Thanks to creators’ rights issues and the way DC Comics (and its corporate parent) chooses to treat the families of Jerry Siegel and Joe Shuster, a tragic, dissonant pall hangs over discussions of Superman. It makes a minor status-quo change, like the one used to hype this week’s Superman Vol. 3 #13, seem even more trivial. It’s often hard to reconcile the rich and fairly fascinating development of the world’s first superhero with the knowledge that the character’s creators didn’t (and their families don’t) share equitably in Superman’s attendant success.
Because Superman is so long-lived, the events of Superman #13 are a consequence of that success. They arise out of the perceived need to modernize a character who’ll be 75 years old next spring. However, the issue offers more subtle clues that the New 52 Superman may be changing in ways the hype doesn’t directly suggest. While I cannot ignore creators’ rights, today we’ll look at those clues primarily in the context of Superman’s overall history.
Now, when I say “larger history” I’m not kidding. As you know, Jerry and Joe’s creation debuted in 1938′s Action Comics Vol. 1 #1. Kal-L, son of Krypton’s Jor-L and Lora, was rocketed to Earth from his doomed homeworld, found by John and Mary Kent, and raised as their son Clark. After their deaths, he left his rural home for Metropolis, and as Superman fought there for truth and justice throughout the 1940s.
New Superman writer Scott Lobdell is wasting no time putting his mark on the relaunched series: With this week’s Issue 13, he shakes up Clark Kent’s life, as well as one of the foundational elements of the Man of Steel’s mythology. Warning: If you don’t want details of Superman #13 spoiled before Wednesday’s debut, turn back now.
Because it’s the first week of the New 52 Year Two, the time has come to review where I stand at the end of Year One. It also happens to be the week I’m away on a bidness trip, unable to react to whatever dern-fool thing DC did on Wednesday.
That would probably take a back seat anyway, because I’m a little curious myself to look back at these books. In terms of reading habits, it’s been a rather funky year. Some weeks I wouldn’t have time to read everything I bought, and sometimes that meant books just dropped off my radar. I caught up with a few of these, but a few I just didn’t miss — which, of course, is never a good thing.
You’ll remember that last year I bought all 52 first issues, and talked about each as September proceeded. Of those which remain, I am reading 27: Action Comics, All-Star Western, Animal Man, Aquaman, Batgirl, Batman, Batman & Robin, Batwing, Batwoman, Blue Beetle, Catwoman, DC Universe Presents, Demon Knights, Detective Comics, Firestorm, Flash, Frankenstein, Green Lantern, GL Corps, I, Vampire, Justice League, Justice League Dark, Stormwatch, Supergirl, Superman, Swamp Thing and Wonder Woman.
Additionally, I was reading six titles that have since been canceled: Blackhawks, JLI, Men of War, OMAC, Resurrection Man and Static Shock. For a while I also read Grifter, Red Lanterns, and Superboy. Filling in some of those holes are second-wave titles Batman Incorporated, Earth 2, Worlds’ Finest and Dial H.
To keep your eyes as glaze-free as possible, this will be a two-part survey. Today we’ll look at the Superman and Batman families, the “historical” titles, the main-line Justice League books, and a few others.
Publishing | May was a huge month for comics sales in the direct market, and John Jackson Miller quantifies just how huge: It was the biggest month for dollar sales in the “Diamond Exclusive Era” (i.e. since 2003): “Diamond’s Top 300 comics had orders totaling $25.72 million, an increase of 44% over last May and the highest total since Diamond became the sole distributor in 1997. It beats the total of $25.37 million set in December 2008.” [The Comics Chronicles]
Comics | Art Spiegelman is contributing a prescient New Yorker cover from 2001 to the Occupy Comics anthology; other creators who are contributing work include Alan Moore, Jimmy Palmiotti and Dean Haspiel. [Underwire]
History | Joe Sergi takes a look at the comics burnings of 1948, a series of disturbing events in which children, no doubt goaded on by well-meaning adults, collected comics door to door and then burned them in a public bonfire. [CBLDF]
Conventions | WonderCon was held in Anaheim, California, this year because the traditional venue, San Francisco’s Moscone Center, was closed for renovations. Heidi MacDonald wonders whether the shift will be permanent, and a lively debate ensues in comments. SFBay, meanwhile, informally surveyed exhibitors, and found many retailers saw a steep drop in sales from last year, while many artists saw an increase in revenue. [The Beat]
Retailing | ICv2 sees an uptick in manga sales in comics stores and speculates that the Borders bankruptcy has led readers to a variety of different channels, including the direct market, which could be an opportunity for comics stores to expand their customer base. [ICv2]
Digital comics | Digital distributor comiXology will offer HD versions of all its comics for readers who use the new third-generation iPad, and Jason Snell says the new retina display and the HD comics make for a much better reading experience. [Macworld UK]
In a week in which the debuts of Batman and Wonder Woman fired on all cylinders, you have to think DC Comics didn’t expect the spotlight to be stolen by the first issues of Catwoman and Red Hood and the Outlaws. Alas, online discussion over the past 48 hours hasn’t been focused on the accessibility of the former or the potential of the latter (if indeed either demonstrates accessibility or potential). Instead, it’s centered on a bra-flashing Selina Kyle engaging in aggressive costumed sex with Batman, and a semi-amnesiac Starfire who’s become little more than an emotionless sex mannequin.
I feel as if I should be worked up by the depictions but, to be honest, I’m just deflated by the whole thing. The best I can muster is, “Sigh … again?” and maybe, “This is the kind of storytelling and characterization you relaunched your entire line for?” But here are some of the highlights of what others are saying on the subject:
• Winick’s statement to Newsarama about the response to Catwoman #1: “This is a Catwoman for 2011, and my approach to her character and actions reflect someone who lives in our times. And wears a cat suit. And steals. It’s a tale that is part crime story, part mystery and part romance. In that, you will find action, suspense and passion. Each of those qualities, at times, play to their extremes. Catwoman is a character with a rich comic book history, and my hope is that readers will continue to join us as the adventure continues.”
If you thought the DC Comics New 52 trailers were done, think again. Teen Titans artist Brett Booth has posted one on his blog featuring the latest version of the young heroes.
Teen Titans #1 by Scott Lobdell and Brett Booth arrives in stores Sept. 28.
Movies | National Public Radio commentator John Ridley critiques Hollywood for being even less diverse than the Big Two when it comes to diversity in lead characters, and demolishes their blame-the-audience theory that white people won’t go to see a movie with a black lead by pointing to a study by Indiana University professor Andrew Weaver: “Weaver found that white audiences tended to be racially selective with regard to romantic movies, but not necessarily when it came to other genres. So, sorry, Hollywood. You can’t blame it on the ticket buyers.” [NPR]
Creators | Becky Cloonan talks about the joys and the hardships of being a full-time comics creator: “Comics are hard work. Comics are relentless. Comics will break your heart. Comics are monetarily unsatisfying. Comics don’t offer much in terms of fortune and glory, but comics will give you complete freedom to tell the stories you want to tell, in ways unlike any other medium. Comics will pick you up after it knocks you down. Comics will dust you off and tell you it loves you. And you will look into its eyes and know it’s true, that you love comics back.” [Becky Cloonan: Comics or STFU]
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
While most DC Comics fans wait impatiently for the publisher to announce the final details of its sweeping 52-title relaunch, one industrious reader went to work to unearth the covers to Superman #1, Superboy #1 and Supergirl #1.
That leaves only one series, by all accounts Action Comics, which as Comic Book Resources reported last week will likely be written by Grant Morrison. Bleeding Cool contends that Rags Morales is the artist.
The three covers, found Thursday on the DC server by a Comic Book Resources forum member with the time and patience to try numerous file-name combinations, aren’t particularly surprising; Superman and Supergirl, at least, were sure bets for the relaunch, and Scott Lobdell had let slip earlier this week that he’s writing Superboy. However, they seem to confirm Bleeding Cool’s report that George Perez will be drawing, and presumably writing, Superman. Screenwriters Michael Green and Mike Johnson, who worked together on Superman/Batman, are thought to be penning Supergirl, with Mahmud A. Asrar on art (at least judging from the cover).
A question mark remains over Superboy, in part because the character looks radically different on this cover than he appears on the one(s) for Teen Titans #1. (Update: A commenter identifies the Superboy cover artist as Eric Canete.)
DC was expected to officially announce the Superman books today, but as the hours pass it’s beginning to look as if the publisher may hold back until Saturday afternoon, when Co-Publisher Jim Lee and Chief Creative Officer Geoff Johns appear at the Hero Complex Film Festival in Los Angeles.
Update 2: DC officially unveiled the remaining titles this afternoon after all, confirming Morrison and Morales on Action Comics, Perez writing but Jesus Merino penciling Superman, Green, Johnson and Asrar on Supergirl, and Lobdell, R.B. Silva and Rob Lean on Superboy. Comic Book Resources has the details.
Check out the covers for Superboy #1 and Supergirl #1 after the break.