Ewing's "Ultimates" Stand Guard Against Alien Empires & Cosmic Entities
I came to shop.
Seriously, I was just about as excited for this past weekend’s MoCCA festival as I’ve ever been for any comic convention. And it wasn’t because of the guests or the panels or even getting to see so many of my friends and colleagues — it was because of the comics. The best thing about a small-press show is your ability to dig into the tables and come away with enough treasures to keep you reading happily for weeks. Proceeding from the top left of the picture above in as logical a fashion as I can manage, here’s a rundown of my personal treasure trove…
Origin story time: Back when I worked at Wizard, I was introduced to the concept of a themed sketchbook by coworkers like Ben Morse and David Paggi, whose Nova and Lockjaw sketchbooks celebrated their favorite obscure superheroes through the generous contributions of comics artists. My problem? I don’t have a favorite obscure superhero. The only hero I really love is Batman, and the problem there is that I’m sure most superhero artists doing sketches at cons are sick of drawing him, while most alternative artists doing sketches at cons are sick of thinking about him. Who could I choose that would fit the bill?
Then it came to me: David Bowie. He’s my favorite musician, and it’s fair to say his outlook and approach to art literally changed my life. Plus, with all those alter egos and ch-ch-ch-changes, he’s like a superhero anyway, right? And thus, at MoCCA 2007, the David Bowie Sketchbook was born.
I’ve since collected sketches of Ziggy Stardust, the Thin White Duke, Aladdin Sane, the Goblin King, Major Tom, or whatever else you care to call the former David Jones from 80 artists and illustrators. Below are the latest batches, from this year’s Small Press Expo in September and Brooklyn Comics and Graphics Festival last weekend. How must the others see the faker?