Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
Retailing | Variety Comics, which opened in Chicago in summer 1974, will close its doors for good Halloween. “Business is down,” says co-owner Vin Nguyen. “It’s sad but you know, it is what it is.” Nguyen and his partner Victor Olivarez bought the store in 2009 following the death of original owner Rick Vitone. [DNAInfo]
Conventions | The Houston Press looks at allegations of organizational problems and financial mismanagement at the Houston-based convention Anime Matsuri, which has been growing steadily (attendance at this year’s event was 24,000), despite leaving a trail of lawsuits, unpaid bills and angry guests. [Houston Press]
Fandom | Twelve-year-old Cameron Bippen was looking forward to attending Tampa Bay Comic Con, but had to miss the event due to unexplained seizures. Following his release from the hospital, Cameron’s neighbors in Riverview, Florida, threw him his own comic convention, complete with costumed guests and a visit from members of the Tampa Bay 501st Star Wars Legion. [Fox 4 News]
Although Saturday at Comic-Con International was dominated by movies and television — led by Warner Bros. Pictures, Marvel Studios and Legendary Pictures — there was still room for plenty of comics news. First and foremost, the announcement of Marvel’s Star Wars plans.
That line, telling canonical stories set between the events of Star Wars: A New Hope and Star Wars: The Empire Strikes Back, launches in January with Star Wars, by Jason Aaron and John Cassaday, followed in February by Star Wars: Darth Vader, by Kieron Gillen and Salvador Larroca with covers by Adi Granov, and in March by the miniseries Star Wars: Princess Leia, by Mark Waid and Terry Dodson.
“What’s great about this time period is that all the characters are kind of on the table,” Aaron told CBR News. “Of course this is still early on and these people have pretty much just met each and just come together. So they’re still finding their place within this group and sort of figuring out their relationships with each other. Then there’s the fact that when you look at the gap between Episode IV and Episode V there’s some pretty major beats that happen off screen. So this gives up the opportunity to grab those beats and lay them down as part of the same canon as the movies.”
Sacred Heart is set in a small town where all the adults have mysteriously disappeared and the teenagers rule. The situation is not total anarchy, and that’s one of the things that makes it so interesting — order has broken down in some ways but not in others. It’s been running online for a number of years, but Suburbia is completely redrawing the comic and Fantagraphics will publish it in a single volume— although the cartoonist says there will be more to come.
ROBOT 6 spoke with Suburbia about Sacred Heart and how it has evolved so far.
Brigid Alverson: Sacred Heart is about a town that seems to be full of high-school kids but no adults or younger children. Can you give us an idea about what’s going on?
In the first draft (the one that’s online) it’s kind of a secret, but in the final print version it’s more clear that their parents left almost four years ago and promised to return in about four years’ time.