Ayer Reveals Jared Leto's Tattooed "Suicide Squad" Joker
With the help of tattoo artist Kelly Rogers, lifelong comics fan John Engle has spent the past year transforming his back into a tribute to the characters he loves. There, Spider-Man, the Hulk, Carnage and Venom share space with Batman, The Joker and Spawn — Engle enjoys a good intercompany crossover.
However, there was one thing missing: Stan Lee’s seal of approval. And over the weekend at MegaCon in Orlando, Florida, Engle got it. The legendary creator signed his back, just above Spider-Man (where else?), then Rogers made the famous signature permanent.
“As soon as I started getting an allowance, it was for comics. I would just go [to the store]. I didn’t really have a concept of new comic day, I just thought they showed up at any given random time at Golden Apple in LA. I would just show up and was like, ‘Ooh, WildC.A.T.S.!’ It was all that — WildC.A.T.S., Spawn, Cyberforce. I got into it too late to even know that these creators worked on Spider-Man and the X-Men. I just knew that they created the friggin’ Violator. It was huge for me. It got me into comics, straight-up. I think I liked those comics more than I liked X-Men. I just remember being at my friend’s house and he was like, ‘You gotta read this Spawn,’ and I loved it.”
— Say Anything frontman Max Bemis, talking with Comic Book Resources about the ’90s Image comics that inspired his new BOOM! Studios series Oh, Killstrike
Todd McFarlane has revealed he gave permission for Spawn to appear in such NetherRealm Studios games as Injustice: Gods Among Us and Mortal Kombat X, due out in April from Warner Bros. Interactive Entertainment.
However, he tells GamerFitNation there’s a catch: It’s a “short deal” that comes with a ticking clock.
Last year we spotlighted a pretty stylish Dark Knight-inspired motorcycle helmet, but what if you prefer, say, The Punisher, Teenage Mutant Ninja Turtles or Wonder Woman to Batman? AirGraffix has you covered.
The Mattoon, Illinois-based company specializes in custom-painted helmets that can transform the rider into everyone from Goku and Deadpool to Iron Man and Spawn. It’s not all superheroes or comic books, either; there’s an assortment of Star Wars, Transformers and Power Rangers designs, for starters.
“It’s a little bit of me trying to say out loud, the reason that Spawn looks and feels the way that it does, which is slightly different than some of the better-selling books right now at Image, is because it was started in 1992, and those trappings were put in there intentionally at that time. I can’t undo the blueprint. It’s a superhero book, and it’s always been a superhero book. That’s what it is. It’s not that I can’t do non-superhero books, or I couldn’t do a comedy book, or a true romance book, I just have chosen during that time not to. It’s not for lack of ideas or skill, I’ve just chosen not to. If people like it, some people may say, ‘Oh, it’s a change of pace for Todd. I didn’t know you could do all of this stuff.’ To me, it’s not really different than saying, ‘Draw a circle or draw a square.’ They’re both different shapes. I can do both of them, I just have been drawing a circle for so long. But it didn’t mean I couldn’t draw a square any day of the last 20 years. I could have. That’s not what Marvel and DC did, and when we left, that wasn’t what we did. We did our thing, and people then could say, ‘Well, you could have done it in the last 20 years,’ and the answer is not really, because that really wasn’t the footprint and the identity of what Image was at that point.”
– Todd McFarlane, discussing his upcoming Image Comics miniseries Savior
Coinciding with the release of the landmark Spawn #250, the entire library of Spawn comics — including the 20-volume Spawn Origins Collection — is now available digitally for the first time on comiXology.
As Todd McFarlane breaks it down on his Facebook page, “That’s over 23 years (and more than 5,300 pages of story and art) of the Spawn mythology available with one swipe of your finger.”
Todd McFarlane has unveiled a glimpse of a planned Spawn/Batman crossover that never saw the light of day. In what the Image Comics co-founder characterizes as “a bit of fate,” the project was to have been drawn by current Batman artist, and longtime McFarlane collaborator, Greg Capullo.
“Years ago there was a deal for DC Comics and myself to do a cool Batman/Spawn cross-over book (for those not hip to comic lingo, that’s a book in which both characters are in the same issue),” McFarlane writes in a Facebook post accompanying the long-lost cover. “I [was] to have written and inked it, while a talented penciller, Greg Capullo, was going to draw it. For a variety of reasons (mostly on my shoulders) the book never got off the ground, but a few pages and promo pieces were done for it. Below is one such piece drawn by Greg and inked by myself.”
Image Comics co-founder Todd McFarlane has made it a habit of late to open up his archives via his Facebook page, sharing everything from early Spawn designs to evolutionary charts. But this weekend, he held court on some of his publishing philosophy as it applies to his past life as a Marvel Comics superstar.
“Here’s the the answer to a question I get asked a lot: ‘NO!… I WILL NEVER DRAW for Marvel or DC Comics AGAIN!'” the artist wrote in a new post. “But it’s not why you might think…”
Skottie Young has revealed his variant cover for the landmark 250th issue of Spawn, set for release Jan. 28 from Image Comics.
The 64-page issue, written by Spawn creator Todd McFarlane and illustrated by Szymon Kudranski, marks the climax of the current story, clearing the way for the return of Al Simmons and the introduction of the new creative team of Paul Jenkins and Jonboy Meyers.
Ahead of the arrival of the landmark 250th issue, Todd McFarlane has unveiled “The Evolution of Spawn,” a graphic tracing the character’s numerous costumes, from the original design to the Greg Capullo-drawn Commando Spawn to Jonboy Meyers’ upcoming interpretation.
“And if you’re doing the math, that’s 24 YEARS. TWENTY-FOUR!!!!!!!!” McFarlane writes on Facebook. “It’s cool to look back and see how things have changed since 1992….it’s hard to believe we’re already coming up on our #250th issue.”
Todd McFarlane frequently uses his Facebook page to inspire fans with lessons he’s learned in his own life, and his latest post is little different — except that it features the first piece of Spawn promo art, drawn on the day he left Marvel in 1991.
“When I left Marvel … I JUMPED OFF THE CLIFF into the unknown to start Image Comics and then McFarlane Toys,” he writes. “But I knew in that by following my heart, I would be a better husband and father. No amount of money could be buy me that!!!
Counting down to the landmark 250th issue of Spawn, Todd McFarlane has given fans a glimpse into the cover process for Issue 248 — “only two more issues until AL SIMMONS returns!!” — penciled by Syzmon Kudranski and inked by McFarlane himself, which goes on sale Nov. 5.
“It’s pretty COOL to see how it all comes together,” he wrote on his Facebook page. “There’s a lot of work that goes into this comic stuff.” He also offered a reminder about the art contest for Spawn #250, noting that he’ll start collecting submissions on Nov. 1.
Hello and welcome to Shelf Porn, our weekly visit into the home of a fan. Today’s shelves comes from Brett Jones, who credits his brother with introducing him to Spawn and comics. Check out his collection of comics, original art, action figures and more below.
If you’d like to see your collection featured here, you can find instructions at the end of this post.
And now here’s Brett …
Todd McFarlane has long talked about “complete reboot” of the 1997 film Spawn, envisioning a low-budget supernatural thriller that has more in common with The Conjuring than with current superhero blockbusters. For inspiration, he may need look no further that director Michael Paris’ fan short Spawn: The Recall.
The bulk of the nearly eight-minute film was shot in a day and two nights in a supermarket after business hours, using a limited cast and crew (post-production took two years, with the visual effects rendered on a single computer).
The biggest comics news Thursday out of Comic-Con International was undoubtedly that, after years of debate, comiXology has introduced DRM-free backups of titles purchased from its storefront, with Image Comics, Dynamite Entertainment, MonkeyBrain Comics, Thrillbent, Top Shelf Productions and Zenescope Entertainment signing on to the program.
An email went out last night notifying customers that books they’ve purchased can be downloaded and stored as PDF or CBZ files, and pointing them to an FAQ on the subject.
“This has been an oft-requested feature,” comiXology CEO David Steinberger said during the company’s Comic-Con panel. “It’s a real backup file — it’s a fairly plain PDF or CBZ. They are high resolution, not a lot of bells and whistles, and my feeling is that people will continue to use the cloud-based reader to do their reading.”
The other big announcement was that Marvel will publish Avengers: Age of Ultron, an in-continuity graphic novel by the Uncanny X-Force team of Rick Remender, Jerome Opeña and Dean White scheduled to arrive in April 2015, ahead of the premiere of Avengers: Age of Ultron.