Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
Debuting in December from the publisher’s KaBOOM! imprint, the all-ages comic centers on a 9-year-old girl with a wild imagination who moves to a small town, where she’s the new kid who struggles to make friends. However, that changes when Abigail meets Claude, a Yeti pursued by the Shadow Men” after he escaped a top-secret government facility.
An Eisner and Harvey award winner, Langridge is no stranger to BOOM!, where he’s worked on The Muppet Show, Popeye, his creator-owned Snark! and the upcoming Jim Henson’s The Musical Monsters of Turkey Hollow.
“I’m doing this book for BOOM! mainly because they asked me, really,” the cartoonist explained in the video released in July. “They asked me if I had some ideas, and they’ve been good to me in the past as far as all-ages material goes — they know how to sell all-ages material, which is what this is.”
Legal | The Japanese magazine Monthly Big Gangan has put the series Hi Score Girl on hold following allegations by the game company SNK Playmore that the manga is using its characters without authorization. The publisher, Square Enix, already recalled the five volumes of the series published so far and stopped releasing the manga digitally. [Anime News Network]
Creators | Gail Simone and Ethan Van Sciver talk about bringing Wonder Woman to Gotham City in their two-part story for DC Comics’ new digital first anthology Sensation Comics Featuring Wonder Woman. [Hero Complex]
Creators | Sonny Liew, creator of Malinky Robot and the artist of The Shadow Hero (written by Gene Luen Yang) was born in Malaysia, went to school in Singapore, then went to college in the United Kingdom and art school in the United States on his way to becoming a comics creator. There wasn’t much of a homegrown comics scene when Liew was growing up, so he read mostly imports, but that’s changing, and his newest project is an anthology featuring creators from the region. [The Malay Mail]
In The Shadow Hero, cartoonist Gene Luen Yang collaborates with artist Sonny Liew to tell the story of Hank Chu, the teenage son of Chinese immigrants who run a small store in Depression-era Chinatown. As with much of Yang’s best-known work, this new original graphic novel deals with themes of cultural, national and racial identity, and the tensions and conflicts that arise when identities and outlooks collide.
Here, Hank finds himself pressured by his mother to become a wholly American invention, a sort of ultimate assimilation success story. She doesn’t want him to grow up to be a doctor or lawyer or politician, but a superhero, a thought put in her head when she’s rescued from a robber by the Superman stand-in The Anchor of Justice.
Their book is an excellent one, a perfect example of a modern superhero comic, masterfully and perfectly balancing comedy, crime, action, drama, melodrama, romance and fantasy into an epic story of a young man coming of age and finding himself.
As good as Yang and Liew’s story is, however, the story of their story may be just as fascinating, in large part because it’s true, and gives the comic they crafted a remarkable level of relevance. That story is told after the conclusion of The Shadow Hero, in the generous back-matter of the First Second book, presented in standard superhero-comic size, rather than the smaller, more square shape of most of the publisher’s offerings.
The move was discovered by Singapore-based cartoonist Sonny Liew (The Shadow Hero, My Life With Frankie), who searched for the collection in the Books Kinokuniya online catalog following the controversial decision by the National Library Board to removed and destroy copies of three gay-themed children’s books amid public pressure.
Finding volumes 1, 2, 4 and 5 but not the third — which contains Keller’s marriage to Clay Walker in Life With Archie #16 — Liew contacted the retailer, and received the following response: “We regret that Archie the Married Life 3 is deemed to breach the Content Guidelines for Imported Publications, and removed from sale by notice of MDA. We are not able to sell this title.”
Retailing | A federal judge has lifted a temporary restraining order blocking the $21.4 million sale of retail chain Hastings Entertainment to Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association. Two Hastings shareholders had sued to stop the sale, insisting the price paid for the retailer is too low; however, U.S. District Judge Mary Lou Robinson found, in part, that they failed to prove they would be irreparably harmed if the sale were completed before they could have their day in court (Texas law permits dissenting stockholders to seek monetary damages after a merger). Hastings, which operates 149 stores that sell books, comics, video games and more, has called a special shareholder meeting for July 15, during which the sale is expected to be approved. [Amarillo Globe-News, ICv2.com]
The upcoming graphic novel crafts a new origin for the Green Turtle, an obscure Golden Age character believed to have been imagined as Chinese-American by his creator Chu Hing — making him the very first Asian-American superhero.
“His publishers didn’t think that would fly in the marketplace,” Yang explained last year, “so Chu Hing reacted in this really passive-aggressive way: He drew those original Green Turtle comics so that we never see the hero’s face. Whenever the hero is on a panel, we almost always just see his cape. Whenever he is turned around, something is blocking his face. […] Rumor is that Chu Hing did this so he could imagine his hero as he originally intended, as a Chinese-American.”
In The Shadow Hero, the Green Turtle is envisioned as a young Asian-American immigrant whose mother is excited about having a superhero for a son, “with at times disastrous results.”
While we eagerly await the release of Gene Luen Yang and Sonny Liew’s graphic novel The Shadow Hero, a revival of the Golden Age superhero the Green Turtle, Tor.com has posted a seven-part prequel strip by the duo that originally appeared in the comics anthology Shattered. It’s a nice preview of what we can expect from the book, to be published by First Second.
Created in 1944 by artist Chu Hing, the Green Turtle appeared in only a handful of adventures before fading into obscurity. According to Yang, Hing intended for his hero to be of Chinese-American.
“His publishers didn’t think that would fly in the marketplace,” Yang said in a video released last fall, “so Chu Hing reacted in this really passive-aggressive way: He drew those original Green Turtle comics so that we never see the hero’s face. Whenever the hero is on a panel, we almost always just see his cape. Whenever he is turned around, something is blocking his face. […] Rumor is that Chu Hing did this so he could imagine his hero as he originally intended, as a Chinese-American.”
Check out another installment of the strip below, and read the whole series at Tor.com.
Manga | Hayao Miyazaki’s samurai manga will be serialized in the Japanese magazine Model Graphix, but progress is reportedly slow: Miyazaki, the director of classic animated films including My Neighbor Totoro and Spirited Away, has completed just three pages. [Anime News Network]
Creators | Veteran Archie artist Stan Goldberg, who most recently has been drawing Nancy Drew graphic novels for Papercutz, was in a serious car accident recently, along with his wife Pauline. Tom Spurgeon suggests you send them a car. [The Comics Reporter]
Conventions | Cleveland’s small-press comics convention Genghis Con is this weekend, with a guest list that includes Derf Backderf (My Friend Dahmer) and Mike Sangiacomo (Tales of the Starlight Drive-In). [The Plain Dealer]
Gene Luen Yang, whose two-volume Boxers & Saints was shortlisted just this morning for the National Book Award, has revealed details about his follow-up: a revival of the Golden Age superhero the Green Turtle with Sonny Liew (My Faith in Frankie, Malinky Robot).
Yang has mentioned the graphic novel, most recently last month in an interview with Comic Book Resources, but BoingBoing now has the final cover for The Shadow Hero, to be published by First Second Books, along with a video laying out the “secret origin” of Green Turtle, who was intended by his creator Chu Hing, who’s said to have wanted the character to be Chinese-American.
Manga | The Japanese market research firm Oricon reports sales of manga volumes (tankobon) slipped 1.5 percent last year, to about $2.886 billion, the first decline since the company began reporting the figures in 2009. [Anime News Network]
Graphic novels | The Scottish Archaeological Research Project has put together a rather lively looking graphic novel about the history of Scotland, including such little-known events as the Storegga Tsunami. [BBC News]
Manga | Someone with a sharp eye spotted a manga license that hasn’t been officially announced: Kodansha Comics will publish Sherlock Bones, a series about a crime-solving boy and a talking dog, by Shin Kobayishi (Drops of God, Kindaichi Case Files) and Yuki Sato (Yokai Doctor). [allfiction]
Legal | The fate of Michael George was placed in the hands of the jury Thursday after closing arguments in the trial of the former retailer and convention organizer accused of the 1990 murder of his first wife Barbara in their Clinton Township, Michigan, comic store. Although a comic collector places George in the shop around the time of the shooting, George’s mother insists he was asleep on her sofa. The jury deliberated for about two hours Thursday, and is expected to continue this morning. [Detroit Free Press]
Legal | Manga blogger Melinda Beasi contemplates the larger implications of the arrest of Brandon X for bringing manga into Canada that authorities deemed to be child pornography: “What terrifies me about Brandon’s case is that each time we allow our courts or communities (any courts or communities) to criminalize comics (any comics), we are inviting them to criminalize our own.” [CBLDF]
Since a Xeric Foundation grant back in 2002 first allowed him to self-publish, comics creator Sonny Liew has created a series of stories starring Atari and Oliver, two street urchins who steal bicycles, watch giant robot movies and get into trouble in a futuristic city filled with robots. The stories have appeared in various comics and anthologies over the years, and this August Image Comics will collect them into one volume titled Malinky Robot.
Liew, whose body of work includes the Vertigo series My Faith in Frankie and Minx book Re-Gifters with writer Mike Carey, Marvel’s Sense and Sensibility adaptation with writer Nancy Butler, and SLG’s Wonderland with writer Tommy Kovac, shared some details on the new collection with me via the magic of email. Based in Singapore, Liew is also working on a few new projects, as he shares below.
JK: What stories are included in the new collection and where did they originally appear?
Sonny: The collection begins with “Stinky Fish Blues,” which was first conceived in David Mazzucchelli’s Graphic Storytelling class at the Rhode Island School of Design. Xeroxed copies of the story ended up in a couple of comic stores in the Boston area, before a Xeric grant allowed to me to try my hand at self-publishing. Later on a colored version appeared in Liquid City vol 1. “Bicycle” was originally released as a one-shot from SLG Comics, and the other stories, “Dead Soul’s Day Out,” “New Year’s Day” and “Karakuri” appeared in various editions of the Flight anthologies edited by Kazu Kibuishi.
Publishing | Eiichiro Oda’s blockbuster pirate manga One Piece has sold 32.34 million copies in 2010, more than double what it sold the previous year. According to Japanese market survey company Oricon Communications, the series’ five newest volumes have sold a combined 12.5 million copies. [Anime News Network]
Publishing | Comico co-founder Gerry Giovinco weighs in on an eBay listing that includes original artwork apparently left in the stewardship of his former partners Dennis and Phil LaSorda when the company went bankrupt in 1990: “It always was Comico policy to return all art to the creators. If there is art that was not returned, we are in total agreement that it should be returned to the rightful owners of the work. If you are a creator that believes your work could be among this lot, we would suggest you fight to get it back.” [CO2 Comics Blog]