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Preregistration for the 2014 Comic-Con International in San Diego started at 9 a.m. Pacific today for those who attended the con this past July — and of course have a valid member ID/registration code.
According to many, many people on Twitter, registration seems to be progressing slowly but surely, with many excited to have bought their tickets already while others anxiously wait in the virtual line.
As Steve noted earlier this week, the purchase process has been changed from years past, adjusted with user feedback in mind. By far the largest shift in protocol is the change to a random distribution system as opposed to the first-come, first-served policy of the past.
The Comic-Con Twitter account has not been updated since 9 a.m., which is probably a good sign if you’re in the queue for tickets — no doubt the next update we’ll see will be the first notice of tickets selling out. I’ll provide updates as those occur.
Yesterday Comic-Con International announced it would sell only single-day badges for this year’s event, with the Preview Night option only being available to those who buy passes for all four days.
The change brought questions, the biggest being “Why?” — and on their blog organizers provided an explanation.
“The decision to move from a 4-Day badge option to single day badge options was to give each attendee more flexibility when purchasing,” the post reads. “Since we no longer offer a discount for purchasing all four days, the 4-Day option was repetitive and often lead to people purchasing a 4-Day badge despite not needing to attend every day. We hope this change will allow attendees to purchase only the days they truly need and maximize the number of people who can get a badge to attend Comic-Con.”
Marvel has announced a line-up of merchandise for Comic-Con International that includes a Marvel’s Agents of S.H.I.E.L.D. T-shirt, a Rocket Raccoon mug and, perhaps most adorably of all, Skottie Young’s Avengers movie poster (part of the Phase 1 Marvel Cinematic Universe Blu-Ray Collector’s Set) and glass tumbler.
The limited-edition pieces will be available at the Marvel booth (#2329) at the San Diego Convention Center. See the list, with images, below:
Ah, Comic-Con International: when comics publishers are tripping over themselves to announce new projects, and movie producers throw star-power at the fans to drum up word-of-mouth support for their latest efforts. Of course, there will be all kinds of lower-profile launches that can tend to get bulldozed off the front pages by the big ticket news items.
Ashley Wood’s 3A Publishing releasing Kent Williams: Ophthalm there is probably a case in point. It’s an art book by a painter whose last major comic project was published in 2005. I’ve loved Williams’ work since he was collaborating with Jon J. Muth in the 1980s, but the work he was producing then doesn’t hold a candle to the canvases he now exhibits. It’s amazing work, as viewable at his website. Wood is quite the advocate for Williams, publishing several portfolios of his work in IDW’s Swallow, then a pocket book of his paintings in their Sparrow series, and recently a collection of drawings through his own Goya imprint. The book’s press release is, however, rather purple. This is the art world we’re dealing with now, people, not comics! And the book’s title? That’s Greek for “the eye.”
Valiant Entertainment not only became a corporate member of the Comic Book Legal Defense Fund this week, but also debuted a variant cover edition of Quantum and Woody #1 that will be sold at Comic-Con International in San Diego next month to benefit the organization.
Drawn by Tony Millionaire of Maakies and Sock Monkey fame, the Quantum and Woody #1 CBLDF Liberty Variant will be limited to 750 copies. It’ll only be sold at the CBLDF’s booth at San Diego and via the CBLDF website.
Check out the full cover below.
Omaha the Cat Dancer, the decades-old erotic comic by artist Reed Waller and writer Kate Worley, will see its final storyline collected by NBM in July.
Waller teamed with Worley’s husband, Kings in Disguise writer James Vance, to finish the story from an outline that Worley completed before her death in 2004. The story was serialized previously in NBM’s Sizzle Magazine. “Helping Reed finish Kate’s story is one of the toughest jobs I’ve ever taken on, but she left us in very good shape,” Vance said in a press release. “The final act of Omaha will be dramatic, sexy, touching and satisfying.”
Note: There’s a Not-Safe-For-Work image after the jump.
No doubt those of you who are planning to go to Comic-Con already know this and are probably hunkered down in front of your computer (or computers) with your browser (or browsers) already opened and ready to rock. (And maybe Twitter as well, as the excitement has already begun).
As I noted earlier this month, you have to have a Comic-Con Member ID to be able to be buy a badge. If you don’t have one, you won’t be buying badges today — the site is closed to new registrations and will not reopen until next week.
Also, if you purchased a four-day badge with Preview Night during pre-registration in August 2012, or if you are a professional or guest of professional who has registered for a Comic-Con 2013 professional badge, you are not eligible to participate in open online registration and can’t buy any badges today.
Watch for updates here as badges go on sale (and sell out).
Badges for the 2013 Comic-Con International in San Diego will go on sale to the general public at 9 a.m. Pacific on Feb. 16. And they’ll probably sell out by, what, 9:10? 9:15? There’s no telling, so if you want one, plan ahead and move quickly.
Buying a badge requires a Comic-Con Member I.D., as CCI will email the registration link to folks with IDs two days before they go on sale. If you don’t already have a Member I.D., you’ll need to get one by Feb. 11, as the site will close to new registrations and changes on Feb. 12 and will not reopen before badge sales begin.
Also, if you purchased a four-day badge with Preview Night during pre-registration in August 2012, or if you are a professional or guest of professional who has registered for a Comic-Con 2013 professional badge, you are not eligible to participate in open online registration and can’t buy a badge on the 16th.
Prices for badges are:
Conventions | San Diego City Council has given final approval to the planned $520 million expansion of the San Diego Convention Center, viewed as necessary to keeping Comic-Con International in the city past 2015. The project still faces a legal challenge to a financing scheme involving a hotel-room surtax, as well as state regulatory approval, leading the city attorney to caution that the targeted 2017 completion date is just “a goal.” Whether Comic-Con organizers can be convinced to sign another three-year extension to their contract remains a big question. [NBC San Diego]
Conventions | Most of Heidi MacDonald’s article about New York Comic Con is behind a paywall at Publishers Weekly, but she pulls out some stats at The Beat: Ticket sales are up 190 percent over this time last year. As the capacity of the Javits Center is somewhere south of 110,000 people, this means the ReedPOP folks won’t sell any more tickets than last year, but they are selling out faster. Three-day and four-day passes are already gone, only Friday tickets remain, and ReedPOP vice president Lance Fensterman expects everything to be sold out by the time the show begins. [The Beat]
The line for next year’s Comic-Con International in San Diego starts forming today. Preregistration for the 2013 convention starts at 8 a.m. Pacific today for those who attended the con this past July.
If you bought a four-day attendee or one-day attendee badge in 2012, you should have received an email with registration details for 2013–this doesn’t apply to press, pros and exhibitors (exhibitor information can be found here). Pricing for next year’s convention is available in this handy chart from the CCI site:
As noted in the con’s registration badge sale FAQ, you’ll need your Member ID account. You can buy passes for three other people besides yourself, as long as they also attended the con in 2012.
Open online registration will occur sometime in early 2013 for the general public. The 2013 SDCC will run July 18-21, with preview night on July 17.
Building on the licensing agreement they already have with The Tranformers and G.I. Joe, it’s no surprise to learn that IDW Publishing will publish comics based on Hasbro’s My Little Pony toy line.
“My Little Pony is a highly successful brand and we’re incredibly excited to have the opportunity to extend the franchise through this collaboration with Hasbro,” IDW CEO and Publisher Ted Adams said in a press release. “We look forward to providing new stories for the fans and launching their favorite ponies into comic book form.”
“A MASSIVE kudos to Katie, as she suggested me for the art chores on the book,” Price said on his DeviantArt page. “We have great goodies planned, and for both of us this is a labor of love, as we are both Bronies
The series starts in November and will “stay true to its moral foundation, while providing themes and subject matter that older audiences can also appreciate,” according to the release. The series will feature covers by Jill Thompson, Stephanie Buscema and more.
“Michael DeForge is one of those rare talents who emerge, out of the blue, with a fully formed and singularly unique vision,” said Chris Oliveros, D+Q’s acquiring editor and publisher. “When I look at his work I sometimes wonder how it was formed, and then I think I can see the influences of several disparate cartoonists over the years, from Mark Beyer through Marc Bell. But ultimately DeForge’s work can’t be pinned down so easily; his striking visual sensibility and peculiar sense of humor is entirely his own.”
For more information on the deal, check out this interview with DeForge by Tom Spurgeon.
Thursday may have started a bit slow in the news department, but it sure ended with a huge bang. Here’s a roundup of announcements that hit today from Comic-Con International in San Diego:
• Neil Gaiman announced via video that he will write a new Sandman miniseries that will detail what happened to Morpheus to allow him to be so easily captured in The Sandman #1. J.H. Williams III will provide the art. “It was a story that we discussed telling for Sandman‘s 20th anniversary,” Gaiman said, “but the time got away from us. And now, with Sandman‘s 25th anniversary year coming up, I’m delighted, and nervous, that that story is finally going to be told.” The series will be published by Vertigo sometime next year.
• Legendary will also publish the Majestic Files by J. Michael Straczynski, which will feature art by Geoff Shaw and Matt Banning.
• Terry Moore will write a Strangers in Paradise prose novel to coincide with the comic’s 20th anniversary next year. He also plans to do an all-ages comic after Rachel Rising finishes in 30-40 issues.
The next big thing for the Red Hulk, apparently, is to hand his book over to his daughter. As announced at Marvel’s Next Big Thing panel at Comic-Con today, the Jeff Parker-written Hulk series will turn into Red She-Hulk with issue #58.
The name and character shift follows on the heals of another comic written by Parker that recently changed its name and cast, the comic formerly known as Thunderbolts and now known as Dark Avengers. Parker told MTV Geek that the new status quo “will grow out of some ideas we were exploring in Hulk.”
Parker added “She may be the first Hulk who isn’t just angry, but is righteously angry and chooses to AIM her anger. She doesn’t resent her human side, she still thinks of herself as the same person when she transforms, like her father. But her Hulk form has no inhibitions or worries that she might be doing the wrong thing. Red She-Hulk acts upon what she wants, usually as soon as the idea or emotion hits her.”
No word on what happens to the Red Hulk, beyond “his expertise is required in another place.”
James Patterson’s Zoo hasn’t even been released yet, but Yen Press already has a graphic novel adaptation of it in the works. Andy MacDonald revealed on his blog last night that he’s been working on it, and Yen Press is showing off promotional materials for it at its booth at Comic-Con International in San Diego. According to the description on Patterson’s website, Zoo is about:
All over the world, brutal attacks are crippling entire cities. Jackson Oz, a young biologist, watches the escalating events with an increasing sense of dread. When he witnesses a coordinated lion ambush in Africa, the enormity of the violence to come becomes terrifyingly clear.
With the help of ecologist Chloe Tousignant, Oz races to warn world leaders before it’s too late. The attacks are growing in ferocity, cunning, and planning, and soon there will be no place left for humans to hide. With wildly inventive imagination and white-knuckle suspense that rivals Stephen King at his very best, James Patterson’s ZOO is an epic, non-stop thrill-ride from “One of the best of the best.” (TIME)
Yen Press has published several graphic novel adaptations of Patterson’s books aimed at younger readers, including Maximum Ride and Daniel X, but I believe this is the first “adult” book of his the company will adapt. According to Amazon, it comes out in November, two months after the prose novel.