X-POSITION: Phoenix, Upstarts & More Tear Up Bowers & Sims' "X-Men '92"
Graphic novels | Five volumes of The Walking Dead made the November BookScan list of the Top 20 graphic novels sold in bookstores. As ICv2 points out, the fact that the first volume is still charting (at No. 13) bodes well for the series, as it means new readers are continuing to come in. The latest volume of Naruto took the No. 2 slot, and there were nine volumes of manga overall, including three volumes of Attack on Titan and the newest volume of Yotsuba&! There were five DC Comic titles on the list, as well as the latest volume of Dark Horse’s Avatar: The Last Airbender. Completely missing from the Top 20? Anything from Marvel. [ICv2]
Publishing | After three years at DC Entertainment, John Rood will step down on Jan. 1 as executive vice president of sales, marketing and business development. The position is being eliminated, with marketing and publicity to fall under the auspices of Amit Desai, senior vice president of franchise management. Sales, custom publishing and business development will again be overseen by Co-Publishers Dan DiDio and Jim Lee. [The Beat]
Gift Guides | Here’s a spin on the traditional gift guide: Ten things not to buy a comics fan. [Crave Online]
When the Crime Syndicate of Earth-3 invaded and seemingly conquered Earth-New 52 in Forever Evil #1, claiming to have killed the members of the Justice Leagues, the home-Earth villains took over DC comics, scrawling their names over the logos of their foes and initiating other evil acts like using decimal points in their issue numbers and putting the wrong stories in the wrong titles. (A Dial H epilogue and a Lobo one-shot in Justice League comics? A Batgirl story in a Batman comic?). But, most nefariously of all, the villains of DC Comics raised the price of each issue by a dollar and launched one of the biggest gimmick covers schemes in the modern history of direct market super-comics: heavy, plastic, 3D lenticular covers primed to be collected more so than read, and sparking insidious speculation, goosed my unpredictable shortages to many retailers. The monsters.
But while most attention has been focused on the covers, there are, in fact, stories beneath them, and so for the past three weeks we’ve been not judging the books by their covers, but by their contents. (Here’s Week One, Week Two and Week Three, if you missed ‘em.) As in the previous months, I’ve been ranking the books on their overall quality, on a scale of one to 10: Not Very Good, Somewhat Disobedient, Naughty, Morally Deficient, Without Scruples, Iniquitous, Wicked, Maleficent, Evil and Absolute Evil (although, as none received a perfect 10, you might want to adjust your reception of my ratings up by one).
Also, and perhaps more importantly, I’ve been noting how connected each is to the Forever Evil event that ostensibly led to this state of affairs at DC, so, if you’re only interested in these things for their narrative import rather than their creators or characters, you’ll know which are worth your attention. So let’s take one last wallow in the evil of (almost) every issue of this week’s Villains Month, and hope for the swift and triumphant return of our heroes starting next month.
If you’ve been keeping up with the events in the DC Universe, then you know things are looking particularly grim for the good guys.
At the conclusion of “Trinity War,” the Justice Leagues faced an invasion from the Crime Syndicate of Earth-3 — “The birthplace of all evil,” as one character called it — evil counterparts of the Justice League. In the first issue of Forever Evil, these villains claimed to have killed all of the Justice Leaguers, they freed all the supervillains from all the super-prisons and organized them into an army called The Secret Society, they did some awful things to Nightwing and then even moved the moon to permanently block out the sun.
To mark the occasion of evil temporarily winning (again), DC declared September Villains Month, and is interrupting the ongoing adventures of its heroes with special “.1″ issues starring various villains. Each of these was to bear a fancy plastic 3D cover that jacked the price up a buck and ultimately created shortages, an artificial collectors/speculators market and irritated a whole bunch of retailers, many of whom were already pretty irritated by having to figure out how to order something like, say, Justice League #23.3: Dial E, which fused one of the publisher’s best selling comics with one of its worst.
We — and by that I mean you and I, for the course of this post — aren’t going to concern ourselves with that aspect of the books, however. Instead, let’s look under those covers, whether they’re the fancy plastic 3D ones or the regular, cheaper “standard edition” ones and concern ourselves with the quality of the comics concealed behind the covers.
In case you didn’t notice, Comic-Con International happened last weekend. As always, it was an epic affair with tons of announcements, stunts and surprises. Amid cannons firing, actors dressing up as themselves, and big movie plans, there were also a good number of genuine surprises from comics.
Usually I end up picking a winner of Comic-Con, but after Dynamite Entertainment flooded the air waves with announcements the days before the event, no one else seemed to stand out as the clear winner. It’s not that everyone slacked off, however: They brought a good variety of interesting and exciting projects, and a number of standout announcements made my ears perk up. So instead of declaring a winner, I’m going to run down my Top 6 Comic-Con surprises in comics.
Before I start, though, two publishers deserve a little recognition for serious contenders for the Comic-Con crown. Top Shelf Productions classed up the joint by bringing in Congressman John Lewis for the debut of his graphic novel, March: Book One with artist Nate Powell and co-writer Andrew Aydin. I have little doubt this trilogy will end up being a historic release with profound benefits for schools, libraries and organizations looking for a powerful teaching tool and first=person account of the Civil Rights Movement and non-violent resistance. Plus, come on, photos of Lewis meeting Neil deGrasse Tyson and Lou Ferrigno? Everybody else, just pack it up. Maybe not as much of a milestone, but IDW Publishing also deserves a nod for the pure quantity and variety of good-looking books announced.
OK, on with my list:
Hello and welcome to another edition of What Are You Reading? Our special guest this week is Matthew Thurber of 1-800 Mice and Infomaniacs fame. To see what Matthew and the Robot 6 crew have been reading, click below.
You’ve heard it said that children are the future, and if that’s true—and it must be, since they’ll be around for more of the future than we adults will be—it’s as true for comics as it is for whatever else people mean when they say children are the future.
So what sorts of comic books are we providing for our children, our future these days? As it turns out, some pretty good ones—hell, some pretty great ones.
This week saw the release of three particular comic books–not graphic novels or tankobon, but good-old-fashioned 20-some pages and some staples comic books—that featured superior writing and art, some of that art coming from world-class cartoonists.
And all three of those comics, oddly enough, are based on cartoon series.
When I was a child, there were comic books based on cartoons (cartoons that were often based on toy lines), and while they were readily available in drug and grocery stores, and you could buy one with a dollar bill and get change back, they weren’t exactly the highest quality product.
But some of today’s based-on-cartoons comics can put to shame much of what the “Big Six” direct market publishers release for their grown-up audiences.
Wired’s GeekDad and Underwire blogs have an exclusive first look at Action Comics #5 which, as teased in the issue’s solicitation text, takes us back to doomed Krypton for some “keys facts about Superman’s past” — not the least of which is the apparent fate of Krypto. If you don’t want to know that last detail, you probably shouldn’t click the second link.
Action Comics #5, which features a main story by Grant Morrison, Andy Kubert and Jesse Delperdang, and a backup story by Sholly Fisch and ChrisCross, arrives Jan. 4.
Hello and welcome to a special holiday edition of What Are You Reading? Actually it’s just a normal edition of What Are You Reading?, because changing the font color to red and green, and adding twinkling lights around the border just made it harder to read.
Our special guest this week is Andy Khouri, associate editor over at ComicsAlliance, where he drops comic news and commentary on a daily basis.
To see what Andy and the Robot 6 crew have been reading, click below.
As miracle-based winter holidays go, Jewish Chanukah suffers a bit in constant comparison to Christian Christmas, a fact that has to do more with a coincidence of the calendar than with the importance of the holidays to the respective groups who celebrate them.
That is, Christmas is the second biggest holiday of the Christian year, behind Easter, and the one that has been most widely embraced by secular culture. For Jews, Chanukah is a relatively minor religious holiday.
The two holidays are generally forced into contrast each winter as they are celebrated around the same time, though, and Chanukah can’t help but come across as the lesser of the two, in a miracle vs. miracle sense.
The miracle of Chanukah, beyond the military victory in which the Maccabees defeated the vastly larger Greek army (Take that, Frank Miller and Zack Snyder!), was that the one day’s worth of oil they had to burn in the temple menorah burned for eight days.
Christmas has a couple of miracles for Christians, including a virgin birth, a portentous star in the sky and angels visiting multiple witnesses.
From an outsider standpoint, the Chanukah story has a lot more action, but the Christmas one inspires more awe.
Of course, neither the temple oil lasting a supernaturally long time nor a baby being born to a virgin and that event’s accompanying aerial phenomenon seem quite as impressive as this particular miracle: A magical suit stitched together from rags transforms the person who wears it into a superhero, granting him super-strength and invulnerability, limited flight ability, and, most, spectacularly, the ability to absorb the souls of truly evil people, transforming them into rags in his quilt-like suit.
Hey kids, it’s time once again for What Are You Reading?, a weekly look into the reading habits of your Robot 6 bloggers. This week our special guest is Rik Offenberger, comics journalist and public relations coordinator for Archie Comics.
To see what Rik and the Robot 6 crew have been reading, click below.
DC Comics announced today that John Henry Irons will shine up the Steel suit for his big New 52 appearance in Action Comics #4. Steel will also appear in the first eight-page back-up story in Action written by “Grant Morrison’s hand-picked choice,” Sholly Fisch, and drawn by Brad Walker.
“The lead story in Action #4 by Grant Morrison and Rags Morales features the debut of the ‘New 52 Steel!” said Will Moss, associate editor, on The Source blog. “Last we saw of John Henry Irons, in Action #2, he had quit his military job in protest over Lex Luthor torturing Superman under General Lane’s command. Now, as the Terminauts lay siege to Metropolis, it’s time for John Henry to put his money where his mouth is and go help Superman defend the city. The backup in #4 ties into the main story by depicting a critical fight between Steel and the brand new Metall-0!”
Back-up tales are also slated for issues #5, #6 and #7. Issue #5 will feature an eight-page tale by Fisch and ChrisCross, starring Ma and Pa Kent. CrhisCross is also drawing the back-up for issue #6, with Walker returning for issue #7. Issue #8 concludes Action‘s first story arc and won’t have a back-up.
“As a bonus, check out this first look at Steel’s armor by Brad Walker (based off a design by Rags Morales)!” Moss said about the above image. “Much in the same way that Superman is wearing jeans and a T-shirt in this current arc, at this point Steel’s armor is in its ‘prototype’ phase. Look for the final design somewhere down the line, but in the meantime, get ready for one heck of a throwdown!”