Shonen Jump Archives - Robot 6 @ Comic Book Resources
To celebrate its third anniversary of going digital, Shonen Jump is offering four issues for free in the next four weeks, as well as a discounted price of $19.99 for a one-year subscription. The free issues are available via the Shonen Jump website and the Viz Manga and Weekly Shonen Jump iOS and Android apps.
The nice thing about an anthology is the variety, and the Jan. 19 issue, the first to be offered for free, has a good mix of stories. There’s One Piece, the long-running pirate tale; if you’re not particular about understanding the details of the plot, you can jump right in and enjoy the kinetic, cartoony battle scenes.
Toriko is another classic Shonen Jump story, about a group of “gourmet hunters” who travel the world looking for foods that are rare, hard to get, and uniquely delicious. It’s an odd combination of battle and foodie manga, and it’s fun to see big, over-muscled guys get all weepy over a salad, as happens in this week’s chapter, or watch a gourmet dig into a bowl of “Ojiya-style eyeball porridge.” It’s amazingly imaginative, and well worth a read.
Manga | Masashi Kishimoto’s Naruto comes to an end in next week’s issue of Shonen Jump, but it’s not going away. Already side projects are popping up, including a miniseries that will launch in the spring, marking the 15th anniversary of the manga, and a series of novels about the different characters in the franchise. It all seems to be part of something bigger, the “Naruto Shin Jidai Kaimaku Project” (Naruto‘s New Era Opening Project), and the official Naruto website has a countdown to an announcement on Monday. [Anime News Network]
Digital comics | Tom Spurgeon talks to comiXology’s Chip Mosher about the comiXology Submit program, which is tailored for small publishers and self-published work. To prepare for the interview, Spurgeon gathered questions from creators at the Small Press Expo (which comiXology co-sponsored), and he talks to Mosher about the nuts and bolts of the Submit program, including payments, processing and the willingness to handle unusual formats. “We’ve had people sell thousands of copies and we’ve had people sell one or two copies,” Mosher says. “People have told me they’ve paid their rent with money from Submit. Or they were able to work on more comics with the money they made from Submit. It’s great to offer our customers such diverse comics from the program and at the same time be able to support the creation of more diverse work.” [The Comics Reporter]
Legal | Disney on Tuesday asked a panel of the 10th U.S. Circuit Court of Appeals to dismiss a two-year-old lawsuit by Stan Lee Media claiming the copyright to such Marvel superheroes as Spider-Man, the Avengers and the X-Men. A lawyer for Stan Lee Media, which no longer connected to its namesake, argued a federal judge in Colorado erred last year in dismissing the 2012 complaint, but Disney countered that the copyright claims have been addressed time and again by the courts. “This is their seventh bite of a rotten apple,” Disney attorney Jim Quinn said after the hearing. The three-judge panel hasn’t issued its decision. [The Associated Press]
Manga | The finale of Masashi Kishimoto’s Naruto, which will run in an upcoming issue of Shonen Jump (both the Japanese and the North American editions), will be two chapters long, with the second appearing in full color, the manga magazine announced. Naruto was at one time the bestselling graphic novel in the United States and is still one of the top selling manga in the country. [Anime News Network]
There are a lot of battle manga, and there are a lot of food manga, but Mitsutoshi Shimabukuro’s Toriko is one of the few where the hero battles the food — literally.
The series, which runs in both the American and Japanese versions of Shonen Jump, is about a gourmet hunter who tracks down the rarest foods in the world. Like the lead character in the foodie manga Oishinbo, Toriko is trying to assemble the greatest meal ever, but that’s where the similarity ends.
Retailing | Finally breaking its silence regarding the feud with Hachette over sales terms, Amazon acknowledged it’s buying less print inventory and “safety stock” from the publisher and is no longer taking pre-orders for its titles. And while Amazon conceded that “Hachette has operated in good faith and we admire the company and its executives,” the retail giant said “we are not optimistic that this will be resolved soon.” The company also recognized the affect the dispute may have on authors, revealing it offered to fund 50 percent of an author pool to help mitigate the impact. Hachette responded, saying it was glad Amazon has admitted its actions have an effect on authors: “We will spare no effort to resume normal business relations with Amazon—which has been a great partner for years — but under terms that value appropriately for the years ahead the author’s unique role in creating books, and the publisher’s role in editing, marketing, and distributing them, at the same time that it recognizes Amazon’s importance as a retailer and innovator.” [Publishers Weekly, GalleyCat]
In the battle no one ever expected — Dragon Ball‘s Goku vs. One Piece‘s Monkey D. Luffy — no clear winner emerges, but there is an obvious loser: the sidewalks of Tokyo.
The pretty impressive life-size sculpture is on display through Sunday outside the Shibuya Parco department store to promote the release of J-Stars Victory Vs., the Shonen Jump 45th-anniversary multiplayer fighting game featuring many of the magazine’s most popular characters.
More photos can be found at Game Watch Impress.
Creators | Frannie Jackson talks with a handful of prominent creator couples — Mike Allred and Laura Allred, Kelly Sue DeConnick and Matt Fraction, Colleen Coover and Paul Tobin — about sexism within the comics industry. “I’m occasionally invited to participate in panel discussions about ‘women in comics,’” Coover says. “I’m usually emotionally torn by those invitations, because, yeah, I want women in comics to thrive and be seen as thriving, but I’d much rather be part of a discussion about ‘awesome creators in comics’ that’s stacked with awesome women and men.” [Paste]
Retailing | Andrew Wyrich visits several comics shops in the North Jersey area and finds they rely on a friendly atmosphere and incentive programs to keep customers coming back. “People who buy comics tend to have a $40 weekly budget,” said Len Katz, co-owner of The Joker’s Child in Fair Lawn, New Jersey. “We hear of people who love comics, but eventually just hit a wall with expenses. The key for us is to get customers coming back. The reality is we are not a necessary item; we aren’t milk, bread or cheese.” [The Record]
Keiji Kiriya, the hero of All You Need Is Kill, is a rookie soldier who’s killed in his first battle but can’t stay dead: Each time he dies, he comes back to the same moment and relives it. With mankind locked in a battle with killer aliens, Keiji uses his strange reincarnation to train himself to be a super-soldier and save humanity.
All You Need Is Kill started out as a light novel, written by Hiroshi Sakurazaka and illustrated by alt-manga artist Yoshitoshi ABe. Now it’s back as a manga, adapted by Takeshi Obata, who is well known to English-language readers as the artist of Hikaru No Go, Death Note and Bakuman.
The manga launched on Saturday and is being serialized simultaneously in Viz Media’s digital magazine Shonen Jump and the Japanese Weekly Young Jump. Shonen Jump is kicking it off with a special Obata-theme issue that features chapters of Hikaru No Go and Bakuman as well as the first chapter of All You Need Is Kill.
And there’s more All You Need Is Kill on the way: The novel forms the basis for the film Edge of Tomorrow, starring Tom Cruise, which will be released this summer, and Viz, which published the light novel and is publishing the manga, is also producing an original graphic novel based on the story.
We talked to Alexis Kirsch, the editor of the English edition of the manga. We also have a preview of the manga, which is available in this week’s Shonen Jump.
In a true-crime story unfolding across Japan, stores are pulling products and venues are canceling events related to the manga and anime Kuroko’s Basketball because of a series of threatening letters targeting locations linked to the manga’s creator, Tadatoshi Fujimaki, the manga, and doujinshi (fan comic) events related to it.
The first threat letters, at least one of which may have contained deadly poison, were sent more than a year ago, but the pace seems to be accelerating: The sender has hinted he or she may commit a crime on Nov. 4, and a new set of letters has emerged claiming the perpetrator is negotiating with the editors of Japanese Shonen Jump, which serializes the manga.
On Monday, the Japanese manga, video and game rental chain Tsutuya confirmed it has removed all copies Kuroko’s Basketball manga and anime. The Yurindo and Reliable bookstore chains are also removing the books. However, a number of bookstores, including Kinokuniya, Sanseido, Junkudo and Miyawaki, say they will continue to carry the manga despite receiving threatening letters demanding its removal.
In addition, the 7-Eleven convenience store chain is removing Kuroko’s Basketball-themed snacks from 1,500 locations after receiving a letter that said, “I left food products laced with poison in 7-Eleven.” The letter included a photograph of the snacks. Another convenience chain has stopped carrying a line of Kuroko’s Basketball tie-ins, including character dolls and plush toys.
Publishing | John Jackson Miller dissects the latest sales numbers and finds July 2013 to be the second-best month for comics sales in the direct market so far this century—actually, since 1997. Combined comics and graphic novel sales were up almost 17 percent compared to July 2012, and year-to-date sales are up almost 13 percent compared to last year. [The Comichron]
Retailing | Brian Hibbs, one of the founding members of the direct-market trade organization ComicsPRO, has left the group “because of the reactions of the Board to recent DC moves.” He revealed his decision in the comments on his blog post about DC’s allocation of 3D covers for Villains Month: “The org that I formed was intended to look out for the little guy; the current Board seems much more interested in keeping the big guys big. Democracy in action, I suppose, so I vote with my dollars.” [ICv2]
I’ve always disliked fireworks, an aversion I blame on a crippling childhood fear that they would rain down on me like the white-hot fire of a sparkler. That said, I might be convinced to change my mind about them if there were more manga-themed pyrotechnic displays like the one held Thursday in Japan’s Kanagawa Prefecture.
At Kotaku, Brian Ashcroft writes that Shonen Jump held its own fireworks celebration at a summer festival, with the focus on many of its own hit properties, like One Piece, Naruto, Dragon Ball and Gintama. Judging from the photos, and the video below, Luffy’s hat was definitely my favorite. You can see many more images at Kotaku.
Publishing | Lions Forge Comics announced a partnership this morning with NBC Universal to create digital comics based on five television series from the 1980s and 1990s: Knight Rider, Airwolf, Miami Vice, Punky Brewster and Saved by the Bell. The comics will be released on a variety of e-book platforms, including Kindle, Nook and Kobo, but there was no mention of comics apps such as comiXology. [USA Today]
Publishing | Denis Kitchen’s Kitchen Sink, long a packager whose comics were published by others, will now be an imprint of Dark Horse, releasing four to six books a year. The imprint will include art books, reprints of archival material, and new graphic novels; it will kick off with The Best of Comix Book: When Marvel Went Underground!, a collection of works from the Marvel magazine, which was edited by Kitchen and Stan Lee. [ICv2]
Publishing | ICv2 posts a three-part interview with IDW Publishing CEO Ted Adams that covers a multitude of subjects, including the company’s digital strategy, the Artists Editions, news that Scholastic has picked up its My Little Pony comics, and that the publisher’s book sales are up, even though Borders is gone: “The book market used to make me crazy on this returnable basis basically forever. That was never a sustainable business model. Where we are today is we are able to sell product in a reasonable way so that the bookstores get a chance to sell the product and we don’t get these giant returns. ” [ICv2]
Piracy | Earlier this year, the Chinese Internet company Tencent inked a deal with Shueisha, the publisher of Shonen Jump and thus the licensor of some of the most popular manga in the world. One consequence of this deal has just hit home with the Chinese reading public: Scanlations are disappearing from the web, and fans are not happy. [Kotaku]
Legal | In the aftermath of last month’s ruling that DC Comics retains full rights to Superman, the heirs of creators Jerry Siegel and Joe Shuster are urging federal judge to dismiss claims that their lawyer interfered with the publisher’s copyright to the character. DC sued attorney Marc Toberoff in May 2010, accusing him impeding a 1992 copyright agreement with the heirs by striking overriding deals with them in 2001 and 2003. The families insist the publisher filed its claims two years too late, as the statute of limitations expired in 2008. [Law360]
Webcomics | Malicious hackers hit the Blind Ferret servers last week, and they didn’t just wipe out the websites that host Least I Could Do, Girls with Slingshots and other high-profile webcomics — they also wiped out the backups. Gary Tyrell has the story and advises creators to have multiple backups in multiple locations. [Fleen]
Digital comics | ComiXology, which earlier this week announced the opening of a European branch, has revealed its first big score: a digital-distribution agreement with Delcourt, the top independent publisher in France. And comiXology kicked off the agreement by updating its dedicated Walking Dead app to include a French interface and the French editions of the comic. The company also plans a dedicated Lanfeust of Troy app, and of course it will roll out Delcourt titles on its regular app as well. [ComiXology]
Auctions | A copy of Detective Comics #27, which contains the first appearance of Batman (or, as he was called in 1939, “the Bat-Man”), will go on the auction block later this month. The comic, which is CGC rated 6.5, is expected to fetch $500,000, but there’s no reserve, so this might be an opportunity to pick up a bargain. [Art Daily]