Six by 6 Archives - Robot 6 @ Comic Book Resources
In case you missed it, Amazon announced last Thursday their intent to buy the popular digital comics provider comiXology. The deal is expected to close in the second quarter of this year, and terms were not disclosed.
Maybe this explains why my Prime membership went up in price? OK, probably not. But this is a major shift for the industry, as the biggest seller of digital comics will be owned by a mega Internet company. It’s really too soon to know exactly what this will all mean, but here are a few thoughts I’ve had after shifting through the announcement and some of the reactions to it.
New comics come out every week, by the dozens. Add that up by the month or the year, and it’s virtually impossible to keep track. Certain runs on some titles rise to the top by a mixture of critical acclaim, proper marketing and the right timing, but if all of those factors aren’t perfectly aligned, good comics fall by the wayside.
In this edition of ROBOT 6′s “Six by 6,” we look at six noteworthy creative runs on superhero comics worth a second look, even if that means a trip to the back-issue bin.
Death, taxes and new comics. Those are just a few things we can expect in the New Year (not YOUR death necessarily, just death in general). Anyway, lots of comics will be published this year. Here are six I’m really looking forward to and that I think you should be excited about as well. Feel free to disagree with me in the comments.
1. Seconds by Bryan Lee O’Malley (Random House). A bit of an obvious choice perhaps. Still, whether you loved Scott Pilgrim or hated it to tiny, tiny pieces, there’s little doubt that O’Malley’s big follow-up to his uber-successful and much ballyhooed series is going to draw a lot of attention from all corners of comics fandom. There’s a lot of people curious about this book, about which little is known other than it takes place in a restaurant. Count me among them.
2. Arsene Schrauwen by Olivier Schrauwen (Fantagraphics). Is Olivier Schrauwen one of the most amazing, inventive and original cartoonists to come along in decades? Well, duh. If you’ve read The Man Who Grew His Beard, My Boy or perhaps the initial chapter of this (I’m assuming) invented tale of the author’s grandfather, you know how creative and fearless he can be. This might well be the book I’m most looking forward to this year.
It happens every year: Despite the best efforts of authors, publishers and publicists, there are smart, funny and downright entertaining comics that fail to get their proper due. It’s a truth made more manifest every year as production and publishing costs are lowered and more and more people find ways of getting their work on print or online.
So once again I’ve put together a list of some books I thought could have used a bit more love, at least in terms of coverage if not also sales (though usually it’s both). These aren’t necessarily the best books of the past year – I’m not sure I’d swap any of them out for my own top 10 list – they’re just really good comics that didn’t seem to get enough attention. Let me know what you’d add to the list in the comments section below.
The big news (for me at least) of the past week was Dan Nadel’s announcement that he has decided to close up shop on PictureBox, his publishing empire. While I completely understand his desire to focus his energies on other things it’s sad news nevertheless. PictureBox was one of the most interesting and daring comics publishers out there and the books they released helped change the conversation about what comics should be.
Thankfully, Nadel is going out with a bang in the form of a 50 percent-off sale through Jan. 2. PictureBox published so many excellent books by so many talented cartoonists – Lauren Weinstein, Mat Brinkman, Jonny Negron, Frank Santoro, Ben Jones, etc. – that making a few essential recommendations is a tough task to put it mildly. Still, if you’re looking to take advantage of the sale, and aren’t sure what to buy, here are some books I enjoyed a great deal and think you might too.
1. Gold Pollen and Other Stories by Seiichi Hayashi. One of the sadder tragedies of PictureBox’s closing is it comes just as critic and scholar Ryan Holmberg’s two new lines – Ten Cent Manga and Masters of Alternative Manga – were just getting started. I greatly enjoyed the two books in the Ten Cent line (The Mysterious Underground Men by Osamu Tezuka and Last of the Mohicans by Shigeru Sugiura) but it was Gold Pollen that really floored me. This collection of highly symbolic short stories (one uncompleted) present some really daring, exciting work by Hayashi (author of Red Colored Elegy), particularly the elegant, minimalist Red Dragonfly. That, combined with Holmberg’s insightful, educational essay make this my favorite book of 2013 thus far. The good news is that apparently Holmberg has found a publisher interested in picking up the Ten Cent Manga line. No word yet if the Alternative Manga line will find a benefactor, but let’s keep our fingers crossed.
Seeing films and television series adapted as comic books is nothing new, but in the past decade we’ve experienced a new phenomenon in which canceled TV shows are finding a second life, and a second chance, in comics form. In many cases, these properties pick up right where their television runs left off, such as in Dark Horse’s Buffy the Vampire Slayer Season Eight and IDW Publishing’s recent X-Files launch. So with that in mind, we turn to six other beloved genre shows that deserve a comic-book revival.
Some might say we’re experiencing the Golden Age of superheroes in film, but in reality it’s just live-action catching up to animation. Warner Bros. Animation has been a trailblazer in that area, with 26 feature films based on DC Comics’ characters since 1993. And with the recent release of Justice League: The Flashpoint Paradox, based on the 2011 Flashpoint crossover, we’ve come up with a half-dozen other DC series or arcs Warner Bros. could (and should) look to for future animated films.
Sure, everyone gets worked up about turning comics into movies, but what about the other way around? Cartoonists have been attempting to cram great works of literature or art into tiny panels since the birth of Classics Illustrated. But many of these adaptations, despite the noblest of intentions, fall horribly flat or fail to evoke a tenth of the original work’s greatness.
There are exceptions of course; comics that not only manage to capture or add to the spirit of the original work, but in a few cases are the equal or better of the source material. Here then are six such examples. Feel free to include your own nominations in the comments section.
It was about a year ago that Monkeybrain Comics, the all-digital, creator-owned comics publisher headed up by Chris Roberson and Allison Baker, burst onto the scene. A year later, they’ve published roughly two dozen titles, many of which have found print homes and one of which, Bandette, brought home a few Eisner nominations.
In celebration of their big year, we thought we’d list six of our favorite Monkeybrain titles, but we couldn’t quite narrow the list down that far, so you’re getting one bonus selection as well.
This Sunday is Bloomsday, that special time of year when people around the world draw together to celebrate one of the finest works of English literature, Ulysses by James Joyce. Or they try to, anyway.
If you haven’t attempted to read Joyce’s magnum opus before, it can be a little rough going. In honor of the literary holiday, I thought I’d list six Joyce-themed comics you can read on Sunday in addition to (or, if you must, in place of) Ulysses. You wouldn’t think there could possibly be that many Joycean comics available to the casual reader but I assure it’s so. Steady on, stately, plump Buck Mulligan!
1. Boom Boom #2 by David Lasky: Lasky has done enough Joyce-themed comics to fill at least a thick-sized pamphlet if not an actual book (and really, at some point I need to devote a “Collect This Now!” column to those works). But if you’re looking for just one comic to read this Bloomsday, I would strongly recommend starting here, with the second issue of Lasky’s ’90s-era one-man anthology. In Issue 2, Lasky tells various anecdotes about Joyce during his time writing Ulysses, but his method is both inspired and unique. He apes specific, iconic Lee/Kirby comics, especially Fantastic Four #1, imbuing Joyce’s comparatively mundane life with grandeur and heroism. Even after all these years, it’s still a pretty boss idea. Once you’re done with that comic, consider picking up Lasky’s “Ulysses” minicomic adaptation as well.
In March, DC Comics debuted Constantine, a new series focusing on the hard-living occult detective John Constantine. No big deal, right? Not so. For more more than two decades, the character was one of the pillars of the the publisher’s “mature readers” Vertigo imprint, starring in the long-running Hellblazer.
Following brief minor dalliances in some event titles in 2010 and 2011, Constantine was made a key figure in the New 52 title Justice League Dark. The aforementioned Hellblazer ended earlier this year with its 300th issue, paving the way for a full-fledged transition of the Liverpudlian warlock into the realm of superheroes. Readers greeted the new Constantine series with both hope and trepidation, and although the first issues are out — so is the jury.
With that in mind, it’s interesting to look at other characters that have called Vertigo home, and how they might fare in the DC Universe of the New 52. Some, like Constantine, crossed over with a bang, while others like Lucifer Morningstar and Kid Eternity, not so much. For this installment of “Six by 6,” I pinpoint six characters or teams that could possibly make the transition well. Please note than many of Vertigo’s best-remembered series aren’t wholly owned by DC but rather in creator-participation deals like Preacher, Transmetropolitan and 100 Bullets; so while the idea of Spider Jerusalem reporting on the state of things in Gotham City might be amusing, I’ve left those off the table for reality’s sake.
Free Comic Book Day is once again upon us, the day that current and hopefully potential comic fans flock to their local comic shop to sample a buffet of comic choices from publishers large and small. There’s a lot to sink your teeth into this time around, from previews of new or upcoming stuff — like Marble Season and Superman: The Last Son of Krypton #1 to first issues of brand new comics — like The Strangers #1 and Aphrodite IX #1. There are original comics, licensed comics, kids comics, anthologies … basically something for everyone.
Some retailers will offer all-you-can-eat options, while others might have limits on what you can get … so if you have to make a choice, here are six comics we’re particularly looking to sink our teeth into.
One of the most symbolic moments of Superman is when he changes from his guise as Clark Kent to become the Man of Steel. The idea that the wearing of a costume imbues some kind of unquantifiable power is a key part of what makes superhero comics work; otherwise, they’d just be adventurers and action heroes.
But speaking of change, changes in superhero costumes have become as much a part of the comics as the heroes themselves. From Superman’s early days with his golden emblem to the modern “S” today and on through to other years (including Batman’s countless wardrobe changes), the design of a superhero isn’t static and a redesign has proved, many times, to be just the thing to make a character work.
In this week’s “Six by 6,” I pinpoint six of the most dynamic and powerful redesigns in superhero comics. Redesigns that saved a character from obscurity, put them in a new light or simply simplified what was already there.
There’s more to superheroes than those residing at Marvel and DC Comics. Sure, they might dominate the market, but that doesn’t mean they’re by default the best.
Outside the realms of the Big Two, superheroes are thriving on the more independently minded scene. From a mixture of throwback superheroics to off-beat adventures, and even some superheroes who are willing to go where DC and Marvel wouldn’t let their own properties, there’s a cornucopia out there for readers. And now, we’re spotlighting six standouts in that superhero mix in this week’s “Six by 6.”
Having just edited, and written some of, a collection of essays titled The Devil Is in the Details: Examining Matt Murdock and Daredevil (debuting from Sequart at Emerald City Comic Con), I’ve spent a lot of time reading Daredevil comics. I’ve soaked them all up, processed them, and seen them analyzed scores of ways.
Daredevil is an amazing character and title, and there will always be runs and stories that get praise; we hear about them constantly. So I wanted to quickly bring light to some of my lesser-known favorites. Here are six Daredevil stories that are consistently ignored and yet I think you should track them down.
1. Daredevil/Black Widow: Abattoir
This 1993 graphic novel was a gem I didn’t even know existed until very recently. I had never heard anyone mention this weird and violent tale from Jim Starlin and Joe Chiodo, and I worried that might be because it was terrible. I was happy to discover, after finding a secondhand copy on Amazon, that wasn’t the case.
The story has Black Widow chase down a brutal butcher family of sorts that’s killing telepathic S.H.I.E.L.D. agents. Daredevil nominates himself as the guardian devil for his old flame, and the game is afoot. What follows is as much a psychological game as it is a barbaric fighting match. Axes and chains are as dangerous as flashbacks and barbed words. This book is a mature read, as the blood flows loosely and we even get a narratively charged female-on-female kiss — something I have to assume was risqué for a Marvel book in the early ‘90s.