Simon & Schuster Archives - Robot 6 @ Comic Book Resources
Jeff Lemire, the award-winning creator of Essex County and Sweet Tooth — and one of DC Comics’ go-to writers — will follow his 2012 graphic novel The Underwater Welder with Roughneck, to be published in 2015 by Simon & Schuster and Simon & Schuster Canada.
The project represents somewhat of a return to a familiar setting, rural Canada, as it follows “a former hockey player forced to face his demons and reconnect with his Cree heritage when his troubled sister comes running home to the remote northern town where he now lives.” Here’s the official description:
Derek is a former hockey tough guy whose quick rise to the NHL was cut short when a brutal on-ice incident left him banned from professional hockey for life. Now, four years later, Derek has returned to Black River, his hometown in Northern Ontario, not far from the Moose Cree First Nation, where his mother grew up. Derek’s slide into alcoholism and depression is interrupted when his long-lost sister, Annie, returns home trailing a violent ex-boyfriend. Together, the two escape to the woods, where they struggle to reconnect with the traditions of their Cree ancestors in order to escape their past and gain redemption.
An Essex County, Ontario, native who now lives in Toronto, Lemire is a two-time Shuster Award winner who’s been nominated for eight Eisners. He and artist Mike McKone will introduce DC’s Justice League of Canada next spring.
Webcomics wunderkind Emily Carroll is taking her deliciously dark comics to dead tree. According to Publishers Weekly, Simon & Schuster’s Margaret K. McElderry Books will be publishing His Face All Red and Other Stories, a book-length collection from the celebrated (mostly) horror-comic creator. The book will also be released in the UK through Faber & Faber and in Italy through Stile Libro.
As a big fan of Carroll’s vibrant colors, exquisite pacing, and genuinely creepy, genuinely bleak stories of murder and monstrousness, I’m really looking forward to this one. I’m doubly curious to see how her existing stories, which frequently make use of the “infinite canvas” of the web in terms of layout, translate to the printed page.
Carroll, might I remind you, had never drawn a comic prior to May 2010. So, y’know, holy smokes.
BOOM! Studios is now distributing Avatar Press graphic novels to the book trade in North America through their mass-market partners Simon & Schuster and HarperCollins Canada. The agreement began on Monday.
In a press release distributed late last night, BOOM! founder/CEO Ross Richie said the Avatar library complimented BOOM!’s existing line and wouldn’t cannibalize BOOM!’s various imprints. “Avatars’ CEO William Christensen is a brilliant businessman and has a proven track record of great Direct Market success. Avatar has great growth potential in the mass market book trade, and we look forward to being an excellent partner in their continued expansion,” Richie said.
Up until this week, Avatar’s books were distributed through Diamond Book Distributors. BOOM! began using Simon & Schuster and HarperCollins Canada in July 2009. You can find the complete press release after the jump.
Legal | A Belgian court has postponed until next week a hearing in the months-long trial over whether to ban Tintin in the Congo because of its racist portrayals of native Africans. The legal battle was launched three years ago by Bienvenu Mbutu Mondondo, a Congolese man living in Belgium, who wants the book removed from the country’s bookstores, or at least sold with warning labels as it is in Britain. An anti-racism group joined Mondondo in seeking the ban. Wednesday’s scheduled hearing was postponed after one of the plaintiffs withdrew from the case; however, the article doesn’t say which one. [Expatica]
Legal | Cartoonist Rich Koslowski discovers that winning a copyright-infringement lawsuit against a company that used his artwork without permission didn’t end the matter. More than a year later, Ontario-based Geeks Galore Computer Center still hasn’t complied with the judge’s order, and continues to use Koslowski’s art in signage and advertising. [Eye on Comics]