Skottie Young Archives - Robot 6 @ Comic Book Resources
Welcome to Best of 7, where we talk about “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out.
And what a week it was, as we learned about a new Rocket Raccoon series by Skottie Young, Paul Levitz getting a new gig at BOOM!, the return of Jellaby and more. So let’s get to it …
Skottie Young revealed over the weekend that, after nearly six years, he has finished work on Marvel’s Oz series, his Eisner Award-winning collaboration with writer Eric Shanower and colorist Jean-Francois Beaulieu. The final issue, The Emerald City of Oz #5, arrives Dec. 11.
“I’ve never been emotional about a book I’ve worked on,” Young wrote on his blog. “As an artist in today’s comic landscape, you get used to spending 6-8 months on one title and then moving onto another. The long run of characters being yours and yours alone is very rare. To come to work every day for nearly 6 years and spend time with the same characters in the same world is something I grew to love and depend on. Leaving it behind is bitter sweet. I’m excited face new challenges but a bit sad to leave one of the most reliable things in my life.”
Marvel’s adaptations of L. Frank Baum’s novels launched in 2008 with the eight-issue Wonderful Wizard of Oz, and continued with The Marvelous Land of Oz, Osma of Oz, Dorothy and the Wizard of Oz, The Road to Oz and, now, The Emerald City of Oz. Although Baum wrote eight more books in the Oz series, this is the end of the journey for Young.
Whether there will be more Oz adaptations from Marvel remains to be seen. It’s certainly worth noting the publisher is releasing a new hardcover collection of The Wonderful Wizard of Oz, complete with a new cover by Young, in January.
“A giant thanks to Dan Buckley, Joe Quesada, CB Cebulski, David Bogart, Axel Alonso and David Gabriel for being my champions,” Young wrote. “The word ‘cartoony’ can be a four letter word in our world and these gentlemen carved out a little corner for me to throw that four letter word around as loud as I wanted.”
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. It’s only Monday, but our contributors have their eyes on Wednesday releases, ranging from John Wagner and Arthur Ranson’s Button Man: Get Harry Ex to a new jumping-on point for 2000AD to … well, it’s not exactly a comic book but it does involve two comics creators.
To see what we’re looking forward to this week, just keep reading.
Marvel has announced a line-up of merchandise for Comic-Con International that includes a Marvel’s Agents of S.H.I.E.L.D. T-shirt, a Rocket Raccoon mug and, perhaps most adorably of all, Skottie Young’s Avengers movie poster (part of the Phase 1 Marvel Cinematic Universe Blu-Ray Collector’s Set) and glass tumbler.
The limited-edition pieces will be available at the Marvel booth (#2329) at the San Diego Convention Center. See the list, with images, below:
Tank Girl returned to shelves on Wednesday in the form of Solid State Tank Girl #1 from Titan Comics. Perhaps coincidentally, but probably not, the artists at Ashcan Allstars have been celebrating Tank Girl week.
There’s some good work there — Tank Girl is a hard character to get right, tonally. Alan Martin’s signature character may have inspired a generation of Suicide Girls, but it’s hard to find an instance in her comics where her sexiness is ever being used in an exploitative fashion. Sure, there’s loads of gratuitous female and male nudity in the back catalog, but it’s almost certainly there for comedic reasons rather than titillation. So any artist attempting to draw the character as a straight-up cheesecake pin-up is completely missing the point. By and large, the Allstars have mainly got it right, but I’ll let you be your own judge of who’s been successful and who hasn’t — there’s a gallery of examples after the break.
Beyond a vague description of it as “a very silly children’s book,” we’ve been given scant details about Fortunately, the Milk, the upcoming collaboration between Neil Gaiman and Skottie Young (for the U.S. edition) and Chris Riddell (for the U.K. version). But at long last, the author has broken his silence in a video introduction from SFX.
“It’s the silliest, strangest, most ridiculous book I’ve ever written. And I’m damned proud of it,” Gaiman says. “It’s called Fortunately, the Milk. It’s the story of a father who goes out to bring back milk for his children and, at least according to him, on the way is kidnapped by aliens, kidnapped again by pirates, rescued by a stegosaurus in a hot-air balloon. He has a nearly fatal encounter with a volcano god, there’s a ridiculous amount of time travel. There are ponies. There are vampires, or possibly one-pires, there are interstellar dinosaur police, and there’s a happy ending. And fortunately for everybody, there’s milk. Can a container of milk save the universe?”
Officially announced in July as part of the author’s five-book deal with HarperCollins Children’s Books, Fortunately, the Milk will be released Sept. 17 in the United States, and in October (from Bloomsbury) in the United Kingdom. Watch the video below, and check out Skottie Young’s cover for the U.S. edition.
Neil Gaiman has debuted Skottie Young’s cover for the U.S. edition of their upcoming children’s book Fortunately, the Milk. Officially announced in July as part of the author’s five-book deal with HarperCollins Children’s Books, it’s described as “an ode to the pleasure and wonders of storytelling itself.”
Dave McKean was at one point set to illustrate Fortunately, the Milk, which Gaiman referred to in 2011 as “a very silly children’s book” that “was meant to be about the length of The Day I Swapped My Dad For Two Goldfish, but it’s actually about four or five times as long.”
Gaiman has published 13 novels and picture books through HarperCollins Children’s Books, including the Newbery-winning The Graveyard Book. Fortunately, the Milk is scheduled for release Sept. 17.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, I’d start the new year off right with Invincible #99 (Image, $2.99). The build-up (or teardown?) to Issue 100 has been great, and honestly I never quite trusted Dinosaurus to begin with so I’m glad to see this finally boil over. I’m all ears – and eyes – for this and the next issue. Next up I’d get another Image joint, Prophet #32 (Image, $3.99). Kudos to Brandon Graham for being confident in himself enough – and choosy enough in his collaborators – that he’s stepping back and letting artist Simon Roy write and draw a one-off issue. And the story of a Prophet clone gone native sounds mighty enticing. Third in this week’s haul would be Punk Rock Jesus #6 (DC/Vertigo, $2.99). I feel a slight bit of remorse at how fast this series has gone – it seemed like a whole lot of introduction, a brief second act and now we’re being pushed into the finale. Still, one of the best series of 2012 (with this finale sneaking out two days after 2012). Finally, I’d get James Stokoe’s Godzilla: Half-Century War #4 (IDW, $3.99). I’ve become big fans of Ota and Kentaro here, and Stokoe has really populated this world with all kinds of special and grotesque. Excited to see what comes up here!
If I had $30, I’d continue my mad dash through my local comic shop with two Marvel picks: All New X-Men #5 (Marvel, $3.99) and New Avengers #1 (Marvel, $3.99). All-New X-Men has been surprisingly refreshing for me; I always love Stuart Immonen’s, but what’s startled me is how fresh and unencumbered Brian Bendis seems here with the writing. On the New Avengers #1 tip, I liked Hickman’s other Avengers work so far but I’m even more interested in how artist Steve Epting draws this unique cast. Plus, I loved Epting’s first run on Avengers – leather jackets, people! Next up I’d return to Image and get Glory #31 (Image, $3.99). This is going to be a great collection when the whole thing is done, but right now we’re knee-deep in the series itself as Glory faces off with her sister Silverfall. Hey Rob Liefeld – this Silverfall character could be something special for more after this series ends! And finally, I’d get Manhattan Projects #8 (Image, $3.50) and anxiously await the big reveal of the secret powerbrokers in the MP universe. I can’t wait for Hickman to blow my mind.
If I could splurge, I’d buy the back-to-back first and second volume of Chimpanzee Complex (#13.95 each, Cinebook). Coming to America with no press at all, I found this in Previews a while back and have been excited by its potential: a Franco-Belgian comic that reveals the astronauts who returned from the moon in 1969 were doppelgangers, and the fallout from that discovery. 2010 meets Orbiter. Bring it on.
While Marvel revealed most of the sprawling lineup for Jonathan Hickman and Jerome Opeña’s Avengers last week with Dustin Weaver’s interlocking covers for the first three issues, it has remained tight-lipped about the roster of the companion title New Avengers. But did the publisher just give away part of the team with one of the new Marvel NOW! variants?
Among the covers debuted by Marvel Senior Vice President of Sales David Gabriel on the Diamond Comic Distributors retailer website is a new Baby variant by Skottie Young (above) featuring pint-sized versions of Black Bolt, Black Panther, Iron Man and Mister Fantastic. Decked out in his white Future Foundation costume, a displeased lil’ Reed says, “Seriosly [sic], guys? A simple memo on uniform colors would’ve been nice,” suggesting they are indeed part of a team. Of the four heroes, only Black Bolt — the ruler of the Inhumans whose voice can level cities — has never served as an Avenger.
HarperCollins Children’s Books announced this morning it has signed a five-book deal with bestselling author and comics writer Neil Gaiman that includes a collaboration with comic artist Skottie Young.
Publishers Weekly reports the agreement begins in January with Chu’s Day, the first of two pictures books about a little panda with an outsized sneeze illustrated by Adam Rex. The remaining books are Fortunately, the Milk, the middle-grade novel illustrated by Young and described as “an ode to the pleasure and wonders of storytelling itself,” a sequel to 2008′s Odd and the Frost Giants, and a third currently untitled book.
Dave McKean was at one point set to illustrate Fortunately, the Milk, which Gaiman referred to last fall as “a very silly children’s book” that “was meant to be about the length of The Day I Swapped My Dad For Two Goldfish, but it’s actually about four or five times as long.”
Gaiman has published 13 novels and picture books through HarperCollins Children’s Books, including the Newbery-winning The Graveyard Book.
If you’re a Marvel fan with a hefty tax refund burning a hole in your checking account, you may want to pay a visit to Skottie Young’s blog, where the artist has posted original art for his Midtown Comics-exclusive AvX Babies cover for Avengers vs. X-Men #1. The brush and ink art — two 11-inch by 17-inch Bristol boards taped together — can be yours for a cool $6,000.
Artist Skottie Young makes our dreams come true with the above variant Avengers vs. X-Men #1 cover he created for New York retailer Midtown Comics. Their online site has it available for pre-order for $5.10, which isn’t a bad price for all that cuteness.
While we’re waiting for Skottie Young to show off his takes on more Bone characters, here’s Young’s interpretation of Jareth, the Goblin King from Labyrinth. “As much as I love that movie,” he writes, “I do not have a ton of love for the David Bowie Goblin King [...] It’s a bit dated. So today I played with that design a bit.”
See what I did there? Skottie Young drew Fone Bone in a post titled “Bone Daily Sketch.”
I really want that title to mean that there are more Bone Daily Sketches coming, because in spite of Young’s statement that the character has “a style and design so solid that if anyone else touches it, they explode and it just looks like the original[...]there is no really making it your own,” I think he’s done just that. I agree that it’s super-rare though, which just shows how strong Young’s style is.
He does hint that “there are some other characters in [the Bone] universe that lend themselves to a bit more freedom,” so hopefully that means we’ll see Young’s versions of those too over the next few days.
Say the name “Scarlet Spider” to a longtime Marvel reader and you’re bound to get a range of reactions. But come the new year, Marvel is hoping all the reactions will be positive and numerous when the new Scarlet Spider series launches on January11. As recently confirmed in Marvel’s Point One one-shot, the new Scarlet Spider is none other than Kaine, the Peter Parker clone recently cured during the Spider Island event. Unlike many of Marvel’s series set in New York, Scarlet Spider will enjoy the unique cityscape of Houston, Texas — one of many factors that has me looking forward to reading it. Before the series gets started though, series artist Ryan Stegman stepped away from his drawing table to take part in this Q&A. In addition to this interview, CBR also is offering a preview of the first issue. After reading this (and enjoying the preview), be sure to check out the recent installment of Comic Book Resources’ “Axel-in-Charge,” where Alonso interviewed Stegman.
Tim O’Shea: How did Marvel approach you about joining the Scarlet Spider creative team? Was getting to work with [series writer] Chris Yost a deciding factor in joining the project?
Ryan Stegman: I had been working on an issue of Amazing Spider-Man and I made it clear as I could to editorial that this is the type of stuff I wanted to be doing. I practically begged. And Steve Wacker said that he would love to have me back and but that ASM was booked up artist-wise for the foreseeable future. I couldn’t argue this, because the artists that they have are fantastic. So one day, out of the blue he called me up and told me about this idea and I was sold. No offense to Chris, but that wasn’t a selling point because I think I was hired before him! Chris turned out to be the icing on the cake.