Hawkeye, Vol. 1, by Matt Fraction, David Aja and Javier Pulido, and Saga, Vol. 1, by Brian K. Vaughan and Fiona Staples, are among the 35 official selections for the 41st annual Angoulême International Comics Festival, to be held Jan. 30-Feb. 2.
Other titles familiar to North American audiences include: Annie Sullivan and the Trials of Helen Keller, by Joseph Lambert; Attack on Titan, Vol. 1, by Hajime Isayama; Are You My Mother?, by Alison Bechdel; Goliath, by Tom Gauld; My Friend Dahmer, by Derf; and The Property, by Rudu Modan.
In addition, the French-language editions of Paul Pope’s Battling Boy and Ben Hatke’s Zita the Spacegirl are among the nominees for the Sélection Jeunesse (books for young readers), while the eighth volume of Scalped, by Jason Aaron, R.M. Guera, Jason Latour, David Furno, received a nod for Prix Polar (crime). The reprints category also has several books readers should recognize.
The full list can be found on the Angoulême website.
Awards | Sean Phillips was named as best artist and Saga, by Brian K. Vaughan and Fiona Staples, as best comic/graphic novel at the 2013 British Fantasy Awards, presented Sunday at the World Fantasy Convention in Brighton, alongside the World Fantasy Awards. [British Fantasy Society]
Publishing | Tim Pilcher of Humanoids talks about his company’s new plans to distribute its graphic novels in the United Kingdom through Turnaround Publisher Services. [ICv2]
Conventions | Italy’s Lucca Fest had a record-breaking show, with 200,000 tickets sold and 300,000 attendees in all. [The Hollywood Reporter]
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So find out what we thought about Waluk, Superior Spider-Man and more.
Saga, Adventure Time, Jaime Hernandez and Parker: The Score were among the winners of the 2013 Harvey Awards, which were presented tonight in conjunction with the Baltimore Comic-Con. Saga was the night’s big winner with six awards, as Fiona Staples took home awards for best artist and best colorist, and Brian K. Vaughan took home the award for best writer.
Also taking home an award tonight was this very blog, as Robot 6 won for best biographic, historical or journalistic presentation. Our fearless leader Kevin Melrose will likely have a few words to say about that in the days ahead, but for now I’ll just say congratulations to the rest of the Robot 6 team — it’s an honor to work with you guys.
Named in honor of the late Harvey Kurtzman, the cartoonist and founding editor of MAD magazine, the awards are selected entirely by creators. The full list of nominees can be found below, with the winners in bold and italics. Congratulations to all the winners:
Saga, Vol. 1, by Brian K. Vaughan and Fiona Staples, won the 2013 Hugo Award for Best Graphic Story, presented over the weekend at LoneStarCon 3 in San Antonio, Texas. Paul Cornell served as the toastmaster.
Presented annually since 1955 by the World Science Fiction Society, the prestigious Hugo Awards recognize the best in science fiction and fantasy.
Published by Image Comics, the bestselling Saga follows two soldiers from opposite sides of an intergalactic war who fall in love and risk everything for their newborn daughter, and in the process become fugitives on the run from their own governments. The title was one of the big winners at this year’s Eisner Awards, earning nods for Best Continuing Series, Best New Series, and Best Writer.
Graphic novels | ICv2 has the July BookScan numbers, and six of the Top 10 titles are from Image Comics (four Walking Dead, plus both volumes of Saga). The latest volume of Sailor Moon tops the list, and the first volume of Attack on Titan shows up at No. 12, which is pretty good for a book that came out more than a year ago. The only DC Comics or Marvel titles to crack the Top 20 were Hawkeye, Vol. 2 (No. 18) and perennial bestseller Watchmen (No. 19). [ICv2]
Conventions | Fans are gearing up for next month’s Salt Lake Comic Con (which another article estimates will attract more than 25,000 attendees), but the announcement that professional cosplayer Jessica Nigri will be there has caused a minor controversy. [The Salt Lake Tribune]
Digital comics | Financial-services company The Motley Fool touches upon how digital has helped to boost the comics industry, rather than undermine print sales as some predicted it would. “Digital has not to anyone’s observation pirated the sales of comics. It looks like just the opposite,” writer and charts-watcher John Jackson Miller tells the website. And then, because it’s The Motley Fool, the story veers off into what investors can learn from digital comics — specifically, “three forces [that] conspired to transform digital from a threat into a catalyst”: quality, format and access. [The Motley Fool]
Creators | Brian K. Vaughan talks about producing the CBS sci-fi thriller Under the Dome and writing Saga as well as his digital comic The Private Eye. His take on Saga: “I definitely wanted to write about the experience of fatherhood and parenthood while also recognizing that’s extremely boring for most people. How do you talk about these mundane topics in an exciting way? Hopefully setting this story in a wacky sci-fi fantasy universe has given us room to tell this story with some visual spectacle and just Fiona Staples being awesome.” [USA Today]
Courtesy of the Image Comics Tumblr arrives what may end up being my favorite cosplay of Comic-Con International 2013: Alana and Marko from Brian K. Vaughan and Fiona Staples’ Eisner-winning space opera Saga.
The first two Walking Dead Compendium volumes have sold a combined 100,000 copies this year in bookstores, towering above the other titles on Nielsen BookScan’s list of the Top 10 bestselling adult graphic novels for the first half of 2013. With a suggested price of $59.99, Image Comics’ 1,088-page Compendium One is “by far” the most expensive book on BookScan’s Top 200 chart for adult fiction.
Graphic novel sales have increased 10 percent year over year, which the company seems to attribute in no small part to the performance of the collections of the long-running comic by Robert Kirkman, Tony Moore, Charlie Adlard and Cliff Rathburn, and the popularity of the AMC television series.
Volumes of The Walking Dead accounted for four of the top five spots on the BookScan chart, a streak only interrupted by Masashi Kishimoto’s Naruto, Vol. 60, at No. 4. In fact, six of the Top 10 graphic novels were held by Image books, with another volume of The Walking Dead claiming the No. 7 spot, and Brian K. Vaughan and Fiona Staples’ Saga, Vol. 1, slipping into the final slot with 15,000 copies; the remaining books are manga.
According to BookScan, The Walking Dead books have sold more than 1 million unites in the past 18 months, with Compendium One seeing “a 47 percent week-to-week sales lift” that coincided with the Season 3 finale of the AMC series in March.
Retailing | Publishers Weekly’s annual comics retailer survey yields some interesting commentary, although the sample size is small (just 10 stores): Sales are up, retailers are optimistic, and Saga is the hot book right now. Also, booksellers who underestimated the demand for Chris Ware’s Building Stories lost out to direct-market retailers who didn’t, making for some nice extra sales during the holiday season. And while readers seem to be getting tired of the Big Two and their event comics, they are more enthusiastic than ever before about creator-owned comics, and Image is doing quite well. [Publishers Weekly]
Awards | Ladies Making Comics presents the complete list of women Eisner nominees for this year, noting that women have been nominated in almost every category. [Ladies Making Comics]
Comics sales | ICv2 reckons that at $4.99 a copy and more than 250,000 copies sold, Scott Snyder and Jim Lee’s Superman Unchained #1 brought in $1.25 million at retail. John Mayo has additional sales analysis at Comic Book Resources. [ICv2]
Creators | Stan Lee shows off his office, which is pretty darn nice. [CNN iReport]
Creators | Writer Steven T. Seagle talks about the genesis of his new graphic novel, Genius, which started with his wife’s revelation that her father was in on one of the secrets of the century. [Hero Complex]
“I think the digital distribution revolution is maybe the best thing that’s ever happened to mainstream comics. I really miss the days when you could find a comics spinner rack in every drug store, but now anyone who owns a mobile device can have their own personal spinner rack, and it’s always stocked with every issue imaginable. I don’t know if creators at other companies are privy to exactly how many digital copies their books are selling these days, but the statements Fiona and I get from Image are pretty staggering. I realize that’s not true for every book, but the day when many titles start selling more digital copies than print copies is not years away, it’s months away.”
– Brian K. Vaughan, discussing digital comics in a new interview with Comic Book Resources about Saga and The Private Eye
The arrival today of the second collection of Saga, the hit space opera by Brian K. Vaughan and Fiona Staples, will be met with glee not only by readers following the Image Comics series in trade paperback but also by a good number of retailers — and Brian Hibbs in particular.
The owner of Comix Experience in San Francisco (and Comic Book Resources columnist) commented last week on our post about the first volume’s strong performance in the direct market eight months after its debut, saying, that “Saga is, by far, our best-selling title.” Hibbs expanded upon that last night on his own blog, revealing that Saga, Vol. 1, “is now my second-best selling title in the store’s history of point-of-sale. Nearly seven years.”
“It just passed into that spot a few days ago, where it passed the previous #2, The Walking Dead v1,” he continued. “Understand, that is for sales of TWD v1 OVER THE LAST SEVEN YEARS. Uh, yeah. What’s the most remarkable about Saga is that it steadily sells even at this point. When it crossed into #2 position, it was something like 243 copies sold in 248 days — even at this point, months and months after it first came out, we’re still selling 5+ copies a week.”
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. Now that everyone is coming down from the high (or the low, depending upon your opinion) of Man of Steel‘s $125.1 million opening weekend, it’s time to settle back in for some actual comic books. And this week, there are plenty to recommend, from new-series debuts like Brother Lono and The X-Files Season 10 to original graphic novels like Paul Joins the Scouts and Primates.
But that’s not all, as this weekend also brings the fifth annual Kids Read Comics convention …
I first came across Ming Doyle’s work when she illustrated a new Michael Moorcock Elric short story in Weird Tales #349, the series’ 85th birthday issue. I’m something of a Moorcock nut, and prone to strong opinions about his artistic collaborators, but Doyle’s work more than passed muster: Here was an artist whose progress I was going to have to keep a close eye on.
Since then, Doyle’s career trajectory has been consistently upward, from the Star Trek-loving webcomic Boldly Gone with Kevin Church, to her current work on the Image comic Mara with Brian Wood. Every time some editor at DC Comics or Marvel claims he isn’t employing female creators because there just aren’t any out there fit for purpose, she’s always one of the first names that pops into my head as I mentally compose a list as long as your arm of women one big gig away from comics super-stardom.
Anyway, it’s convention season, that happy time when my favorite artists post lots of lovely sketches on their blogs, Instagram timelines, Facebook and the like — y’know, that newfangled social media the kids are all talking about. The collective Doyle belongs to, Out of Step Arts, has posted several sketches done at last weeks HeroesCon, some of which can also be seen at her own site, along with more May’s Phoenix Comicon. There’s a selection of my favorites after the break, including probably the most smouldering-est rendering of Bones McCoy ever.
(Note: The headline has been changed to better reflect the intention of this post, which is to celebrate Ming Doyle’s artwork. We apologize if our meaning wasn’t clear.)