Seduction of the Innocent
Legal | Forbes profiles Michael Wolk, a lawyer who’s organized the financial backing for Stan Lee Media’s prolonged, and so far unsuccessful, multibillion-dollar lawsuits against Marvel and Disney over the rights to the characters co-created by Stan Lee. Wolk’s primary investor is Elliott Management, one the nation’s largest hedge funds. SLM, which is no longer affiliated with its co-founder and namesake, asserts Lee didn’t properly assign ownership of the works to Marvel, and that Disney didn’t file its Marvel agreement with the U.S. Copyright Office. “We are in the right here,” says Wolk, who’s not actually a Stan Lee Media shareholder. “No court has ever addressed or ever decided who is the owner of the characters — all of the prior litigation got dismissed for reasons that have nothing to do with who owns the characters.” [Forbes.com, via The Beat]
It was January 1955. Dwight D. Eisenhower was in the White House, Adventures of Superman was on television, and in sleepy Galesburg, Illinois (population 31,425), the local Exchange Club had seized upon one goal: the eradication of comic books that might fuel juvenile delinquency.
Writing for The Register-Mail, Galesburg County Library archivist Patty Mosher delves 58 years into the city’s past when, spurred by a National Exchange Club circular, the men of the local service organization set off to root out objectionable publications that targeted children and teens.
Sure, the “Galesburg cleanup,” as it became known, wasn’t as flashy as the mass burnings of comic books seven years earlier in Binghampton, New York, or as officious as the Cincinnati Parents Committee’s annual ratings reports.
But by gosh, it was well-organized!
Conventions | Creators like Neal Adams, Tim Bradstreet, Howard Chaykin, Amanda Conner and Scott Lobdell will headline the Long Beach Comic & Horror Con, held Saturday and Sunday at the Long Beach Convention Center. “I think most of our artists are thrilled to come back each year,” said Phil Lawrence, principal sales director for the event. “This is the earliest we sold out our Artists Alley and we have almost 190 tables. By focusing on the artists and giving them their due, they seem to keep coming back and signing up earlier — and they promote the show, which helps us out, too.” [Gazettes.com]