Brazilian artist Miguel Lokia has created a series of Game of Thrones-inspired house banners for several pop-culture characters, including a few superheroes. That’s only one of the House Wayne banners above; continue below to see Houses Banner, Kent, Parker, Rogers, and a non-comics one I threw in just because it made me laugh. There are even more on Lokia’s deviantART page.
“He’s not Superman. Spider-Man doesn’t always win. He’s us. We do our best, but sometimes we fall short. What makes him heroic is that he stays on the right path. There’s a victory in this story for Peter if you’re willing to see it. Any superhero can look heroic in the winner’s circle, when they’re adored and showered with praise. But when you’re in a losing battle, when the world’s against you, when everyone thinks you’re a menace, but you do the right thing anyway … that’s when you’re better than a superhero. That’s when you’re Peter Parker.”
I love comic books, too. They’re awesome. I get plenty worked up sometimes about what goes on in the pages of my favorite books because they’re not doing it right! I get it. I’ve devoted countless hours to these characters. Heck, I’m the guy who ran a New Warriors fan site for years, tracking the chronological order of every random appearance, no matter how minor. And I did it completely without irony! So I get the emotional investment we have for these characters.
I also get how fun it is to use social networks. I use Facebook a lot, and Twitter, too, and it’s easy to get riled about something you see posted there. There’s no ‘dislike’ button to click so sometimes you just have to vent. And sometimes it feels like a regular old “how could you?!” just isn’t enough, that it just doesn’t get across how deeply you disagree with a plot development.
Regardless, none of that justifies sending threats. Dan Slott has received some extreme reactions to the leaked details of The Amazing Spider-Man #700 that go so far beyond normal fan griping that I wondered just what could’ve provoked such a backlash. So I reviewed the leaked information, and I have to say my response was, “That’s it?“
Even the Leader of the Free World (and Time magazine’s Person of the Year) is no match for the cuteness that is pint-sized Spider-Man, as demonstrated in this photo from White House photographer Pete Souza. The wall-crawler famously met then-President-Elect Barack Obama in January 2009′s The Amazing Spider-Man #583, where he foiled a plot at the inauguration by Chameleon. However, I don’t recall a showdown outside the Oval Office. Clearly, the Secret Service has a lot to answer for.
(via HuffPost Politics)
Comics | Regina, the capital of Saskatchewan, appears to be embracing its role in this week’s Avengers#1 as a target of an alien “origin bomb” that struck the city, changing its biosphere and altering billions of years of evolution in mere minutes. Tom Brevoort, Marvel’s senior vice present and executive editor, tells a local newspaper he’s unsure why Regina and Perth, Australia, were selected, but local retailer Chad Boudreau seems glad it happened. “We had no advanced notice of it,” he said. “It just happened that someone reading the comic saw it in there.” He expects strong sales at Comic Readers, with those who don’t typically follow comics buying the issue out of curiosity. [The Star Phoenix]
We’ve featured the Brazilian artist Butcher Billy a couple of times in Art Barrage; he’s an illustrator whose work demonstrates a keen eye for modern culture and a wicked sense of humor. His latest portfolio of work, posted at the creative network Behance, is “The Superhero Media Crossover Project,” a collection of images inserting comic art into stills taken from their movie adaptations. It’s very effective, and strangely moving, for this fan of classic comic art, anyway. These images demonstrate what, to me, is missing in just about every comics-to-film adaptation — a little pop-art brightness and fizz (Edgar Wright’s Scott Pilgrim vs. The World being the only one in recent times to get a pass on this matter — am I really the only one who wants to see sound effects rather than just hearing them?). In Billy’s own words:
After retiring from mainstream comics in 1998, legendary comics creator Steve Ditko has been a hard man to find. Admittedly, he wasn’t much easier to find before his announced retirement. Since very early on in his career, Ditko has been at odds with the celebrity nature that his work has earned with fans and fellow creators — avoiding the spotlight, refusing interviews and distancing himself from the community nature of the comics industry. In a way, Ditko has become comics’ equivalent of J.D. Salinger, rarely releasing new work and eschewing the modern notion that creators engage with fans and press. Stan Lee, he’s not.
So the news coming out that Ditko has written several essays about Spider-Man in various independent publications is something eye-opening for fans, be they casual admirers or the ardent devotees like U.K. television personality Jonathan Ross, who tracked down Ditko for a 2007 documentary (he declined to be interviewed or photographed). Earlier this year, Ditko published an essay called “The Knowers & The Barkers” in his comic book #17: Seventeen, and a second just popped up in the comic fanzine The Comics Vol. 23 No. 7, published by Robin Snyder, Ditko’s former editor at Charlton and Archie. This second essay, “The Silent Sel-Deceivers,” reportedly runs a page and a half and features Ditko addressing the creation of Spider-Man.
Hello and welcome to What Are You Reading?, where we regularly talk about the comics we’ve been reading lately. Our special guest today is homebrewing enthusiast and first-time publisher Joshua Henaman. He’s the creator of Bigfoot – Sword of the Earthman, a sword, sorcery and Sasquatch epic self-published under the Brewhouse Comics banner with art duties by Andy Taylor. It’s available in select stores and via online ordering at www.bigfootcomic.com.
To see what Joshua and the Robot 6 crew have been reading, click below.
If you’re a Cyclops fan and still smarting from the end of Avengers vs. X-Men, WeLoveFine.com has a constructive way to express your anger–at least more constructive than, say, unleashing a Sentinel or something. They received a ton of requests for a “Cyclops was Right” shirt (a la their “Magneto was Right” shirt) and were able to turn one around fairly quickly.
Marvel and the T-shirt site Threadless have teamed up for a design competition: Create a shirt “inspired by the battle between Spider-Man and his archenemies.”
The rules spell out what you can and can’t have Spider-Man doing on the shirt:
- Use your original artwork.
- Characters outside of the Marvel universe are not allowed, but Spidey can do battle with any (or all) of the following villains: Dr. Octopus, Electro, Sandman, Venom, Lizard, Kraven, Green Goblin, Vulture, Rhino, and Shocker.
- Spider-Man cannot be used on his own, but his archenemies may go solo.
- Remember Spider-Man is a super HERO, so he always wins—and he does it without blood and guts.
- You may not use actor likenesses or any logos in your design.
- No political or adult content (sex, smoking, drinking, etc.) is allowed.
- The characters cannot be represented as children or animals.
So no solo swingin’, no Spot or Stilt Man, no boozin’ it up and no Spider-Ham. Other than that, go wild. The shirts will be judged by the Threadless community, with the most popular ones going on to be printed and sold on the site.
When momma said to knock you out, we’re here to comply–and so is Robt Seda-Schreiber, an artist and middle school art teacher from New Jersey. In today’s edition of Shelf Porn, Robt shares his collection of toys, action figures, comic books and graphic novels, as well as a look at his drawing area.
If you have some shelves of comics, action figures or other related collectibles you’d like to show off, send me a write-up and some jpgs at firstname.lastname@example.org.
And now here is Robt:
Occasional Marvel employee James Kochalka’s first impression is right, that cover is awful, least of all because of
Mark Bagley’s Joe Quesada’s illustration. As sickly sentimental as the composition is, the worst crime there is the dreadful typography.
Anyway, Kochalka is just too darned nice to really go for the throat. As he notes below this entry on his Tumblr, “All apologies to the artists involved. I know how hard this is without random dudes trolling you on the internet … so I hope you just take this as a bit of good-natured teasing.”
With just a week to go until New York Comic Con kicks off, Marvel has unveiled a rundown of convention-exclusive merchandise that will be available only at the publisher’s booth (#1838). The items range from the Rocket Raccoon/Guardians of the Galaxy coffee mug above — someone from the Comic Book Resources contingent needs to snag me one, please — and a lithograph to T-shirts and variant covers. (Note that the Marvel booth apparently only accepts credit cards.)
Check out the full list below. New York Comic-Con runs Oct. 11-14 at the Jacob Javits Center in New York City.
“She was a nonentity, a pretty face. She brought nothing to the mix. It made no sense to me that Peter Parker would end up with a babe like that who had no problems. Only a damaged person would end up with a damaged guy like Peter Parker. And Gwen Stacy was perfect! It was basically Stan fulfilling Stan’s own fantasy. Stan married a woman who was pretty much a babe — Joan Lee was a very attractive blond who was obviously Stan’s ideal female. And I think Gwen was simply Stan replicating his wife, just like Sue Storm was a replication of his wife. And that’s where his blind spot was. The amazing thing was that he created a character like Mary Jane Watson, who was probably the most interesting female character in comics, and he never used her to the extent that he could have. Instead of Peter Parker’s girlfriend, he made her Peter Parker’s best friend’s girlfriend. Which is so wrong, and so stupid, and such a waste. So killing Gwen was a totally logical if not inevitable choice.”
– veteran writer Gerry Conway, in Grantland’s excerpt from Marvel Comics: The Untold Story, explaining why, upon John Romita’s suggestion, they decided to kill Peter Parker’s girlfriend Gwen Stacy instead of his elderly Aunt May, creating one of the most memorable Spider-Man stories of all time. Judging by the excerpt, which offers a terrific snapshot of the Marvel workplace in the 1970s — prominent drug use, struggles with Stan Lee, trend-chasing — Sean Howe’s book will be a must-read. It goes on sale Tuesday.
One of the clearcut hits from the first wave of Monkeybrain Comics digital line is Paul Tobin and Colleen Coover‘s Bandette, a great mixture of Tintin and Nancy Drew-type adventure. Today marks the release of Issue 2 – for the great price of 99 cents – where (as you can see by the preview CBR ran yesterday) Bandette foils a bank robbery in her own unique way.
To help get people as riled as I am for today’s release, I recently barraged Coover and Tobin with a series of questions. As a longtime fan of Tobin’s run on Marvel Adventures: Spider-Man, it pleased me immensely that Tobin is building somewhat upon the Blonde Phantom/Chat substories/genre he explored in the former series. I also appreciate a turn of phrase that Tobin used (“zest for life”) in discussing the new digital collaboration with Coover. I think zest for life is a quality that fuels Coover’s art.
In addition to the digital Issue 2 coming out today, on Saturday Coover will be at the Jet City Comic Show in Seattle. My thanks to Coover and Tobin for their time.