Simone Lia Archives - Robot 6 @ Comic Book Resources
Conventions | Comic-Con International spokesman David Glanzer addresses problems with the badge-buying process: “After the two aborted events last year, we learned that each person had a multitude of browsers open. That’s going to create a bottleneck no matter what you do. Were there issues? Are we trying to work on them? Yes, we are. I think people’s anger is understandable, when all they’re trying to do is pay someone for a badge to attend an event and they can’t do that. We do test after test, and lo and behold something will happen. But (selling out in) an hour 20 minutes shows us we’re getting a handle on it.” [U-T San Diego]
Comic strips | Darren Bell talks about having Trayvon Martin, the Florida teenager who was killed by a neighborhood watch member, appear in his comic strip Candorville: ” I decided to incorporate him into Candorville as soon as I saw one of my Facebook ‘friends’ post a photo of Trayvon [that turned out to not be this Trayvon], flipping off his webcam. Even if that had been the real Trayvon Martin, it wouldn’t have mattered. … What this told me was people were starting to dehumanize Trayvon, so they could rationalize what happened and insulate their own belief about ‘Stand Your Ground’ laws, about race, about concealed carry laws, etc., from any fallout.” [Comic Riffs]
The U.K. comics scene has been heating up of late, and we can only hope that 2012 will see a British Invasion of the comics variety. The BBC has coverage of the latest development: The launch of The Phoenix, a weekly children’s comic published by David Fickling (whose David Fickling Books is an imprint of Random House). The name is apt: The Phoenix is a reprise of an earlier attempt, The DFC, which garnered a lot of praise but shut down after 43 issues. The Phoenix is launching with a nice lineup of stories and talent, including Neill Cameron, Simone Lia, Gary Northfield and Jamie Smart (who draws Desperate Dan for the long-running weekly The Dandy). Unfortunately, it’s print-only and not available digitally, so most U.S. readers won’t get to see it just yet.
Meanwhile, Strip Magazine, a monthly comic dedicated to serialized action tales, has released its second issue. Unlike The Phoenix, Strip is available digitally as an iPad app, which means we Yanks can read it, too. (I think the high point of my year was learning that The Beano and The Dandy are now available as iPad apps.)
If you’re not quite ready to let go of Christmas yet (hey, it’s supposed to be 12 days!), check out the classic British Christmas comics that Lew Stringer (another talented artist) has posted at his blog. It’s a fascinating look back in time. Dandy artist Andy Fanton posts a more modern Christmas comic (very much in the Dandy style) at his blog.
And finally, we had the U.S. release last week of Nelson, the collaborative graphic novel by 54 creators, each of whom contributed a chapter about one day in the life of a young woman. The contributors include Roger Langridge, Duncan Fegredo, Warren Pleece, Posy Simmonds and Darryl Cunningham, and publisher Blank Slate is donating the proceeds from the sale of the book to the homelessness charity Shelter.
Publishers | DC Comics have released details on the midnight release of Flashpoint #5 and Justice League #1 on Aug. 31. The publisher is offering a free over-ship of Flashpoint #5 for retailers who order 125 percent of their order for Flashpoint #1, and the publisher has noted that that these are the only two DC titles shipping that week that can be sold at midnight. The promotion is only available to U.S. and Canadian accounts; due to the Aug. 29 bank holiday, the midnight sale option will not be available to UK retailers. [ICv2]
Legal | Michael Dean looks at the recent ruling by New York federal judge Colleen McMahon that the family of Jack Kirby has no claim to the copyrights of the characters he co-created for Marvel. Dean notes, “Some legal observers were expecting Marvel to be the second major comics-publisher domino to fall when Toberoff filed on behalf of the Kirbys, but there is a key difference between Kirby’s comics work and Siegel’s: It was well established that Superman already existed as a full-blown character concept before Siegel and Joe Shuster pitched him to DC, whereas Kirby, who died in 1994, did most if not all of his Marvel work on assignment from the publisher. In the case of work for hire, the Copyright Act defines the instigating employer/publisher as the Author of the work.” [The Comics Journal]