"X-Men: Apocalypse" Post-Credits Scene Teases Two HUGE Franchise Debuts
Creators | Pierre Christin, the creator of Valerian and Laureline, discusses the possibility that his space opera was a source for the Star Wars movies — and how he and his collaborator Jean-Claude Mézières changed the story to move it away from the Star Wars universe: “I instantly felt connected with Star Wars because of the number of intersections and parallels with our comic strips. George Lucas had created complex worlds, just as we had. Like us, he had staged the functioning of societies from within, although Star Wars focused perhaps a bit more on the struggle between good and evil. In this respect, Valerian was more European, more intellectual.” [EuropeComics]
Valentine’s Day, with its reflection on love, is inescapable. That could be romantic love filled with cherubs and soft-focus lighting, or it could be friendly love, like those little paper Valentines you get in grade school or around the office. It could be family love, like roses for your grandmother to let her know you care. Heck, it could just be the love of chocolate and the knowledge that all those heart-shaped boxes will be on sale tomorrow.
Who we love is based on what we love about them: It could be their rockin’ abs, their sense of humor, their empathy or their discount sale price at the drug store. Maybe it’s elusive. Often times, what others love about us are qualities we can’t see in ourselves. Those are the aspects we have to recognize to better understand our loved ones and, most of all, who we are — because, as RuPaul says, “If you can’t love yourself, how in the hell you gonna love somebody else?”
No one in the Marvel Universe needed to hear a drag queen’s words of wisdom more than X-Men Legacy‘s Legion.
WARNING: Talking about Simon Spurrier’s X-Men Legacy series as a whole in vague terms and X-Men Legacy #24‘s huge spoiler, so go grab all the issues you can and read along!
Writer Si Spurrier and artist Rock-he Kim will relaunch X-Force next month as part of All-New Marvel NOW!, recasting the team as covert super-agents — players in a global shadow game — operating on behalf of mutantkind. Or, as Cable puts it, “Nation of mutantkind needs a dirty tricks department. We’re it.”
“We’re going to see them on hits,” Spurrier told Comic Book Resources in November. “We’re going to see them stealing intelligence, technology and weaponry from other factions. We’re going to see them truffling-out emergent threats and destroying them before they can get started. It’s broadly the same denominator of old — a black ops X-Men team — but with a lot more of an emphasis on International and inter-factional competition. The whole thing, of course, is a grand and grim metaphor for the secret black-technology race going on under our noses every day.”
To prepare readers for the team’s new mission, Marvel has provided ROBOT 6 with an exclusive preview of X-Force #1.
U.K. company Titan Publishing plans to expand its reach in July with a new imprint devoted to original creator-owned comics and new and classic graphic novels. Each release will be available the same day in print and digital versions on comiXology and other platforms.
Titan Comics will launch with the debut of Chronos Commandos: Dawn Patrol by Stuart Jennett and the newly colored expanded Numbercruncher by Si Spurrier and P.J. Holden, which originally appeared in Judge Dredd Megazine, alongside collections of Ring of Roses by Das Petrou and John Watkiss, Thrud the Barbarian by Carl Critchlow and two never-before published volumes of The First Kingdom by Jack Katz.
Those releases will be followed in September by Gravestown by Roger Gibson and Vince Danks, and Surface Tension by Jay Gunn, and in October by Death Sentence by Monty Nero and Mike Dowling.
Titan Comics Publisher Nick Landau tells USA Today he’s particularly excited for readers to discover Death Sentence and The First Kingdom, saying, “”The first because it is a masterfully constructed sci-fi psycho-drama, and the latter because for over 25 years I have been a fan of Jack Katz’s First Kingdom and following on from our success with the six-book Simon & Kirby Library, we are ever so proud that Jack has completed the series — which originally stopped publication halfway through — for the launch of Titan Comics.”
He adds in a press release, “This is the start of something very special. We’re searching out fantastic new voices and astonishing new artists, and helping them bring their dream projects to fruition – as well as remaining a world-leader in the field of classic comics restoration and republication.”
Events | Richard Pachter surveys the graphic novel scene at Miami Book Fair International, which this year will include appearances by Chris Ware, Derf Backderf, Marjorie Liu, Dan Parent and Chip Kidd, among others. [The Miami Herald]
Events | A group of Canadian creators and publishers are in Tokyo right now for the International Comics Festa, where they are selling an anthology that includes work by Darwyn Cooke, Bryan Lee O’Malley, and Seth. Manga blogger Deb Aoki is there too, and she has all the details. [About.com]
Hello and welcome to What Are You Reading? Today our guest is Salgood Sam, who has just relaunched his independent personal anthology series Revolver. He is also completing the last chapter of a graphic novel called Dream Life after a successful Indiegogo funding drive to finance it. He also publishes the Canadian-centric comics blog Sequential. As he told me, he “usually has too many projects going on and does not get enough sleep.”
To see what Salgood Sam and the Robot 6 crew have been reading, click below …
Passings | Artist Sid Couchey, an illustrator who brought many a Little Lotta story to life during the halcyon days of Harvey Comics, passed away March 111. He was 92. Couchey’s long career stretched from serving as an assistant to Superman co-creator Joe Shuster to steady if uncredited work in a number of comics during the 1950s, Harvey in the 1960s and 1970s, and a whole second career as a local-interest cartoonist, drawing comics about Champy, Lake Champlain’s answer to the Loch Ness Monster. He also may have been the first artist to embed a real-life marriage proposal in a comic. [Press-Republican, via The Comics Reporter]
Creators | Heidi MacDonald talks to Brian K. Vaughan about Saga, his general absence from social media, and jumping from Marvel and DC to Image: “I think at the end of the day I really believe in creator owned books, I wanted to do a book that the artist and I could own and control outright and as much as I loved the other companies I worked for in the past, I feel that Image is one of the few companies left that I would consider having a real creator owned contract.” [The Beat]