Axel-In-Charge: "Secret Wars" Jam Session Talking "A-Force," "Ultimate End" and More
Conventions | Ahead of New York Comic Con, George Gene Gustines shares producer Michael Uslan’s program from a 1964 comics gathering in New York City; it actually was released after the show, and includes some thoughts on how things could be improved, mainly by shifting the focus from buying and selling comics to bringing in creators so the fans could meet them personally. Nonetheless, Steve Ditko was there, and the list of registered participants included George R.R. Martin. [The New York Times]
Creators | Roberto Aguirre-Sacasa talks about taking Sabrina the Teenage Witch to the dark side in her new series, a Riverdale horror story in the same vein as Afterlife With Archie. In this case, rather than zombies, Aguirre-Sacasa is drawing inspiration from the 1960s film Rosemary’s Baby. [Hero Complex]
Conventions | With the 20th Small Press Expo kicking off Saturday in Bethesda, Maryland, The Washington Post’s Lori McCue singles out three of the show’s biggest draws: appearances by Jules Feiffer, Lynda Barry and Bob Mankoff. Meanwhile, Michael Cavna spotlights Fear, My Dear, the new release from convention guest Dean Haspiel. [The Washington Post]
Creators | As he prepared to head out to Small Press Expo, Farel Dalrymple paused for an audio interview about his newest book, The Wrenchies, which will debut at the show. [Comics Grinder]
Creators | Writer Tom Taylor teases what we can expect in his new Superior Iron Man series. [Previews World]
Awards | Online voting is open through April 30 for the sixth annual Inkwell Awards, which recognize excellence in comic-book inking. The winners will be announced during a ceremony at HeroesCon, held June 7-9 in Charlotte, North Carolina. [Inkwell Awards]
Comics | On the website of the conservative Media Research Center, Kristine Marsh and Matt Philbin accuse DC Comics and Marvel of having a “homosexual agenda”: “Like the rest of American pop culture, comic books have increasingly included pro-gay propaganda pieces aimed at the children and young adults who read them.” [Media Research Center]
A 2007 recipient of the Bill Finger Award for Excellence in Comic Book Writing, Gladir began working for Archie in 1959, initially penning one-page gags for Archie’s Joke Book before moving on to other titles, including Archie’s Pal Jughead, Archie’s Girls Betty and Veronica and Archie’s Madhouse. It was in that last title, in 1962, that he and DeCarlo introduced Sabrina, the well-meaning witch who became a sensation, inspiring two animated series, a television movie and a live-action sitcom.
“I think we both envisioned it as a one-shot and were surprised when fans asked for more,” Gladir recalled in a 2007 interview. “We continued to do Sabrina stories off and on in Mad House until 1969 when we were flabbergasted to hear it was to become an animated [TV series].”
It says something – although, I admit, I’m not quite sure what – that the book I enjoyed reading most last week wasn’t one of the “New 52″ from DC, nor was it the long-awaited return of Casanova from Marvel… Instead, it was The Best of Archie Comics, a collection of stories from the past seven decades of America’s favorite teenager. Well, apart from Justin Beiber, obviously.
I’ve written before about my secret, somewhat confused love for the Riverdale gang, but there’s something about reading such a chunk of history from the publisher in one sitting (It’s not only Archie stories, either – there’re Sabrina The Teenage Witch stories in there, as well as Josie And The Pussycats, the little-remembered That Wilkins Boy and even some Katy Keene) that’s weirdly compelling and addictive; I finished the 400+ page book and pretty much wished I had another one, as long if not longer, waiting for me immediately.