Guggenheim Says Ward Switching Sides Leads "Agents of SHIELD" into "Civil War II"
Forever Evil #1 is an uneven debut for the seven-issue miniseries, revealing that the Crime Syndicate — for those who came in late, basically an evil Justice League from the parallel Earth-3 — has killed all the Leaguers and is recruiting allies among DC-Earth’s supervillains. Although a handful of scenes are genuinely chilling, much of it is exposition and survey, with some of that geared apparently toward ancillary miniseries. Geoff Johns’ script works well when his characters can give speeches, but turns awkward and simplistic in crowd scenes. David Finch’s pencils are appropriately murky and grim, although there’s not a lot of subtlety; and inker Richard Friend seems to have gotten quite a workout. (This is the superhero-comic equivalent of a downpour at dusk.) Fortunately, colorist Sonia Oback manages to bring some variety to the gloomy proceedings, whether it’s brightening up a neon-lit cityscape or energizing a crackling solar corona.
Still, for the start of the first “universe-wide” Big Event of DC’s New 52, Forever Evil #1 feels like an apocalyptic tease. The issue’s main shocks aren’t as shocking as one might imagine, and the demands of a shared superhero universe will require them to be reversed. There’s undoubtedly more carnage to come, but for now it’s an exercise in attitude.
Naturally, there’s more after the jump. SPOILERS FOLLOW …
Occasionally I talk about how perfunctory the monthly solicitation ritual can be … but not so for April!
On the same day the solicitations were released, Comic Book Resources launched its new “B&B” column, featuring editors Bob Harras and Bobbie Chase, and chock-full o’ factoids about various books. Moreover, the solicits were themselves packed with new story arcs, new creative teams, and an even more heightened feeling of coyness.
A big part of this coyness comes from April’s cover gimmick. Actually, we readers can only see half of the gimmick — because while every New 52 book will sport a fold-out cover, the solicits only show the left side. (Makes me wish there were a retailers-only edition of Previews, as this is just the kind of thing which surely irritates them.) To add to the anticipation, every New 52 solicitation ends with a question. Accordingly, this month more than usual, the solicits are structured precisely to set up dire consequences and leave them unresolved. Suspenseful!
Ah, but that sort of thing only encourages me. Let’s dive in, shall we?
Continue Reading »
The must-have accessory for Comic-Con International is back with the announcement that, for the third consecutive year, Warner Bros. will hand out more than 130,000 oversized tote bags to convention attendees. Okay, “oversized” may be a bit of an understatement, as the messenger-style bags are 24 inches and 29 inches — roomy enough to haul swag back to the hotel As room each day — and include a protective pocket to hold any posters.
As usual, the totes are emblazoned with Warner Bros. properties with a Comic-Con presence: This year, it’s Arrow, DC Nation, Man of Steel, Fringe, Pacific Rim, Supernatural, The Vampire Diaries and The Big Bang Theory.
Last year’s bags included a design promoting DC’ Comics’ relaunched Justice League, but this year it’s all about television and film. Alas, it looks like the studio is holding out for the big reveals of the two movies; all of the other bags can be seen below.
Comic-Con kicks off Wednesday with Preview Night.
Since the March solicitations kick off the back half of the New 52’s first year, it’s probably worth noting that the whole line remains unchanged: no “midseason replacements” like Justice Society, but no cancellations either. If I hear relieved sighs from OMAC and Men of War, certainly Dan DiDio and Jim Lee have to be pleased generally that they’ve gotten this far with the 52 intact.
Well, pleased or stubborn, I suppose. Sometimes it’s hard to tell the difference.
Ahem. Away we go…!
One of my pet peeves about the New-52 is the sense that it lacks a meaningful “history.” For at least the last few decades, a reader might not have known exactly what had happened or when, but s/he could tell that these characters hadn’t just fallen off the turnip truck. I say this because the solicits for Justice League #7 and Flash #7 both allude to their books’ untold backstories. With Justice League, we’ll learn about membership turnover and other details of the five years between the League’s debut and today. (To be sure, some of that has already been alluded to in the League’s previous present-day appearances, like JL Dark #1.)
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
As we’re heading towards the middle of August, it’s no surprise that curiosity is getting me to pick up more than a few DC books just see how particular series “end;” I’d be getting Justice League of America #60 and Legion of Super-Heroes #16 (both DC, $2.99) anyway, because I’ve been following those series for awhile, but I’m likely to add Batman #713 (DC, $2.99) to the pile as well, if only to see the explanation as to why Dick quits being Batman before the big relaunch. But it’s not all endings for me with my $15 this week; I’d also make a point of grabbing Daredevil #2 (Marvel, $2.99), because the first issue was just breathtakingly good, and the series became a must-read before I’d even reached the last page.
If I had $30 this week, I’d add to my list of DC final issues with Supergirl #67 (DC, $2.99), which Kelly Sue DeConnick has talked up in interviews as being the highpoint of her short run to date and a great capper to the series as a whole. I’d also check in with the third issue of David Hahn’s All Nighter (Image, $2.99), as well as see if Nick Spencer’s Iron Man 2.0 is worth a look with the mini-collection of the first three issues, Iron Man 2.0: Modern Warfare (Marvel, $4.99).
With the Green Lantern movie coming out in the middle of the month, June looms big for DC’s superhero line. Since writer/executive Geoff Johns has become so identified with GL, you’d expect it would be a big month for him too — and indeed, between GL-related items and the Flashpoint event, Johns’ influence is felt all around the June solicitations.
Away we go –!
* * *
MORE LIKE “CASHPOINT,” AMIRITE?
Sometimes I think Flashpoint should completely interrupt DC’s superhero line for three to five months. After all, if all of DC history is changed (again), but the ongoing books can still tell current, normal-timeline stories, aren’t readers just waiting for the reset button to be pushed? Still, whatever suspense might be gained from such a setup is probably outweighed by the aggravation it would cause; not just to readers who’d have to wait out those months, but to DC’s professionals themselves, who’d either have to arrange things logistically to avoid disruptions, or risk leaving an ongoing arc hanging. In any case, obviously none of the regular DC books are going on a break to accommodate and/or reflect Flashpoint — except for The Flash, which is eminently appropriate.
The cover of October 1977’s Secret Society of Super-Villains cries
Who gave the secret order to kill Captain Comet?
Was it Star Sapphire? The Wizard? Gorilla Grodd?
– Or someone else?
We who know the fate of SSoSV might nod knowingly at the surely-unintentional connection between that breathless blurb and the “publishorial” at the end of the issue.
First, though, some history.
Last week Secret Six #7 wrapped up the ongoing series’ first story arc with a big fight scene on a Gotham City bridge. (Charmingly quaint highway sign: “Welcome to GOTHAM CITY/Come as a stranger/Leave as a Friend!”) Amidst all the carnage, two characters met their fates in a shared blaze of glory, old alliances were re-forged, and old enmities were renewed. In short, it was a rockin’ good time.
I really can’t say enough positive things about Secret Six, which is one of DC’s best superhero titles. (Of course, I use the term “superhero” advisedly.) Therefore, if you’re not reading it already, for what are you waiting? Gail Simone, Nicola Scott, Doug Hazlewood, Jason Wright, Rob Clark Jr., and Sean Ryan are at the top of their game!
Well, that’s it for me. See you next Tues–
— what? 1100-odd words to go?
And no more vamping with this one-sided fake-dialogue?