stegman about Wolverine, his artistic influences both for Logan and in general, and the long road that brought him here. In the interview, conducted just after Christmas, Stegman was open about his enthusiasm for Wolverine as well as his long-term goals for himself and his career.
Legal | Daniel Curry, the actor who was seriously injured in August during a performance of the Broadway musical Spider-Man: Turn Off the Dark, has filed a lawsuit seeking unspecified damages, claiming the producers and other defendants knew a mechanical lift could be dangerous. Curry was hurt when an automated door pinned his leg; he suffered fractured legs and a fractured foot, and had to undergo surgeries and unspecified amputations. The producers have insisted the accident was caused by human error and not malfunctioning equipment. [The New York Times]
Events | Japan’s ambassador to France has expressed his country’s displeasure with a South Korean exhibit at the Angouleme International Comics Festival devoted to “comfort women” who were forced into sex slavery during World War II by the Japanese military. Ambassador Yoichi Suzuki said the exhibit, which attracted about 17,000 visitors, promotes “a mistaken point of view that further complicates relations between South Korea and Japan.” [GMA News, Yonhap News Agency]
With the debuts of Winter Soldier: The Bitter March, Rick Remender and Roland Boschi, and the relaunched Wolverine, by Paul Cornell and Ryan Stegman, quickly approaching, Marvel has supplied ROBOT 6 with exclusive new looks at pages from both comics.
The preview begins with a color splash page from Wolverine #1, previously released in black and white, and concludes with an action-packed (and snowy) two-page spread from Winter Soldier: The Bitter March #1, which kicks off the five-issue miniseries set during the 1960s.
Both comics arrive in February. See the full pages and solicitation text below.
When learning to draw well I always thought there was some “secret” that would make me better. Turns out the “secret” was just hard work.
– Marvel artist Ryan Stegman, via Twitter
I don’t know how many times I’ve heard aspiring creators ask these questions of professionals: “Where do you get your ideas?” “What’s the secret to making great art or telling great stories?” As if there’s a magical incantation that will instantly transform learning amateurs into masters.
Much in the way Marc Maron’s WTF podcast provides a more personal, and sometimes profound, look at comedians as they’re interviewed by a fellow comedian, comic artist and Savannah College of Art and Design professor Shawn Crystal has turned the spotlight on comic-book creators.
Earlier this year Crystal launched the podcast InkPulp Audio (available on iTunes here), and it’s already generating buzz among his fellow creators. The artist who introduced me to it said, tongue in cheek, that he’s “hoping Crystal will soon be the Oprah of comics.” While that remains to be seen (keep checking under your chairs for that new car), the podcast finds him talking shop with such artists as Sean Murphy, Eric Canete, Ryan Stegman and Rick Remender.
The idea for the podcast came to Crystal as he found himself at a crossroads.
Comics sales | The bookstore chain Books-A-Million had an up year, and CEO Terrance G. Finley credited that in part to strong graphic novel sales, including The Walking Dead and kids’ graphic novels. [ICv2]
Digital comics | Wired runs down a handful of digital comics apps, noting both the pluses and the minuses of each one. [Wired]
Creators | Yehudi Mercado talks about his kid-friendly comic Pantalones, TX, which is filled with Saturday morning cartoon-style action, authority-questioning, and risky business: “I did purposefully envision Pantalones, TX as the anti-safety pad cartoon. I see my nieces and nephews growing up in a sheltered and sanitized environment, they don’t play outdoors at all. When I was a kid we shot fireworks at each other while playing in a bayou. I’m not saying that’s the right thing to do, but there should be a balance.” [Wired]
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Our special guest today is Ryan Stegman, artist of Superior Spider-Man, Scarlet Spider, Fantastic Four, She-Hulks and more.
Now let’s get to it …
Welcome to What Are You Reading?, where the Robot 6 crew shares their picks for who we think should play a young Han Solo. Of course, we unanimously chose Nathan Fillion, so instead we’ll talk about what comics we’ve been reading. Joining us today is special guest Tim Lattie, the creator of Night Stars. Tim is currently running a Kickstarter to raise funds to publish it, so head over there and check it out.
To see what Tim and the Robot 6 crew have been reading, click below.
To see what James and the Robot 6 crew have been reading, click below …
I’ll start off with the customary warning: spoilers for Amazing Spider-Man #700 and Superior Spider-Man #1 can be found below. I’ll also note that these aren’t the same spoiler, so don’t think you’re safe if you’ve only read ASM #700.
With that out of the way, it’s a new day for Spider-Man, with a new first issue and a new status quo, of sorts. ASM #700 brought all sorts of reactions from fans, and now that the new series has kicked off, what do folks think? Here are a few reactions to Superior Spider-Man #1:
Rob at Crisis on Infinite Midlives: “Okay, let’s start with the most important thing: this is, almost without exception, a very good, character driven book that was clearly written with a great deal of care by Dan Slott. This book, as the introduction to Ock as Spider-Man, kinda had to be a character study of the man more than any kind of action or plot-driven story, and Slott delivers on that basis. Because this is, regardless of the suit or the name or the redhead he’s trying to bang, a story about Otto Octavius. And Peter’s memories or not, he is a self-centered supervillain. And Slott never forgets that.”
It’s become an annual tradition here during our birthday bash: No matter how much stuff we line up, people we interview, etc., there are still tons of folks we like to hear from and include in our giant New Year’s/anniversary/birthday activities. So, as we’ve done in past years, we asked a cross-section of comics folks what they liked in 2012 and what they’re excited about for 2013. We received so many this year that we’ve broken it down into two posts; watch for another one Tuesday.
But for now, check out all the great stuff people shared with us, including hints at new projects and even some outright announcements. Our thanks to everyone this year who responded. Also, thanks to Tim O’Shea, Michael May and Chris Arrant, who helped collect responses.
JIMMIE ROBINSON (Bomb Queen, Five Weapons)
What was your favorite comic of 2012?
Image’s Saga, Fatale, Hawkeye‘s reinvention is fresh and exciting, Peter Panzerfaust, Enormous by Tim Daniel. It’s hard to pin down just one because there is SO much good work coming out nowadays — from many publishers across the board.
If the first day of the Chicago Comic & Entertainment Expo was dominated by announcements from Dark Horse and DC Comics, then the second day belonged to Marvel, which followed through on its teaser for a new series, revealed an Icon relaunch, and shuffled some creators. Here are some of the highlights from Saturday (along with a couple of holdovers from Friday):
• As usual, the “Cup O’ Joe” panel was where Marvel rolled out its biggest publishing announcements, beginning with confirmation that the teaser released last week is indeed for a Hawkeye ongoing series reuniting The Immortal Iron Fist collaborators Matt Fraction and David Aja. In the title, which debuts in August, Clinton Barton will be accompanied by fan-favorite Young Avenger Kate Bishop as he fights organized crime in New York City. “It’s very Avengers, by which I mean John Steed and Emma Peel. There’s a whole healthy person between the two of them,” Fraction told Comic Book Resources. “There’s a line in Rocky where he says, ‘I got bumps. You got bumps. Together we fit,’ or something like that — the two of them fit together. Each one has what the other doesn’t, which means they work very well together. She’s young, incredibly gifted, incredibly cultured, and incredibly headstrong. She doesn’t suffer his crap and also wants to be someone worthwhile, but she’s trying to figure out how to make that possible. She follows him not because of his abilities, but his accomplishments. So they work together quite well. It’s an apprentice and master style relationship.”
If you happen to be in the vicinity of East Lansing, Michigan, the week after next, it would be worth your while to check out the 2012 Michigan State University Comics Forum. Panel coordinator Ben Chabala (himself the creator of The Art of War) sent along some info, including the news that Jessica Abel (Life Sucks, Drawing Words and Writing Pictures) will deliver the keynote address on Friday, Feb. 3. Abel will also be gracing Artists Alley on Saturday, along with Jeremy Bastian (Cursed Pirate Girl), Ryan Claytor, Jay Jacot (creator of this year’s poster), Ryan Stegman and a host of budding and experienced comics creators. Forums and panel discussions will also take place on Saturday.
Let’s not mince words, the online presence of Tom Brevoort has provided hours of great reading for Robot 6 readers. Given his constant and unflagging willingness to interact with consumers via social media, Brevoort is a quote machine (His Twitter bio? “A man constantly on the verge of saying something stupid–for your entertainment!?”). There’s always a directness (some would say bluntness) to his manner online–making him the ideal subject for an interview. Last year saw Marvel promote Brevoort to senior vice president for publishing. 2011 was a year of some major successes for Marvel, as well as a year where some hard business decisions were made. In this interview, conducted in mid-December via email, I tried to cover a great deal of ground (we even briefly discuss DC’s New 52 success)–and Brevoort did not hold back on any of his answers. For that, I am extremely grateful. Like any high profile comics executive, Brevoort has his fans and his critics (and many in between), but I like to think this exchange offers some perspectives everyone can enjoy.
Tim O’Shea: Whether it’s in your job description or not, fan outreach via social media is definitely part of your job–clearly by your own choice. What benefit or enjoyment do you get from interacting with the fans/consumers?
Tom Brevoort: I’m not sure that I get a particular benefit, except maybe just being the center of attention for a few minutes—maybe everything I do is motivated by ego! I’m a whore for the spotlight! But I started doing this kind of outreach back in the formative days of internet fandom, largely because I like the idea of internet fandom. I know that, if the internet had existed when I was a young comic book reader, I’d have been on those message boards and in those chat rooms all the time, obsessively—just like a certain portion of the audience today. So I like the idea of giving back, of being accessible enough that anybody who has a question or a concern knows where to find me, or at least to find somebody with an insider’s track who might have the background and knowledge to speak to their point. In a very real way, it’s all an outgrowth of what Stan Lee did in his letters pages and Bullpen pages. Joe Q, I think, was really the first person to perfect that approach for the internet age. As EIC he was incredibly available to the audience in a myriad of ways. It’s a philosophy that’s very much woven into our DNA at Marvel. And for the most part, our fans are interesting, vibrant, cool people, especially when you meet them in person.