Legal | Archie Comics Co-CEO Nancy Silberkleit is in court again, this time claiming sexual harassment by former friend Sam Levitin, who was her liaison to Archie after her legal feud with the company and C0-CEO Jon Goldwater was settled last year. Levitin has responded that Silberkleit “lacks functional communication skills and has an unstable temperament” and has a “venomous and destructive effect” at the company. Levitin asked the court in December to remove Silberkleit as a trustee of the company, and she responded in April with the allegation of sexual harassment against both Levitin and Archie Comics. An outside firm hired by Archie determined that her claims were “unfounded,” and the publisher is not a party in the latest lawsuit. [New York Daily News]
Legal | Jeff Trexler takes an in-depth look at the copyright battle between Marvel and Jack Kirby’s children. [The Comics Journal]
The U.K. comics scene continues its angst-ridden inner debate following news that The Dandy will cease print publication in December. For the living legend John Wagner, it’s a matter of regret close to shame that a comics institution of nearly 75 years will end on our watch. Others see the debate as hand-wringing — “pious sackcloth-and-ashes nonsense” to quote one U.K. comics writer on Facebook — that, between technological advances and the Darwinism of the newsstand, the kids have spoken: Comics are no longer the chosen literature of children, so move on. Publisher DC Thomson certainly seem to have — The Dandy‘s website now makes no mention of the print comic at all, linking purely to the Apple App store.
For some creators, the debate is more about spotting a widening hole in the market, and developing a product to fill that niche. So far, the following cartoonists have waded in on this theme:
The Dandy may look like just another wacky kids’ comic to American readers, but it is as deep in the British DNA as Archie is here, and last week’s announcement that publisher DC Thomson will cease print publication of the 75-year-old comic drew an array of responses from different quarters.
Charlie Brooker of The Guardian may be unique in thinking that the move from print to digital is a good thing for The Dandy; of course, he never liked the comic to begin with, and he accuses it of not keeping up with the times:
Why is The Dandy going all-digital? Because it’s a magazine for children, and today’s children don’t seem to want magazines any more than I wanted a 1920s whirligig when I was their age. Kids today have Moshi Monsters and the Nerf Vortex Nitron Blaster. Traditional ink on paper looks like medieval tapestry to them.
Brooker clearly hasn’t read The Dandy in a few years, as it is not the dated fossil he portrays it as; on the contrary, it has been home to some bright new talent in the past few years, and creator Jamie Smart (who draws their most beloved legacy character, Desperate Dan), called on those creators to start their own comic:
Sarah McIntyre is one of a group of talented British comics artists who created work for the short-lived children’s comic The DFC; McIntyre is the creator of Vern and Lettuce, a whimsical story about a sheep and a rabbit. That book has not yet been published in the U.S., but happily, the web is everywhere, so anyone can enjoy McIntyre’s travel diary of her recent trip to China. McIntyre is blessed with an effortless style, a sharp eye for detail, and a willingness to go out and actually talk to people, so her diary is a delight to read. She drew all the characters as animals—it’s faster, she says—but it also gives the comic a whimsical air, and she includes photos of people and places as well. It’s the next best thing to being there!