Six by 6
Seeing films and television series adapted as comic books is nothing new, but in the past decade we’ve experienced a new phenomenon in which canceled TV shows are finding a second life, and a second chance, in comics form. In many cases, these properties pick up right where their television runs left off, such as in Dark Horse’s Buffy the Vampire Slayer Season Eight and IDW Publishing’s recent X-Files launch. So with that in mind, we turn to six other beloved genre shows that deserve a comic-book revival.
Some might say we’re experiencing the Golden Age of superheroes in film, but in reality it’s just live-action catching up to animation. Warner Bros. Animation has been a trailblazer in that area, with 26 feature films based on DC Comics’ characters since 1993. And with the recent release of Justice League: The Flashpoint Paradox, based on the 2011 Flashpoint crossover, we’ve come up with a half-dozen other DC series or arcs Warner Bros. could (and should) look to for future animated films.
Sure, everyone gets worked up about turning comics into movies, but what about the other way around? Cartoonists have been attempting to cram great works of literature or art into tiny panels since the birth of Classics Illustrated. But many of these adaptations, despite the noblest of intentions, fall horribly flat or fail to evoke a tenth of the original work’s greatness.
There are exceptions of course; comics that not only manage to capture or add to the spirit of the original work, but in a few cases are the equal or better of the source material. Here then are six such examples. Feel free to include your own nominations in the comments section.
It was about a year ago that Monkeybrain Comics, the all-digital, creator-owned comics publisher headed up by Chris Roberson and Allison Baker, burst onto the scene. A year later, they’ve published roughly two dozen titles, many of which have found print homes and one of which, Bandette, brought home a few Eisner nominations.
In celebration of their big year, we thought we’d list six of our favorite Monkeybrain titles, but we couldn’t quite narrow the list down that far, so you’re getting one bonus selection as well.
This Sunday is Bloomsday, that special time of year when people around the world draw together to celebrate one of the finest works of English literature, Ulysses by James Joyce. Or they try to, anyway.
If you haven’t attempted to read Joyce’s magnum opus before, it can be a little rough going. In honor of the literary holiday, I thought I’d list six Joyce-themed comics you can read on Sunday in addition to (or, if you must, in place of) Ulysses. You wouldn’t think there could possibly be that many Joycean comics available to the casual reader but I assure it’s so. Steady on, stately, plump Buck Mulligan!
1. Boom Boom #2 by David Lasky: Lasky has done enough Joyce-themed comics to fill at least a thick-sized pamphlet if not an actual book (and really, at some point I need to devote a “Collect This Now!” column to those works). But if you’re looking for just one comic to read this Bloomsday, I would strongly recommend starting here, with the second issue of Lasky’s ’90s-era one-man anthology. In Issue 2, Lasky tells various anecdotes about Joyce during his time writing Ulysses, but his method is both inspired and unique. He apes specific, iconic Lee/Kirby comics, especially Fantastic Four #1, imbuing Joyce’s comparatively mundane life with grandeur and heroism. Even after all these years, it’s still a pretty boss idea. Once you’re done with that comic, consider picking up Lasky’s “Ulysses” minicomic adaptation as well.
In March, DC Comics debuted Constantine, a new series focusing on the hard-living occult detective John Constantine. No big deal, right? Not so. For more more than two decades, the character was one of the pillars of the the publisher’s “mature readers” Vertigo imprint, starring in the long-running Hellblazer.
Following brief minor dalliances in some event titles in 2010 and 2011, Constantine was made a key figure in the New 52 title Justice League Dark. The aforementioned Hellblazer ended earlier this year with its 300th issue, paving the way for a full-fledged transition of the Liverpudlian warlock into the realm of superheroes. Readers greeted the new Constantine series with both hope and trepidation, and although the first issues are out — so is the jury.
With that in mind, it’s interesting to look at other characters that have called Vertigo home, and how they might fare in the DC Universe of the New 52. Some, like Constantine, crossed over with a bang, while others like Lucifer Morningstar and Kid Eternity, not so much. For this installment of “Six by 6,” I pinpoint six characters or teams that could possibly make the transition well. Please note than many of Vertigo’s best-remembered series aren’t wholly owned by DC but rather in creator-participation deals like Preacher, Transmetropolitan and 100 Bullets; so while the idea of Spider Jerusalem reporting on the state of things in Gotham City might be amusing, I’ve left those off the table for reality’s sake.
Free Comic Book Day is once again upon us, the day that current and hopefully potential comic fans flock to their local comic shop to sample a buffet of comic choices from publishers large and small. There’s a lot to sink your teeth into this time around, from previews of new or upcoming stuff — like Marble Season and Superman: The Last Son of Krypton #1 to first issues of brand new comics — like The Strangers #1 and Aphrodite IX #1. There are original comics, licensed comics, kids comics, anthologies … basically something for everyone.
Some retailers will offer all-you-can-eat options, while others might have limits on what you can get … so if you have to make a choice, here are six comics we’re particularly looking to sink our teeth into.
One of the most symbolic moments of Superman is when he changes from his guise as Clark Kent to become the Man of Steel. The idea that the wearing of a costume imbues some kind of unquantifiable power is a key part of what makes superhero comics work; otherwise, they’d just be adventurers and action heroes.
But speaking of change, changes in superhero costumes have become as much a part of the comics as the heroes themselves. From Superman’s early days with his golden emblem to the modern “S” today and on through to other years (including Batman’s countless wardrobe changes), the design of a superhero isn’t static and a redesign has proved, many times, to be just the thing to make a character work.
In this week’s “Six by 6,” I pinpoint six of the most dynamic and powerful redesigns in superhero comics. Redesigns that saved a character from obscurity, put them in a new light or simply simplified what was already there.
There’s more to superheroes than those residing at Marvel and DC Comics. Sure, they might dominate the market, but that doesn’t mean they’re by default the best.
Outside the realms of the Big Two, superheroes are thriving on the more independently minded scene. From a mixture of throwback superheroics to off-beat adventures, and even some superheroes who are willing to go where DC and Marvel wouldn’t let their own properties, there’s a cornucopia out there for readers. And now, we’re spotlighting six standouts in that superhero mix in this week’s “Six by 6.”
Having just edited, and written some of, a collection of essays titled The Devil Is in the Details: Examining Matt Murdock and Daredevil (debuting from Sequart at Emerald City Comic Con), I’ve spent a lot of time reading Daredevil comics. I’ve soaked them all up, processed them, and seen them analyzed scores of ways.
Daredevil is an amazing character and title, and there will always be runs and stories that get praise; we hear about them constantly. So I wanted to quickly bring light to some of my lesser-known favorites. Here are six Daredevil stories that are consistently ignored and yet I think you should track them down.
1. Daredevil/Black Widow: Abattoir
This 1993 graphic novel was a gem I didn’t even know existed until very recently. I had never heard anyone mention this weird and violent tale from Jim Starlin and Joe Chiodo, and I worried that might be because it was terrible. I was happy to discover, after finding a secondhand copy on Amazon, that wasn’t the case.
The story has Black Widow chase down a brutal butcher family of sorts that’s killing telepathic S.H.I.E.L.D. agents. Daredevil nominates himself as the guardian devil for his old flame, and the game is afoot. What follows is as much a psychological game as it is a barbaric fighting match. Axes and chains are as dangerous as flashbacks and barbed words. This book is a mature read, as the blood flows loosely and we even get a narratively charged female-on-female kiss — something I have to assume was risqué for a Marvel book in the early ‘90s.
I live north of Boston, and as I write, my front door is snowed shut (don’t worry, the neighbor kid is shoveling it out) and my car is immobilized behind a large berm of snow. The nameless blizzard of ’13 didn’t wreak any major damage in my area, but I’m going to be staying in for a while.
This doesn’t bother me; I grew up in Northern Indiana, where you could count on being completely snowed in at least once a winter, and we sort of liked it. It clears a space in your life; when you can’t go out and most of the activity in the outside world has stopped, it’s a great time to light a fire, pour the drink of your choice (for me it’s hot tea) and hunker down with a good book. Here are six graphic novels that evoke that winter feeling, all of which are equally enjoyable whether you are reading them by a snowy window or on the beach.
Chikyu Misaki | This three-volume manga, published many years ago by the now-defunct CMX, is a charming all-ages story about two children who find a shape-shifting lake monster in their country town. It’s structured like a caper movie, but one of the things I really enjoy about it is Yūji Iwahara’s wonderful art, which perfectly evokes the feeling of a country house on a snowy day. You’ll have to pick it up used or from the library, though, as it’s long out of print.
Having reflected back on the best (and most cruelly ignored) comics of the past year, it’s time to look forward. Here are six comics I’m really excited about reading this year. As usual, my list reflects my own alt-comix/alt-manga interests/biases. So let me know in the comments what titles I’ve been such a clod as to overlook.
It’s time once again to take a look at those comics that were unfairly ignored. With more graphic novels and comic books coming out in stores than ever before, it’s perhaps inevitable that some titles slip through the cracks, not due to a lack of quality, but simply because they got lost in the Wednesday shuffle. The books listed here aren’t necessarily my personal favorite books of 2012. Rather, they’re good — even great — books that, for whatever reason, didn’t get the sort of praise — either online or in print — that they deserved.
Tokyopop has come back to life, sort of: The manga publisher unveiled its revamped website a few days ago, and the company is once again selling books, in partnership with Right Stuf (for print) and Graphicly (for digital). The only Japanese manga available on the new site is Hetalia; Tokyopop’s licenses for other series lapsed, and most of them probably aren’t coming back, although CEO Stu Levy dangled the possibility of some new licenses in a panel last week at Anime LA. What’s left is a good-sized collection of Tokyopop’s Original English Language (OEL) manga and a few graphic-novel imports from countries other than Japan.
Although Tokyopop’s OEL line earned a fair amount of derision at the time, many of the books were actually pretty solid. In addition, they provided paying work for many young and veteran artists. Here’s a look at six that are of interest either because of the creators or because they are so strong (or both).
East Coast Rising: Becky Cloonan’s first full-length graphic novel, this urban-pirate story earned a nomination for Best New Series in the 2007 Eisner Awards. Alas, there was never a second volume.
Our Shelf Porn feature almost died from natural causes earlier this year. It wasn’t because we wanted it to die, but after four years, the submission well began to dry up. Could we have reached a point where everyone who wants to show off their shelves has shown off their shelves? I thought. You always hear about this limited number of comic collectors out there in the world, so maybe, statistically speaking, we’d hit critical mass on the subset of that number who own cameras or like to take pictures or read the site or whatever.
It wasn’t the first time we’d seen submissions slow down, but there was enough of a gap between February and July that I thought maybe that was it. But you can’t keep a good Shelf Porn down, it seems; over the past few months, we’ve had a bit of a resurgence in submissions. In fact, I think I have enough submissions to make it through the end of January. So thanks to everyone who submitted this year and kept it from going the way of the dinosaur.
With it being the end of the year and all, I wanted to look back at the year in Shelf Porn, and as I started going through the ones we’ve posted here, it occurred to me that a lot of them had some defining element that really jumped out at me–usually in the realm of “Man, I wish I had one of those!” So instead of doing a “best of” list, I thought I’d focus in on six 2012 submissions that made me envious …