X-POSITION: Nicieza Body-Slides From "Age of Apocalypse" to "Deadpool & Cable"
The nominees have been announced for the 2015 Ignatz Awards, featuring a diverse lineup of creators that’s more than half women. The 2015 field is led by Sophia Foster-Dimino, Jillian Tamaki and Ethan Rilly, who received three noss each.
Presented annually at the Small Press Expo in Bethesda, Maryland, the awards are named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, and recognize achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists — this year it was Lamar Abrams, Cara Bean, Robyn Chapman, Sophie Goldstein and Corrine Mucha — and then voted on by SPX attendees.
Awards | Alexis Deacon has won the 2014 Observer/Cape/Comica graphic short story prize for “The River,” “a luscious, tangled, whispering kind of story” that earned him £1,000 (about $1,611 U.S.). The runners-up were Fionnuala Doran’s “Countess Markievicz” and Beth Dawson’s “After Life.” The short-story competition has been held annually since 2007 by London’s Comica Festival, publisher Jonathan Cape and The Observer newspaper. [The Observer]
Publishing | Mark Peters spotlights Archie Comics’ recent transformation from staid to startling, with titles like Afterlife With Archie and the new Chilling Adventures of Sabrina. [Salon]
I spoke with the former Muppet Show cartoonist about his current projects — a return to BOOM! Studios with The Musical Monsters of Turkey Hollow and his creator-owned Abigail and the Snowman – what he likes about SPX, and what awesome comics he found at show. He came up with a doozie!
Brigid Alverson: Why are you here at SPX?
Roger Langridge: SPX is the first American convention I ever came to, in 2000.
What book were you debuting there?
I wasn’t! I was in the country with my wife, and we were visiting New York together, and we thought we would work in a trip to SPX while we were here. We came just to see it and to check it out and see what it was like. I was at that point working on Fred the Clown as a webcomic, and I showed it around to a few people, and it really fired me up to do self-publishing. The next year I was planning to debut Fred the Clown at SPX 2001, and of course that’s the one that was canceled because of 9/11. But that got me self-publishing, which is pretty much why I have a career today, I think.
Legal | The estate of Arthur Conan Doyle has petitioned the U.S. Supreme Court seeking to overturn a June decision by the Seventh Circuit affirming that the 50 Sherlock Holmes stories published before Jan. 1, 1923, have entered the public domain. The estate had long insisted licensing fees be paid for the characters and story elements to be used in movies, television series and books, but author, editor and Holmes expert Leslie Klinger refused to fork over $5,000 for an anthology of new stories. In a series of legal defeats, the Doyle estate not only lost any claim to the stories but had to endure stinging public reprimands by Judge Richard Posner, who labeled the licensing fees as “a form of extortion” and praised Klinger for performing a “public service” by filing his lawsuit.
In its petition to the high court, the Doyle estate continues to cling to its argument (gleefully dismantled by Posner) that Holmes is a “complex” character that he was effectively incomplete until the author’s final story was published in the United States; therefore, the entire body of work remains protected by copyright. Hoping to draw the interest of the justices, the estate points to a circuit split on the matter of extending copyright. The lawyers also repeat the unsuccessful argument that Klinger’s case shouldn’t have been heard until after his book was published. In June, Supreme Court Justice Elena Kegan refused to issue a stay to prevent the Holmes stories from officially entering the public domain. [TechDirt]
As is usually the case, the 2014 Small Press Expo was a whirlwind affair, full of panels, hurried greetings, bumping into people while walking along the aisles and comics, comics, comics everywhere you looked.
Both Brigid Alverson and I were there, although we never actually managed to meet up (while SPX isn’t a large show by national standards, it’s still easy to miss people). Rather than write separate stories, we thought it might be fun to post a back-and-forth dialogue, similar to our MoCCA report from a few years back. Be sure also to check out Brigid’s great photos from the Ignatz Awards if you haven’t already done so.
Chris Mautner: How many times have you been to SPX before this, Brigid? What’s your previous experience with this particular convention been like?
Brigid Alverson: This was actually my first SPX, which surprised a lot of people — clearly this is a show that you come back to over and over. I have been going to MoCCA and TCAF for the past couple of years, so I’m familiar with a lot of the artists and the work. I felt there was more commingling at SPX, partly because everyone is staying in the same hotel where the show is, and also because the organizers made the effort — there was a meet-‘n’-greet for exhibitors and press the evening before the show, and the Ignatz Awards/mock wedding on Saturday. Maybe because of that, I really got a sense of community from this show.
Creators | Cartoonist Roz Chast talks about her memoir Can’t We Talk About Something More Pleasant? landing on the 2014 longlist for 2014 National Book Award. It’s the first time a graphic novel has been nominated in that category, and Chast is the only woman on this year’s list. When The Wall Street Journal noted that, between this nomination and Alison Bechdel’s MacArthur “genius grant,” “it’s a good day to be a female cartoonist,” Chast replied, “I totally agree. Actually my first thought was just it’s good for cartoons, for the graphic form.” [Speakeasy]
Creators | Alex de Campi talks about her pioneering digital comic Valentine, widely regarded as the first long-form comic to make extensive use of digital techniques. She doesn’t think the medium has come too far since then: “We’re all still in the shallow end, congratulating each other for getting our feet wet. There’s been no significant innovation since us. The DC and Marvel stuff is still based on half-page increments so it can go to print. The Madefire stuff I have seen (not a lot, maybe it’s gotten better) is just embarrassing motion comics. It pisses me off because there is so much more to be done. And I want to do it. But it would take an investor, or a very daring multi-media entertainment company. And big entertainment companies are many things, but daring is not one of them.” [Digital Spy]
The Ignatz Awards were handed out Saturday night at Small Press Expo in a ceremony that culminated with a mock wedding in which Simon Hanselmann married Comics (represented by a stack of graphic novels and real-life creator Michael DeForge).
Named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat strip, the festival prize recognizes achievement in comics and cartooning. Nominees are selected by a panel of five cartoonists, and then voted on by SPX attendees.
In celebration of the 20th Small Press Expo, held this weekend in Bethesda, Maryland, comiXology if offering a special SPX-themed bundle from Submit, its self-publishing platform for independent creators.
Available for this weekend only, the digital comics distributor is offering more than 80 titles by creator and small-press publishers exhibiting at the show for just $10.
Ahead of this weekend’s Small Press Expo, Fantagraphics has launched of a micro imprint devoted to publishing limited editions of quirky or “off-kilter” books by established creators and relative unknowns, as well as archival work by significant cartoonist, that might not fare as well in the traditional marketplace.
In the words of the press release, Fantagraphics Underground Press (aka FU Press) will release limited runs of between 100 to 500 copies that appeal “to a smaller, more rarefied readership.” The books and print projects will be sold at comics festivals and at select stores in North America.
FU Press will debut Saturday at SPX with Jonah Kinigstein’s The Emperor’s New Clothes: The Tower of Babel in the “Art” World, an 80-page oversized collection of political cartoons, and a 144-page compilation of Jason Karns’ Fukitor.
Future projects include portfolios by Richard Sala and Guy Colwell, and a reprint of George Metzger’s Beyond Time and Again.
Read the full press release below:
Conventions | With the 20th Small Press Expo kicking off Saturday in Bethesda, Maryland, The Washington Post’s Lori McCue singles out three of the show’s biggest draws: appearances by Jules Feiffer, Lynda Barry and Bob Mankoff. Meanwhile, Michael Cavna spotlights Fear, My Dear, the new release from convention guest Dean Haspiel. [The Washington Post]
Creators | As he prepared to head out to Small Press Expo, Farel Dalrymple paused for an audio interview about his newest book, The Wrenchies, which will debut at the show. [Comics Grinder]
Creators | Writer Tom Taylor teases what we can expect in his new Superior Iron Man series. [Previews World]
Small Press Expo, that magical indie-comics festival that takes place each autumn in Bethesda, Maryland, is upon us once again. The show is traditionally thronged with noteworthy cartoonists and graphic novels, and this year proves no different, with folks like Emily Carroll, Jules Feiffer, Renee French, Lynda Barry, Charles Burns, Raina Telgemeier and Brandon Graham scheduled to attend.
While the Marriott Bethesda North Hotel isn’t a labyrinthine structure that requires mapmaking skills to traverse, if this is your first time at the show, or if it’s been awhile since you last attended, you might be looking for some helpful advice on how to navigate it. Here then are six suggestions on how to get the most out of your SPX experience.
1. Get there early. The first thing you can expect to see when you enter the hotel is a long entrance line that snakes around the hallway. While it tends to move (somewhat) quickly, if you’re not a fan of standing in line I’d recommend getting there early. Or at least preparing yourself to spend some downtime waiting for your turn (which, honestly, you’re going to do if you want to get a book signed by, say, Jules Feiffer).
Legal | A 54-year-old man was sentenced this week in a Quebec court to 60 days in jail for watching pornographic anime featuring characters that appeared to be minors, a violation of Canadian law. A former private security guard, Regis Tremblay admitted he watched the cartoons several times in January 2012 out of “curiosity” while working at Canadian Force Base Valcartier, north of Quebec City. Investigators say they discovered 210 “hentai” files from a hard drive, and 501 “incriminating” web addresses from Tremblay’s browser history. Following his jail sentence, Tremblay will have to register as a sex offender. [Canoe]
Conventions | Richard Bruton notes that the Dublin International Comic Expo (DICE) has taken the unusual step of posting a link to its harassment policy at the top of its home page. “Having a quick look around it’s the only comic event/festival/expo/con site to feature it so prominently,” he writes. “Some make mention of their policies in FAQ or About sections, but as far as I know DICE is the first to do so this way.” He does take issue with one vaguely worded item in the policy, though: “In particular, exhibitors should not use sexualized images, activities, or other material.” [Forbidden Planet]
After a series of short stories in anthologies like MySpace Dark Horse Presents, Chameleon and The Anthology Project Vol. 2, cartoonist Roman Muradov is making his debut as a long-form storyteller next month with (In a Sense) Lost and Found.
In the graphic novel, from boutique publisher Nobrow, Muradov uses his flowing illustrative style to follow a young woman on a quest to find something she lost and tries to decide whether she even wants it to begin with. Saying more about the plot would spoil the book, but it’s only part of the appeal of the cartoonist’s work here.
Comic strips | The art from cartoonist Bill Watterson’s surprise return to the comics page earlier this month for a three-day stint on Pearls Before Swine will be auctioned Aug. 8 on behalf of Team Cul de Sac, the charity founded by Chris Sparks to honor Cul de Sac creator Richard Thompson, who has Parkinson’s disease. The proceeds benefiting The Michael J. Fox Foundation for Parkinson’s Research. A painting by Watterson of one of Thompson’s characters sold in 2012 for $13,000 as part of a benefit auction for Team Cul de Sac. [Team Cul de Sac]
Creators | The tech news site Pando has fired cartoonist Ted Rall, just a month after hiring him, along with journalist David Sirota. While Rall wouldn’t comment on the reason for his dismissal, he did say the news came “really truly out of a clear blue sky. I literally never got anything but A++ reviews,” and he added that editor Paul Carr gave him complete editorial freedom. While Valleywag writer Nitasha Tiku speculates that the two had rubbed investors the wrong way, Carr disputes that, as well as other assertions in the article. Nonetheless, both Rall and Sirota confirmed they were let go. [Valleywag]
Emily Carroll, Drew Friedman, Brandon Graham and Mimi Pond will make their Small Press Expo debuts, joining previously announced guests like Jules Feiffer, Lynda Barry and James Sturm at the Sept. 13-14 event in Bethesda, Maryland.
“Having Brandon, Emily, Drew and Mimi for the first time at SPX is a great thrill for both the SPX Executive Committee and the SPX community,” SPX Executive Director Warren Bernard told The Washington Post. “Their diverse styles and the mediums they work in really reflect the wide view that the SPX community has of the comics world. We are totally stoked about them coming to this year’s show.”
As we noted just last week, it’s been a particularly good year professionally for Carroll, who won both the Cartoonist Studio Prize and a Doug Wright Award. The first print collection of her fairy-tale horror comics, Through the Woods, will be released next month by McElderry Books, an imprint of Simon and Schuster.