"Power Rangers" Steps Into The Modern Era With First Look At Movie Suits
In the first part of my interview with Stuart Moore we covered the editorial phase of his career. In this second part, Moore and I discuss the freelance writing phase, which began in 2002. As part of this discussion, we discuss his plans for the new Namor: The First Mutant (previewed here by CBR and launching this Wednesday, August 25); Spider-Man: Back in Quack (A Howard the Duck-connected one-shot coming out September 15); his creator-owned collaboration with artist Jon Proctor, Shadrach Stone (also coming out on September 15 [Penny Farthing Press]); and his role as co-writer of the six-part JLA/The 99 miniseries (which launches on October 27) .
Tim O’Shea: Was there any one catalyst (or a number of factors) that prompted you to step fully into the freelance world and focus on your own writing in 2002?
Stuart Moore: It just seemed like the right time. I’d worked on a lot of really interesting projects, very fast, at Marvel, and the deal for PARA (at Penny-Farthing Press) came together. I decided if I was ever going to make a go of it as a writer, it should be now.
O’Shea: How did your projects at Penny-Farthing Press (including Para and Zendra) come to pass?
Moore: I first made contact with Penny-Farthing, a long time ago, when I was involved in the startup of a dot-com-style comics company that never fully came together. I really like the people who run Penny-Farthing; they’re very straightforward and honest, and they do beautiful production work. ZENDRA was a project created by two artists, and they needed someone to come in, flesh out the basic story, and write the scripts. A couple of years later I pitched PARA to them and they liked it, and that led, more recently, to SHADRACH STONE.