Comic-Con Trailers: The Best of the Best, Ranked
I’ve found the new Justice League United to be a rather surreal reading experience, until this point, for all sorts of reasons: It’s hard to believe DC launched this series to replace the much-ballyhooed — 52 variant covers! — Geoff Johns/David Finch Justice League of America after a mere 14 issues; it’s weird to see DC quietly reversing its “holding the line at $2.99″ policy with a Marvel-ous price point of 22 pages for $3.99; it launched with a zero issue that was actually a must-read first issue so that the story chapters and the issue numbers are now forever out of sequence; it featured Hawkman having an arm lopped up only to grow it back the next issue because Nth Metal; it featured an attempt to give the old grim-and-gritty treatment to Ultra the Multi-Alien; and so on.
However, the single most surreal aspect of the book may be one that’s suffused so much of the New 52, but is particularly present in the team books that rely on shared history (despite the fact that there isn’t really any shared history). In Justice League United, writer Jeff Lemire and penciler Mike McKone have assembled a rag-tag group of superheroes — Animal Man, Green Arrow, Star Girl, Hawkman and Supergirl — led by Martian Manhunter, whose place in the new DCU and relationships with the other Justice Leaguers is still ambiguous.
Conventions | Clem Bastow notes a disconnect at Oz Comic-Con in Melbourne, Australia, where women were a slight majority in the audience but were severely underrepresented as guests; DC artist Nicola Scott was the only woman in the comics contingent. Organizer Rand Ratinac said it was purely a matter of availability: “We offered for literally dozens if not hundreds of different guests, we always do, because you’re dealing with people whose schedules they sometimes can’t lock in until a month before the event. This time, of the people that we wanted, there were just a lot of guys that were available. Next year, it could be a whole bunch of girls; it all just depends who can come.” But Scott points out that there are simply fewer women in superhero comics than in the other sectors of the industry and superhero creators are what brings the audience in the door. [The Guardian]