Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
This week Marvel released a couple of tie-ins to its big Original Sin event, and DC Comics issued new printings of chapters from its Superman crossover “Doomed.” But the weirdest, most unexpected and, oddly enough, most traditionally formatted crossover going right now comes not from the Big Two publishers that invented and perfected the approach, but from IDW, whose Super Secret Crisis War #1 features the heroes and villains from a half-dozen old Cartoon Network series sharing story space.
IDW has done crossover stories before (Infestation, Infestation 2, Mars Attacks IDW), but in the past these have been rather indirect, with the same menaces (zombies, Lovecraftian monsters, the Mars Attacks martians) invading the different realities of its various licensed properties (G.I. Joe, Star Trek, Transformers, etc.). Here the participants all appear in the same book, and even rub elbows in the same panels.
What ties them together is that they all once had shows on Cartoon Network and, um, well, that’s about it really, but it’s enough to get them all in the same six-issue miniseries issues (plus five one-shot tie-ins that will bring yet more Cartoon Network stars into the fold).
This allows the series to capitalize on the pleasures of two different sorts of crossovers: There’s the shared-universe crossover, as when all the DC or Marvel heroes team up (even if these characters don’t technically share the same universe), and the inter-company crossover, when characters from various properties that were never meant to meet up do so (Think Batman/Judge Dredd, Archie Meets The Punisher).
One of the best things about comic conventions is the opportunity to meet the many talented artists on hand, see their original work and even commission pieces from them. Skottie Young is a familiar face in artist’s alleys across the United States, and over the weekend he set up at the Chicago Comic & Entertainment Expo, where he turned out amazing original art for some lucky fans.
Young offered custom sketches on colored paper of a character of fans’ choosing. Many took him up on that, and Young has posted some of his favorite on his website. If after seeing these you’re interested in commissioning one of your own (I am!), Young will be attending four more conventions this summer: Motor City in Detroit in May, HeroesCon in Charlotte in June, Boston Comicon in August and Cincy Comicon in September. Keep an eye on his website, as he normally posts details before each convention.
Legal | Ecuadorean cartoonist Xavier Bonilla has received a court summons on unspecified charges that seem to relate to a cartoon that President Rafael Correa finds offensive. The case was brought by Ecuador’s new media regulator; Correa has stepped up attacks on the press in recent years, and the newspaper that runs Bonilla’s cartoons, El Universo, has been prosecuted in the past. [Business Standard]
Censorship | Michael Dooley looks at successful and unsuccessful attempts to remove comics from schools and libraries over the past 13 years; this short roundup is informative in its own right, and it’s apparently a sidebar to a longer article that’s not available for free. [Print Magazine]
Conventions | Boston Comic Con is coming this weekend, and founder Nick Kanieff talks about how it has grown from 900 attendees at the first con, in 2007, to an expected 15,000 for this year’s event, which was rescheduled because of the Boston Marathon bombings. [MetroWest Daily News]
Publishing | Denis Kitchen discusses the return of Kitchen Sink Press to publishing as an imprint of Dark Horse. It kicks off in December with an anthology, The Best of Comix Book. [Publishers Weekly]
Creators | Peter Steiner’s cartoon, captioned “On the internet, nobody knows you’re a dog,” is the most-reproduced cartoon in the history of The New Yorker. On the 20th anniversary of its publication, Steiner looks back on its creation, which came about almost by chance, and the ways the world has changed in the interim. One interesting nugget: The most-reproduced cartoon in The New Yorker has brought its creator a total of $50,000 in royalties over the past 20 years. [Comic Riffs]
It sounds like some interesting announcements were made at the ComicsPRO meeting over the weekend in Atlanta, and one that is already hitting the streets is that IDW Publishing will release an entire line of comics based on Cartoon Network properties.
“Many of these Cartoon Network shows have only grown in popularity since they originally aired,” Chris Ryall, IDW’s chief creative officer and editor-in-chief, said in the press release, “and we’re excited to be able to offer new iterations of the characters in comic-book form alongside both our planned reprint material and also some new animated ventures Cartoon Network has planned, too. There’s a wealth of fun properties to play with here, and we’ve already got some unique things in mind for them.”
The starting lineup will include The Powerpuff Girls, Ben 10, Dexter’s Laboratory, Samurai Jack, Johnny Bravo and Generator Rex. Many, if not all, have been made into comics before: DC released 70 issues of its Powerpuff Girls comic and 34 issues of Dexter’s Laboratory, in addition to a Cartoon Network Action Pack anthology, which featured many of the network’s other characters (like DC Entertainment, Cartoon Network is a subsidiary of Time Warner), and Del Rey published a Ben 10 graphic novel that was written by Peter David and illustrated by Dan Hipp. So there is an interesting back catalog to draw on in addition to new material.
An IDW spokesperson told ICv2 that the first release in the new line will be a Powerpuff Girls comic this fall.