SDCC: Marvel: Spider-Man and His Amazing Friends Panel
Two years ago, editor Drew Ford launched a line of graphic novel reprints for Dover Publications, starting with “A Sailor’s Story,” Sam Glanzman’s account of his service on a ship in World War II, which received aglowing review in The New York Times. Since then, Ford has demonstrated a knack for finding interesting titles and bringing them back in enhanced editions: David Michelinie and Bret Blevins’ “The Bozz Chronicles,” Chuck Dixon and Gary Kwapisz’s “Civil War Adventure,” and Steven Murphy and Michael Zulli’s “The Puma Blues,” which has been nominated for an Eisner Award.
Now Ford has left Dover and set up his own publishing house, It’s Alive!, to continue producing high-quality reprints of classic comics. His launch title is “Red Range,” by Joe R. Lansdale and Sam Glanzman, which was originally published in 1999 in black and white. The new edition has been colored and includes a new afterword by Stephen Bissette. A Kickstarter to fund the project has just reached its initial goal, but Ford has some stretch goals as well. His next project will be Trina Robbins’ “Dope.”
We talked with Ford about his plans to preserve the history of comics by bringing classic comics back into print as graphic novels.
Blues musician Johnny Winter passed away Wednesday in a hotel in Zurich, Switzerland, according to a post on his Facebook page. He was 70. Although details are scant, Variety reports that the Texas-born singer and guitarist had been touring in Europe, and had performed Saturday in Austria.
While Winter’s passing is noteworthy due to his contributions to music, he also has a connection to comics: He and his brother Edgar Winter famously sued DC Comics in 1996, claiming they were defamed, and their rights to privacy and publicity violated, by Jonah Hex: Riders of the Worm and Such, a miniseries by Joe Lansdale, Timothy Truman and Sam Glanzman.
The Winter brothers, who were born with albinism, objected to the “villainous half-worm, half-human” characters the Autumn brothers, who share not only the musicians’ first names but also their distinctive physical traits — long white hair and an absence of skin pigment. They argued their reputations were damaged because the characters were depicted as “vile, depraved, stupid, cowardly, subhuman individuals who engage in wanton acts of violence, murder, and bestiality for pleasure and who should be killed.”
Welcome to the very last Food or Comics. Next week our new-release picks will take a different format, but this week we’re still talking about what comics we’d buy at our local shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
Let’s be honest, if I had $15, I’d make sure that Batman Incorporated #8 (DC Comics, $2.99) was first on my list. Not because of any controversy — I’ve been enjoying the series all along — but because I’d be worried it’d sell out if I waited. I’d also grab two Dynamite books: Jennifer Blood #23 and Masks #4 (both $3.99); Al Ewing has done just insane, amazing things on the former, and the Chris Roberson/Dennis Calero team on the latter is just killing it.
If I had $30, I’d find myself time traveling to all the weeks prior in which I didn’t use all $30 to borrow a dollar from past-me, just so that I could get Showcase Presents Justice League of America, Vol. 6 (DC Comics, $19.99), which takes the series firmly into the 1970s and brings the team face to face with villains including the Shaggy Man, Amazo and countless other favorites of my childhood.
Should I have some splurging left in me after that nostalgia-fest, I’d likely go for the Judge Anderson: PSI Files, Vol. 3 collection (Rebellion, $32.99), which picks the series up just after I’d dropped off the 2000AD radar for awhile, and hopefully gives me the chance to get back into the character, now that I am firmly into Thrill Power again.
When Joe Kubert passed away in August, he left a sizable hole in the world of comics, by virtue of his lifelong career in the field, his fairly unique role as one of the medium’s first and most influential teachers, and his immense talent.
At the time of his death, many of the obituaries and remembrances mentioned he was still drawing comics at his advanced age, and that, in fact, he had projects on his drawing board.
I suspect a lot of people will be contemplating Kubert’s work this week, and mourning his loss, as Wednesday the major publisher with which he was most associated throughout his career released some of his latest and, sadly, last work, giving readers to chance to see some of that stuff of that was on his drawing board when he passed away: an eerie, unfinished story for a Vertigo anthology and the first issue of a new limited series bearing Kubert’s name.
The Vertigo anthology is Ghosts, and Kubert’s piece is “The Boy and the Old Man;” it’s about a brave old warrior on his figurative deathbed, lying there awaiting his end, and, ultimately, vigorously fighting against it when it arrives, in order to save a young man.
DC Comics celebrated America’s birthday today by announcing Joe Kubert Presents, a “far-ranging collection of stories from comics legend Joe Kubert.” The first issue of the six-issue anthology arrives on Halloween.
The 48-page first issue will feature a “Hawkman” story written and drawn by Kubert, as well as an “Angel and the Ape” story by Brian Buniak and a new “U.S.S. Stevens” tale by Sam Glanzman.