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Comic Books, Film
This week writer and photojournalist Seth Kushner launched the Kickstarter for Schmuck, his semi-autobio/anthology graphic novel about his quest to find love in New York City. While portions of the collection originally ran online at TripCity.net, even those aspects will be remastered and/or colored for the 168-page trade paperback.
This collection, which features the work of 22 artists, also marks the inaugural release of HANG DAI Editions. The HANG DAI imprint, which was founded in New York City by Gregory Benton, Dean Haspiel, Josh Neufeld and Kushner, focuses on “limited edition comix, graphic novels, and art books, with an emphasis on personal interaction at events, conventions, and signings”.
Some use pen and paper to make a comic, while others employ a stylus and a computer screen. But photographer Seth Kushner moves beyond the idea of utilizing a camera to document life to instead capture images to tell a story in a sequential narrative. Y’know, comics. In the past few years, Kushner has come to be a significant force in comics, both for his photocomix like CulturePOP at Trip City and for his more traditional photography work profiling comic creators. For the latter, he’s best known in comic circles for his partnership with writer Chris Irving, which produced the website Graphic NYC and recently the printed book Leaping Tall Buildings: The Origins of American Comics.
As both a chronicler of comic creators and a comic creator himself, Kushner is an interesting subject to talk about the current landscape of comics. From the American reception to photocomix (as compared to the European adoration for them as fumetti) to his personal and iconic photography of comic creators that’s far beyond the grainy bygone magazine photographs we’re used to. In his work, he allows the comic creators themselves to live up to the lofty nature of the comics they produce. And his comics work, both in the photocomic CulturePOP and his more traditionally drawn series Schmuck, Kushner keeps his personal aesthetic for being “up close and personal” with his writing and treatment of his subjects.