She-Hulk Archives - Robot 6 @ Comic Book Resources
Manga | Hajime Isayama’s Attack on Titan has knocked longtime bestseller One Piece from the top of Japan’s manga charts. Market research firm Oricon reports that Attack on Titan, which has 13 volumes in print, sold 8,342,268 copies in the first half of the year, making it the bestselling series in Japan. One Piece, which has long held that title, sold 4,936,855 copies of 73 volumes, but it did top the charts for single-volume sales, with 2,825,339 copies sold of the latest volume. The numbers cover the period from mid-November to mid-May. [Anime News Network]
Publishing | DC Entertainment Co-Publisher Jim Lee talks about his history with Batman in advance of DC’s 75th-anniversary celebration for the character. [Asbury Park Press]
While comics fans — joined by none other than Stan Lee himself — line up to lambast screenwriter David S. Goyer for his recent podcast comments about She-Hulk, Scriptnotes co-host Craig Mazin has stepped forward to clarify his own remarks, insisting, “I wasn’t saying that I think she’s a slut.”
Goyer, the writer of Man of Steel and the upcoming sequel Batman v Superman: Dawn of Justice, sparked controversy by asserting that She-Hulk was created as “a giant green porn star that only the Hulk could fuck.” However, Mazin has also been criticized for suggesting, “The real name for She-Hulk was Slut-Hulk. [...] The whole point of She-Hulk was just to appeal sexistly to 10-year-old boys. Worked on me.”
Writing Thursday on the Scripnotes blog, Mazin emphasized that he “used the word ‘sexist’ in the podcast,” and explained, “I said this because I believe it. Unlike the Hulk, whose appeal was clearly divorced from any kind of normative standard of physical beauty, She-Hulk was initially drawn (and consistently drawn for many years) as slender, long-legged and large-breasted with flowing locks. Her face was the same old media-model-pretty version we see time and time again.”
Stan Lee scoffs at screenwriter David S. Goyer’s suggestion that She-Hulk was created as “a giant green porn star that only the Hulk could fuck,” responding that, “Only a nut would even think of that.”
“Never for an instant did I want her as a love interest for Hulk,” Lee, who with artist John Buscema introduced She-Hulk in 1980 as Bruce Banner’s cousin, told The Washington Post.
Between movies, comic books and TV, Man of Steel screenwriter David S. Goyer has written quite a few superheroes in his career. On the latest episode of the Scriptnotes podcast, he made his feelings for two of them clear — Marvel’s She-Hulk and DC Comics’ Martian Manhunter — and upset quite a few fans in the process.
In an episode recorded last week in front of an audience at the Writers Guild Theater in Beverly Hills, Scriptnotes hosts John August and Craig Mazin asked their guests — Goyer, “Captain America: The Winter Soldier” screenwriters Christopher Markus & Stephen McFeely and “Legend of Conan” writer Andrea Berloff — to play a game where they randomly drew a name of a superhero, and disclosed how they would handle a contemporary film adaptation of that character.
Around 33 minutes into the podcast (full episode here), the conversation moved to She-Hulk, with Markus stating that the character has “the worst, most demeaning character name possible,” due to being presented as only a female adjunct to Hulk. That led to co-host Mazin calling the character “Slut-Hulk,” and Goyer describing her as “pretty chunky” and similar in stature to former WWF performer Chyna. Goyer then elaborated on his thoughts of the character, including describing her as a “giant green porn star.” Here’s the full quote:
Marvel has provided ROBOT 6 with an exclusive preview of She-Hulk #1, by Charles Soule and Javier Pulido, arriving in February as part of the publisher’s All-New Marvel NOW! initiative.
Announced in September, the series will focus on Jennifer Walters’ complicated life as both a superhero and an attorney, while continuing in the quirky tradition of its predecessors like John Byrne’s Sensational She-Hulk and Dan Slott’s more recent She-Hulk.
The increasingly busy Soule — like Walters, he’s a lawyer — has high praise for Pulido, writing on his blog that, “The man is brilliant. If you missed it, Axel Alonso tweeted a few pages from She-Hulk #2 that will explain what I’m talking about. In the script, that’s just a page of two folks chatting, but Mr. Pulido brings it to life like nobody’s business. And if he can do that with a conversation page, wait until you see the action stuff. She-Hulk is an incredibly fun, funny series, and I’m really looking forward to it showing up on the shelf in six weeks or so.”
Check out some of Pulido’s art for yourself below:
If it’s beginning to feel as if Charles Soule is writing every other comic that Marvel and DC publish, there’s a reason for that: At the moment, he’s penning Superman/Wonder Woman, Swamp Thing, Red Lanterns, Thunderbolts, She-Hulk and Inhuman for those two publishers, as well as working on his creator-owned Letter 44 at Oni Press.
That adds up to seven titles a month … in addition to his day job as an attorney.
So how does Soule do it all? He offers some insight on his blog, breaking down the strategies he uses “to hold things together and make sure the books remain entertaining and deadlines get hit.”
Among them: “Say No. I turn down things all the time. You might not think so, based on the workload, but I do. I just said no to a gigantic project, because I didn’t think I could do that without compromising some of the other work I’m doing. I turn down(some) interview requests, store appearances, convention appearances, social stuff, even clients – this goes back to (3) – I know what I want to achieve, and if I can’t draw a relatively straight line between [x] (a potential obligation) and [y] (a goal), then I just say no. Hmm. It’s possible that I’m coming across as a bit psychotic, but it’s not really that bad – I love doing the work, otherwise I wouldn’t be so focused on trying to do it well.”
There are seven more tips on his blog, along with Soule’s comments about each of the titles he’s writing.
If anyone happens to have the number for S.H.I.E.L.D., please pass it along to police in York, England. They need help tracking down, well … the She-Hulk.
The York Press reports a green woman with dyed-red hair is wanted in connection with an attack on a 17-year-old girl outside a McDonald’s in the early hours of April 26. “This appears to have been a wholly unprovoked assault,” a police officer tells the newspaper. “Thankfully the injuries were not too severe. However, the outcome could have been far more serious.”
It’s rare that a completely new character is my main reason for reading a comic, but here we are. I was hooked from the moment Matt Fraction and Mike Allred’s FF team was announced. I haven’t traditionally cared so much about Ant-Man, but She-Hulk has always been one of my favorite characters, and Medusa’s powers are so kooky I can’t help but dig her. What pushed the comic into my pre-order list, though, was the idea of a woman wearing a Thing costume and calling herself “Miss Thing.” And now that I know something about her, I love her even more.
Darla Deering is a pop superstar and Johnny Storm’s latest girlfriend. All you really have to know is the last half of that description, because that’s how she accidentally ends up a member of the Fantastic Four. In FF #1, the real team is headed out on a journey beyond time and space. and needs stand-ins to oversee the Future Foundation for the four minutes of Earth time they’ll be gone. Or longer, if something goes wrong. Reed picks Ant-Man, Sue picks Medusa, and Ben picks She-Hulk. Johnny, of course, completely forgets about the whole thing.
James Daily and Ryan Davidson intend to prove, beyond a shadow of a doubt, that every subject, even one as dry and forbidding as the law, is more fun when you add superheroes. Exhibit A: The Law of Superheroes, their new book based on their blog Law and the Multiverse, which seeks to do for their area of expertise what James Kakalios’ 2006 book The Physics of Superheroes did for his.
I lack a black robe and a gavel, so I’m not certain exactly how authoritative my judgment on this particular case can be, but I think the pair did a rather admirable job. I can’t say in good conscience that their book is a rollicking, can’t-put-it-down read — even with superheroes, it’s still a book about the law and other, um, legal stuff — but it’s certainly interesting, and, for those of us coming at it as longtime comics fans, it presents new ways of thinking about classic characters and their weekly adventures.
The book’s 13 chapters are divided into rather broad subjects like constitutional law, criminal law, international law and so forth, and breaks the subject down further with various articles falling under each chapter’s subject, pulling examples from comic books (and a few movies based on comic books, particularly the Christopher Nolan-directed Batman movies, Iron Man and the Spider-Man movies).
So, for example, the chapter on constitutional law contains articles on mutant rights, superpowers and the Second Amendment, forcible removal of superpowers, the death penalty as it might apply to immortal or nigh-invulnerable characters, and so on. It’s discussion of the law that mainly drives the book’s construction; where the superheroes come in is when it’s time to apply that law to the Marvel and DC universes (as well as the Ultimate universe and movie universes and so on). Copious footnotes are provided to direct an interested reader back to particular comics stories or particular laws and court rulings.
I’ve got a few different comic-related shirts to show you today, and I’ll start with today’s TeeFury selection since it’s only available for 24 hours. If you’re a fan of the big blue justice-loving Tick, head over there and snatch up today’s $10 T-shirt while you still can.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d grab the latest Lio collection, Zombies Need Love Too. Cartoonist Mark Tatulli has one of the better newspaper comic strips going these days.
If I had $30, I’d nab what is clearly the book of the week, NonNonBa, the latest book from Shigeru Mizuki, author of Onward Toward Our Noble Deaths. NonNonBa aims more toward Mizuki’s traditional milieu of Japanese folklore and yokai monsters, though this book is more autobiographical in nature in that it deals with his relationship with his grandmother and how she instilled in him an interest in the spirit world. I’ve been anxiously awaiting this release.
My splurge for the week would likely be one of two books from First Second: Either Baby’s in Black, Arne Bellstorf’s fictionalized tale of the sadly doomed Beatle, Stuart Sutcliffe, or Mastering Comics, Jessica Abel and Matt Madden’s follow-up to their previous how-to textbook, Drawing Words, Writing Pictures.
Typically, I’ll spend most of Saturday in panels, but the first one I was interested in wasn’t until later in the morning, so I killed time taking in some of the more offbeat exhibitors, like Ben the Bubble Guy, a businessman who hires himself out for birthday parties, corporate events, funerals. Okay, maybe not funerals.
When it was time, I headed up to the fourth floor for the AV Club‘s panel on the Future of Superheroes.
Conventions | Wizard’s executive chairman Mike Mathews tells Heidi MacDonald that after the resignation of former CEO Gareb Shamus, the company wants to be “a Switzerland of entertainment” and mend fences with members of the industry: “Gareb is one of these types of personalities who has taken strong positions over the years with various people in the industry and brands. And that kind of hurt us because of where we are trying to go — we’re trying to be a Switzerland of entertainment and we want to try to try to reach out to brands.” MacDonald notes the company is offering a $100 credit toward Wizard conventions to former Wizard subscribers whose subscriptions abruptly ended when the magazine was shut down. A new CEO is expected to be named early next month. [The Beat]
Conventions | Image Comics announced several more guests for the Image Expo, scheduled for Feb. 24-26 in Oakland, California. The lineup now includes Blair Butler, John Layman, Rob Guillory, Nick Spencer, Joshua Fialkov, Joe Keatinge, Jim McCann and Jim Zubkavich, among many others. [press release]
Organizations | The Associação da Luta Contra o Cancer is running an awareness campaign in Mozambique featuring images drawn by artist Maisa Chaves of Wonder Woman, Catwoman, She-Hulk and Storm checking their breasts for lumps. [Daily Mail]
Welcome to a special Super Bowl Sunday edition of What Are You Reading? Not that it’s any different from a regular WAYR column, but you can enjoy it while eating hot wings while the TV is paused.
Today our special guest is biology professor Jay Hosler, creator of Clan Apis and Optical Allusions. His latest book, Evolution, with artists Kevin Cannon and Zandor Cannon, was recently released by Hill & Wang. Check out his blog for a story he’s working on about photosynthesis.
To see what Jay and the Robot 6 gang are reading, click below.
Man, I love She-Hulk.
The idea of She-Hulks (plural) took me some time to get used to, but now I can see the need for each and all the fun stories that we get to read thanks to two Jade Giantesses. Part of this realization is thanks to Harrison Wilcox and Ryan Stegman, the duo that brought us the gone-too-soon She-Hulks mini-series. It was fun seeing Jennifer Walters be her big, beautiful self (even if she wasn’t so big all the time). I want to see more of Lyra as a young woman raised on a far-flung Femizon future, but what can you do with four issues, right? We had a great time with a fun and very youthful art style, the ladies were ladies as well as fighters and everyone learned a little something in the end. Facial expressions were absolutely brilliant and I feel like I know a little more about Lyra, just by watching her eyes well up with tears when she’s sad or how her mouth drops open when she’s in shock.
I miss the big and vivacious She-Hulk hiding her mousy human self behind her, but the new Jen is a lot more mature and in control; while she’s still comforting herself in bubble baths and the arms of Wyatt Wingfoot, she’s more centered and kind of heading out on a new path in her life, just with a mentee in tow. Jen and Lyra had a great rapport with not just each other, but Bruce Banner and the villains they faced. In fact, I would really like to see more of “Bruce’s Angels,” the sort of sexier, funnier version of X-Force for the Hulk set.
With the series being limited to just four issues, I think the readers missed out on a lot. The last issue had to deliver on so much it didn’t match the previous issues, making me 98% certain this wasn’t supposed to be a mini-series at all, but an ongoing (wasn’t it first solicited as an ongoing?). Even the end message is that sometimes you protect people that fear and hate you. I know what he’s getting at, but Mr. Wilcox sounds like he’s swiping from the X-Men’s tagline. Yeah, people fear and hate mutations for what that makes them in the evolutionary food chain, because there’s a science out there that can’t be easily explained or ‘cured’, that there’s some envy when the guy next door can fly and you got your dad’s pimply face gene, etc. Personally, I think people ‘fear and hate’ the Hulk (or Hulk-ism, to coin a term) because people don’t like seeing how close they are to becoming a monster themselves. The Hulk is emotionally-driven and, while we may not be able to trow a truck when we get mad, sometimes it can feel like your emotions get the best of you and you can say things you don’t mean, break things you didn’t want broken and make yourself and others miserable. We hate and fear the Hulk because science doesn’t fuel him in so much as the human condition does.
Wow, I got off track. Anyhow, She-Hulks ended on a note that Wilcox and Stegman should have had just a few more pages to explain. Because they had less time, I sort of filled in the blanks in my head; I could totally be off base and they Wilcox meant something totally different with the ending of his story, but will be ever know? Why did this feel so short? How do some stories get to be mini-series? Or back-up stories or quarterly issues?