Major "Justice League" #50 Revelations, Changes Lead Into "DC Universe: Rebirth"
Letterer and designer Todd Klein announced another print in his “alphabet” series, where he teams with various comic creators to create some nice looking art. This time around, he’s teamed up with artist Shawn McManus to create a print that doubles as what will likely be the hottest new game in comicdom when the holiday season arrives, Go Freelance! — “a board game that outlines the lives of two budding comics artists.”
“Here you’ll meet Artie and Scribbler as they make their way from childhood to retirement through the challenges, pitfalls, rewards and catastrophes of a creative livelihood,” Klein wrote on his blog.
The print costs $20 and can be purchased on Klein’s website.
Welcome once again to What Are You Reading? Today our special guest is John Jackson Miller, writer of Star Wars: Knight Errant and Mass Effect comics for Dark Horse and various Star Wars prose novels. He’s also the curator of The Comics Chronicles research website. His next comics series, Star Wars: Knight Errant, Deluge, starts in August.
To see what John and the Robot 6 crew are reading, click below.
This Wednesday, February 3, will see the release of the fourth installment in the six-issue Vertigo miniseries, Cinderella: From Fabletown with Love by (writer) Chris Roberson and (artist) Shawn McManus. Recently, I was fortunate enough to email interview Roberson about Cinderella, as well as his upcoming ongoing Vertigo series with artist Mike Allred–I, Zombie.
Tim O’Shea: Looking at the historical flashbacks that open issues 2 and 3 of Cinderella: From Fabletown with Love, I’m curious are you a fan of history? Which of the historical flashbacks you have built into the story reflects your favorite historical era?
Chris Roberson: History is one of my passions (alongside cartoons, puppets, superheroes, quantum physics, etc). I minored in history in college, and taught middle school history for a couple of years before I’d paid off the karmic debt left over from being a smartass when I was in school. In the eighteen years or so it took me to break into comics, I built a career as a writer of science fiction and fantasy prose, and a good percentage of my short stories and novels have played around with history in one way or another—alternate histories, period pieces, you name it.
As for which of the flashbacks in Cinderella reflects my personal favorite era, I’d probably have to punk out and say “All of them.” I’m a fan of stories set in each of those time periods, and getting to work all of them into Cindy’s backstory was like being a kid in a candy store.