Here’s good news for fans of the television show Smallville who were left without their fix in May when the series went off the air for good: DC announced today that Smallville is coming back as a comic, which will be released first in digital and then in print form. The series will be written by Bryan Q. Miller, who was a scriptwriter for the show, and will pick up where the television story left off. Pere Perez, who worked with Miller on Batgirl: The Flood, will handle the art, and the digital cover above is by Cat Staggs.
DC has an interesting strategy for this comic: It will launch as a digital comic on April 13, with a new digital chapter coming out each week. (No word on pricing or length.) About a month later, it will come out as a print comic, collecting the chapters and adding an episode guide; the first print comic is due out on May 16, and Gary Frank (Superman Secret Origin) will be doing the covers for the print issues.
The weekly chapters are an interesting twist. Not only do they mimic the timing of the original show, they make the comic more of an immediate experience, something people come back to frequently and discuss in real time, as opposed to a monthly event. IDW is doing something similar with its Transformers series Autocracy, publishing an eight-page digital chapter every two weeks, priced at 99 cents. And of course there’s Shonen Jump Alpha, the digital reincarnation of Viz’s Shonen Jump, which publishes a chapter a week of six different manga within two weeks of their Japanese release, with a teen-friendly price of 99 cents per issue (less if you get the yearly subscription).
Creators | Former Judge Dredd artist Brett Ewins suffered serious head injuries Saturday after he allegedly stabbed a police officer who responded to complaints about a man shouting throughout the night. Police say when they arrived the 56-year-old Ewins attacked them with a knife. One of the officers received minor wounds during the struggle, but Ewins was hospitalized, where he remains in serious condition. The newspaper report asserts the artist, best known for his work on Judge Dredd and Rogue Trooper for 2000AD, has a history of mental-health problems. [Ealing Gazette]
Creators | Longtime Uncanny X-Men writer Chris Claremont is donating his archives to Columbia University’s Rare Book and Manuscript Library. The collection includes materials for all of his major writing projects over the past 40 years, notebooks with story ideas, drafts of short stories, plays, novels and comic books, and materials from his early training in the theater and his career as an actor. “We hope this is the first of more comics papers to come to the University,” said Karen Green, Columbia University’s ancient/medieval studies librarian and graphic novel librarian. “We want it to be a magnet for these kinds of archives in New York City, where the comics medium was born.” [Publishers Weekly]
Creators | Michael Cavna talks to two comics creators with very different takes on Occupy Wall Street, sequential journalist Susie Cagle, who was arrested as part of the Occupy Oakland protests, and conservative editorial cartoonist Nate Beeler, who walks past the Occupy D.C. site every day and regards it as “quaint,” smelly, and out of step with the rest of the country.” [Comic Riffs]
Art | Jerry Robinson’s cover artwork from Detective Comics #67 is expected to bring in more than $300,000 when it goes up for auction Nov. 15. “Robinson penciled and inked this cover and the detail of his art is amazing close-up,” said Todd Hignite, consignment director for Comic Art at Heritage Auctions, “particularly his shading lines on Batman and Robin, and on the feathery details of the ostrich being straddled by that bird-of-prey, the Penguin.” [Art Daily]
Business | Stan Lee’s POW! Entertainment Inc. and Vuguru, former Disney CEO Michael Eisner’s independent studio, are partnering to produce “original digital content.” [press release]
Comics | Darryl Ayo has a small manifesto about comics that makes a lot of sense: “Things that don’t make sense in North American comics: 1) comics that exist after their creators have ceased to. 2) these comics’ existence continues despite minimal effort to applicable to contemporary culture. Things that make perfect sense in North American comics: people’s general lack of interest in comics.” He points out a number of reasons why the comics audience is small and challenges creators and publishers to “Do better.” One point he makes that is rarely mentioned: The critical importance of editors. [Comix Cube]
Manga blogger extraordinaire Deb Aoki sat down with the Viz folks at NYCC and asked some hard questions about their relaunch of Shonen Jump as a digital magazine (to be renamed Shonen Jump Alpha). The magazine will be available via the Viz iOS app and the Vizmanga.com website, but only in the U.S. and Canada.
Aoki asked Viz VP of digital publishing Brian Piech when Shonen Jump Alpha would be available in other regions, and he responded that it depends on Viz parent company Shueisha, which controls the rights. Simply put, Viz has the print rights in the U.S. and Canada, and other companies have those rights in other countries:
This is something that the entire publishing industry is dealing with, not just manga. Digital rights (to a given book or manga) wasn’t always included in the original contracts.
Now, with everything that’s happening, everyone wants the digital rights. But it’s not clear if the print publisher (of a given book in a given territory) has first dibs, or if the rights holder can just shop (the digital rights) around to whomever wants it.
So it’s possible that someone will be publishing Naruto digitally in other countries, but it won’t necessarily be Viz.
There are pretty much three reasons for piracy—price, speed, and regional availability. Viz has the speed thing licked—with the launch of Shonen Jump Alpha, they will be publishing chapters of six of the most popular manga in the U.S. within two weeks of their Japanese release, and there’s a good chance that they may eventually go to simultaneous release in the two countries. On price, the ability to buy a chapter for the magic price of 99 cents (through Viz’s website as well as iOS apps) is a pretty good deal for the casual reader (although the yearly subscription price of $25.99 is a better deal in the long term). But region restrictions, whatever the reason, are bad news; they seem to be driving a lot of the traffic on pirate sites, judging from the comments. Two out of three ain’t bad—but if Shonen Jump Alpha does well, and the Shueisha honchos loosen the restrictions, that hat trick could prove very lucrative for Viz.
Viz Media announced at the New York Comic Con this weekend that they plan to phase out the print edition of Shonen Jump magazine and replace it with Weekly Shonen Jump Alpha, a digital publication offered through their website and their various iOS Viz Manga applications.
Accoridng to the press release, Weekly Shonen Jump Alpha will feature serializations of Bakuman, Bleach, Naruto, One Piece and other manga “only two weeks after it debuts in Japan’s massively popular Weekly Shonen Jump Magazine. Currently, Japanese releases are often several months to years ahead of North American print titles; Weekly SJ Alpha eliminates the delay in unprecedented fashion.” To help North American readers catch up, they plan to release “a limited collection of digital graphic novel speed-ups” that will bring readers up-to-date with Japanese releases.
Weekly Shonen Jump Alpha will kick off Jan. 30, and fans can either purchase an annual membership that provides access to 48 weekly issues for 52 weeks for just $25.99, or can “rent” issues for 99 cents for four weeks of access. The last print issue of the North American Shonen Jump magazine will come out in March.
“Simultaneously publishing an official translation of the most popular comics magazine in the world has been a dream since manga publishing began in North America in the 1980s,” said Alvin Lu, senior vice president and general manager. “This is how manga is meant to be read in English–weekly, current, authorized and on the go. Now with Weekly Shonen Jump Alpha, it’s about to happen for real.”
Check out the full press release after the jump.
Publishing | The 60th volume of Eiichiro Oda’s popular pirate manga One Piece sold more than 2 million copies in its first four days of release. It’s the first book to move more than 2 million copies in its first week of sales since the Japanese market survey company Oricon began reporting its charts in 2008. As we reported last week, this volume’s 3.4 million-copy first printing set a record, and propelled the series past the 200 million-copy mark. [Anime News Network]
Editorial cartoons | Pulitzer Prize-winning cartoonist Matt Davies has been laid off by the Gannett-owned Journal News in White Plains, N.Y. [Comic Riffs]
Publishing | Abrams has made three comics-related promotions: Susan Van Metre to senior vice president and publisher, overseeing all comic arts books as well as Abrams Books for Young Readers and Amulet Books; Charles Kochman to editorial director of Abrams ComicArts; and Chad W. Beckerman to creative director, overseeing design for all comic arts books as well as Abrams Books for Young Readers and Amulet Books. [Abrams]
The manga publisher Viz Media has done well with Shonen Jump: The magazine, established in 2002, has a monthly circulation of just over 200,000, which is pretty respectable, and then Viz sells the same stories all over again as graphic novels.
Now they are adding online manga to the mix: The December issue of Shonen Jump carries a full-page announcement of a new online manga service available only to subscribers to the magazine. One series, Nura: Rise of the Yokai Clan, will run exclusively online until it is collected in graphic novel form. The site will also include “massive online previews” of two more series, Toriko and Bakuman: Subscribers can read the first four chapters just before the graphic novel comes out. The rest of the Shonen Jump series will continue in print only.
I e-mailed some questions to Viz spokesperson Jane Lui, and she forwarded them to Joel Enos, the senior editor of Shonen Jump, who provided some more details of the new package.
Brigid Alverson: How will readers subscribe to the service—do you have to be a Shonen Jump subscriber or can you get an online-only subscription?
Joel Enos: A subscription (for now) is to the magazine as a whole. When you subscribe to the magazine, you also get the access to the exclusive online content of the magazine.
Like clockwork, Comic-Con organizers have released the schedule for the third day of the convention, Saturday, July 24.
Below you’ll find highlights of the comics-related programming, ranging from movie panels for Warner Bros.’ Green Lantern and Marvel’s Thor and Captain America: The First Avenger to Joe Quesada’s traditional “Cup O’ Joe” and “Scott Pilgrim, Vol. 6: Scott Pilgrim’s Finest Hour vs. The Fans.”
The full programming schedule for Saturday can be found here.
10 to 11 a.m. Spotlight on Carla Speed McNeil — Comic-Con special guest Carla Speed McNeil is best known for her creator-owned title Finder. A few years back, Carla took new stories of Finder to the Internet, and the result was an Eisner Award for best webcomic of 2008 and a new series of reprints from Dark Horse. Carla talks about her work and what’s next in this Spotlight panel. Room 3
10 to 11 a.m. The Black Panel 2010 — This year’s Black Panel will be one for the ages. The focus will be on empowerment, education, real-world networking, and finally but never last, fun. The panelists include entertainment attorney Darrel Miller, novelist Nnedi Okorafor, artist Denys Cowan and writer/producer/director Reggie Hudlin, with moderator Michael Davis. Once they answer life’s burning questions, they’ll chill with a salute and Q&A from the audience with actor/writer/director Bill Duke. As always, surprise guests who will rock your world. Room 5AB
10 to 11 a.m. Marvel Comics Writers Unite! — The third in Comic-Con’s series of “Year of the Writer/Comics Writers Unite!” panels focuses on Marvel Comics and includes Comic-Con special guests Brian Michael Bendis (Avengers, New Avengers, Ultimate Spider-Man), Matt Fraction (Invincible Iron Man, Thor) and Chris Claremont (X-Men Forever, X-Women) in a discussion with writer Mark Waid (Amazing Spider-Man, Irredeemable). Room 6DE
San Diego Comic-Con is always a wild ride filled with crazy cosplayers, Hollywood hype and just generally somewhat-controlled chaos. In the midst of it all, a few comic book announcements managed to sneak out.
Here are 15 of those announcements (in no particular order) that Kevin Melrose, Chris Mautner and I were happy to hear:
1. New Bone books
So it looks like one of those new books isn’t going to be comics but a novel written by Tom Sniegoski and illustrated by Smith. Which is a bit of a bummer, but only a bit. I’m still pretty psyched to see more stories set in that universe and Sniegoski has proven himself to be an able and witty writer on stuff like the Stupid Stupid Rat Creatures mini series, which, by the way, will be included in the Tall Tales book. So yeah, this is great news all around. I’m eager for more Bone. –Chris Mautner
Viz Media will add the slice-of-life Bakuman and the action-comedy Toriko to its Shonen Jump magazine lineup.
The announcement was made today during the publisher’s first panel at Comic-Con.
Bakuman, by Death Note creators Tsugumi Ohba and drawn by Takeshi Obata, follows to ninth-grade boys who dream of becoming mangaka. It debuted in August 2008 in Weekly Shonen Jump and has so far been collected in three volumes in Japan.
The title character in Mitsutoshi Shimabukuro’s Toriko is a luxury-food hunter who uses his inhuman abilities to capture rare and ferocious animals in hopes of one day creating the ultimate meal. The series premiered in May 2008 in Weekly Shonen Jump. To date, five volumes have been released in Japan.