Rob Liefeld Looks Back on Deadpool's Real Secret Origin
Film, Comic Books
Conventions | The Angoulême International Comics Festival has announced the Official Selections for the 2012 festival, which will be held Jan. 26-29 in Angoulême, France. Eddie Campbell’s Alec, Craig Thompson’s Habibi and Daniel Clowes’ Mister Wonderful are among the almost 60 graphic novels on the list. [Angoulême]
Editorial cartoons | The Columbus Dispatch suspended political cartoonist Jeff Stahler after finding that his Monday cartoon was too similar to a New Yorker cartoon published in 2009. At The Daily Cartoonist, Alan Gardner posts several of Stahler’s cartoons alongside earlier pieces with similar punchlines. While one can debate whether Stahler lifted his ideas from the older cartoons, it’s obvious that he drew them in his own style, unlike David Simpson, who was recently accused of copying Jeff McNally’s cartoons. [Comic Riffs]
Crime | Several pieces of original artwork, among other items, were stolen from the car of AdHouse Publisher Chris Pitzer while he was in New York City last weekend for the Brooklyn Comics and Graphics Festival. Pitzer is offering a reward for any information leading to the recovery of the artwork. [AdHouse]
The Hugo Awards for excellence in science fiction were presented Saturday night in a ceremony in Reno, Nevada, during the sci-fi convention Renovation, and the winner in the Best Graphic Story category was Phil and Kaja Foglio’s Girl Genius, Volume 10: Agatha Heterodyne and the Guardian Muse. This is the third year that comics have been included in the Hugo categories, and it is also the third year in a row that Girl Genius has won the award, volumes 8 and 9 having taken the honors in 2009 and 2010, respectively.
The Foglios weren’t the only sequential artists to win an award, however; Shaun Tan, creator of The Arrival and The Lost Thing, won the award for Best Artist. Tan’s mantelpiece must be getting crowded; earlier this year he won the Astrid Lindgren Memorial Award for excellence in children’s literature, and the film version of The Lost Thing, which he directed, won an Oscar.
Legal | Brent Staples pens an editorial for the New York Times on the legal battle between the Jack Kirby estate and Marvel: “The Marvel editor Stan Lee sometimes offered general ideas for characters, allowing the artists to run with them. Mr. Kirby plotted stories, fleshing out characters that he had dreamed up or that he had fashioned from Mr. Lee’s sometimes vague enunciations. Mr. Lee shaped the stories and supplied his wisecrack-laden dialogue. And in the end, both men could honestly think of themselves as ‘creators.’ But Mr. Kirby, who was known as the King of Comics, was the defining talent and the driving force at the Marvel shop. Mr. Lee’s biographers have noted that the company’s most important creations started out in Mr. Kirby’s hands before being passed on to others, who were then expected to emulate his artistic style.” [New York Times]
Awards | Writer Neil Gaiman (Sandman, The Graveyard Book) and artist Shaun Tan (The Arrival, Tales from Outer Suburbia) are among the winners of the 2011 Locus Awards. Gaiman’s “The Truth Is a Cave in the Black Mountains” won for best novelette, while “The Thing About Cassandra” won best short story. Tan won for best artist. [Locus Online]
Legal | Jeff Trexler reviews the legal battle between Warner Bros. and the heirs of creators Jerry Siegel and Joe Shuster through the filter of the Neil Gaiman/Todd McFarlane decision, where a judge ruled Gaiman has copyright interest in Medieval Spawn, Angela and other Spawn characters. [The Beat]
Passings | Writer, editor and historian Bill Blackbeard, widely credited with saving the American comic strip from the ash heap of history, passed away on March 10 at a nursing home in Watsonville, Calif. He was 84. A lifelong collector of comic strips, Blackbeard founded the San Francisco Academy of Comic Art in 1968, filling the garage and basement with thousands of bound volumes of old newspapers let go by libraries when they converted their archives to microfilm. His collection grew by the 1990s to 350,000 Sunday strips and 2.5 million dailies, which eventually made their way to Ohio State University’s Billy Ireland Cartoon Library & Museum. Blackbeard wrote, edited or contributed to more than 200 books on cartoons and comic strips, including The Smithsonian Collection of Newspaper Comics, 100 Years of Comic Strips and Fantagraphics’ Krazy & Ignatz series.
Numerous obituaries and reminisces have appeared since yesterday, most notably from R.C. Harvey, Tom Spurgeon, Jeet Heer, Dylan Williams, ICv2.com, and Dan Nadel, who collected a handful of tributes. [The Comics Journal]
Retailing | A judge on Friday approved a proposal to pay Borders Group executives up to $6.6 million in bonuses as the bookseller reorganizes under federal bankruptcy protection. The company had originally requested $8.3 million — that figure met with objections from the U.S. bankruptcy trustee — in a bid to retain key corporate personnel. Since Borders filed for bankruptcy on Feb. 16, 47 executives and director-level employees have left, leaving only 15 people in senior management positions.
The approved plan comes with conditions, tying some bonuses to the company’s ability to pay creditors and save $10 million over the next two years in leases on the remaining stores or in non-personnel cost reductions. [Businessweek, AnnArbor.com]
Publishing | Dark Horse CEO Mike Richardson talks more about the publisher’s recent layoffs, saying that some reports of the cutbacks were overblown: “We have 150 employees. We let seven people go across three different divisions. What is that 4%, 5%? Our staff was just getting too large. The real reason for the layoffs is that we get worried about the cost of doing business. We’re sitting there looking at the rising health insurance costs, the changes in the cost of doing business. We thought we were going to get some relief in the form of cover prices moving to $3.99, but I guess the market’s made a really strong statement on that price. Meanwhile we’re getting squeezed on paper and printing costs at the same time — and creators certainly don’t want to take any less money.” [ICv2.com]
Australian creator Shaun Tan’s wordless graphic novels have brought him considerable acclaim, including the 2010 Hugo Award for Best Professional Artist, and the French edition of his graphic novel The Arrival won the Angoulême International Comics Festival Prize for Best Comic Book.
Now he has another award to add to his growing collection: The Lost Thing, co-directed by Tan and based on his book of the same name, won this year’s Oscar for Best Short Film (Animated). In an interview before the awards ceremony, Tan told School Library Journal’s Chelsey Philpot that Australian producer Sophie Bryne approached him after The Lost Thing won an award at the Bologna Children’s Book Fair and proposed making it into a short film. After a bit of persuasion, Tan agreed, and he started what would become a nine-year process: The film was begun in 2001 and finally finished in 2010.
And he’s already thinking ahead to the next film: Tan told SLJ that while he was in LA for the Oscar ceremony, he would be meeting with some people about making a feature-length film of another of his books, The Arrival.
I’m old enough to still find it absolutely delightful when a mainstream publication recognizes excellence in comics, particularly when the comics it deems excellent really are excellent. And that’s certainly the case with the finalists for the LA Times’ inaugural Graphic Novel Book Prize:
Luba by Gilbert Hernandez
GoGo Monster by Taiyo Matsumoto
Asterios Polyp by David Mazzucchelli
Scott Pilgrim vs. the Universe by Bryan Lee O’Malley
Footnotes in Gaza by Joe Sacco
That’s a pretty outstanding group. In other comics-related Book Prize news, McSweeney’s publisher Dave Eggers will be presented with the Times’ first-ever Innovators Award, while cartoonist Shaun Tan’s Tales from Outer Suburbia is a finalist for the Young Adult Literature Book Prize.
According to the announcement of the finalists in all categories — which, again to my delight, treats the addition of the Graphic Novel category like a major selling point — the winners will be announced April 23. My sincere congratulations go out to all the finalists.
(via Bryan Lee O’Malley)
Vulture, after taking a brief haitus (or what seemed to me like a brief hiatus anyway) is back to posting previews of new and interesting graphic novels up on their Web site again. This time they’re offering a sampling of Shaun Tan’s latest book Tales from Outer Suburbia.