REVIEW: Violent, Profane "Deadpool" Shouldn't Work, But Really F---ing Does
Publishing | IDW’s Chief Operating Officer Greg Goldstein attributes a bump in the company’s September sales to several factors, including DC’s big relaunch: “The reality is the DC New 52 brought some people into comic book stores that hadn’t been in comic stores for a while, and we had the opportunity to sell them some of our books as well as the other books that are available to them. But clearly, people who had not been focused on comics came out of the woodwork a bit.” It didn’t hurt that IDW had its own launches of properties familiar to those outside of comics, including the new Teenage Mutant Ninja Turtles series, an ongoing Star Trek series and the Star Trek/Legion of Super-Heroes crossover. [ICv2]
Legal | A Belgian judicial adviser has recommended that the nation’s courts reject a four-year-old bid by a Congolese student to have Herge’s 1931 Tintin in the Congo banned, or at least restricted, because of its racist depictions. The recommendation is being viewed as a major setback for the case, as the opinion of the Procureur du Roi (Senior Crown prosecutor) is requested and typically followed by the court. [The Guardian]
What’s the point?
This is like hosting the best block party for three months straight, and then suddenly the guy next door rents an outdoor projector and starts playing “Best of the Web” YouTube videos on the side of his house. People just can’t help but turn their heads. Is it a wise idea? Aren’t these just constant clips of low-rent YouTube versions of Jackass? Why can’t I look away?
So here we are, minding our own business, when the Distinguished Competition comes out with a hefty announcement for their September line-up. It’s bright and shiny and controversial and loud, and maybe this is what the other half feels like every time Marvel announces that they are going to create a studio to make their own movies, make a push for trade paperbacks, support digital comics or kick off a whole new universe where characters are younger and more movie-savvy for the modern comic reader.
Yeah! So let’s look at September, people! Let’s face front to the future and remind ourselves that no matter the number on the cover, it’s the content that counts. What’s Marvel bringing to the fore in September?
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