spider-man Archives - Page 4 of 29 - Robot 6 @ Comic Book Resources
It’s not often that we see superheroes enjoying some quiet time and communing with nature, most likely because that would make for some incredibly boring comic books. However, the concept leads to some lovely images, as photographer and digital artist Benoit Lapray demonstrates in his series “The Quest for the Absolute.”
Dropping costumed characters into (mostly) serene settings, Lapray creating scenes of Thor strolling in a lush forest, Spider-Man resting at the side of a winding mountain road, the Silver Surfer pondering a deep valley, Wonder Woman perching in the spray of a waterfall, and more.
Check out some of the images below, and more on Lapray’s website.
Proving J. Jonah Jameson right time and again, Spider-Man in the past year alone has stolen $6,000 in cash, fought two Captain Americas, been arrested following a robbery and held up a convenience store. Now it appears the wall-crawler has found an ally: Spider-Woman.
Publishing | I talked with TOON Books founder Francoise Mouly about her new imprint, TOON Graphics, which will feature “visual books” (picture books and comics) for readers ages 8 and up. The line launches with three titles: Theseus and the Minotaur, by Yves Pommaux, Cast Away on the Letter A, by Fred, and Hansel and Gretel, retold by Neil Gaiman and illustrated by Lorenzo Mattotti. [Publishers Weekly]
Commentary | Former DC Comics senior editor Joan Hilty tackles the issue of sexism in comics and calls for publishers to include more women in their senior editorial rank:. “Women are getting the bestselling books into stores and greenlighting the million-dollar movie franchises, but they’re barely represented among the creative executives who map out the universes and storytelling strategies. That’s where you cement broad-based, long-term loyalty to authors and characters, tap new audiences and trends, and grow readership, without which none of those books or movies would exist.” [The Guardian]
The Amazing Spider-Man star Andrew Garfield has managed to surprise time and again, whether by melting hearts at Comic-Con International 2011 with a heartfelt speech about what the wall-crawler meant to him as a child, shooting hoops with kids while wearing his movie costume, or making waves by asking why the superhero couldn’t be gay.
And Thursday on The Tonight Show he surprised again with an earnest rendition of the theme song from the 1960s Spider-Man animated series, with a little help from host Jimmy Fallon and the Roots.
Marcos Martin grew up reading American superhero comics imported to his native Spain, and for the first 13 years of his career, he lived, breathed and drew those heroes in titles like Batgirl: Year One, Doctor Strange: The Oath, The Amazing Spider-Man and Daredevil. But now he’s moved on, devoting himself primarily to creator-owned comics with a reach beyond the direct market. The first sign of that is The Private Eye, the digital comic he created with celebrated writer Brian K. Vaughan about the price of privacy in a futuristic world.
Both Martin and Vaughan have talked with CBR about their project, so for this installment of “Conversing on Comics” I reached deeper into the artist’s work, looking for his influences and his choices. The interview, conducted in late April via Skype, pulls back the curtain on Martin, an ambitious but private professional who’s looking to entertain not just the ardent comic book fan but also more mainstream readers interested in fiction and fables.
“Sure, there are people who look like Captain America who read comics, but there are very few people in the world who look like Captain America. I go to conventions, and you meet hundreds of people over the course of the day, and no two of them look alike. You see women and people of color who love comics, and there’s nothing representing them in a way that isn’t sexualized or something.
“Now, you can’t make these decisions [to be more inclusive] consciously, because then you’re just writing in reaction to things, and that doesn’t work out, dramatically. But subconsciously, if you look at the world around you and see your readers, you go, I wanna write something that I know is true. So you start writing women better and you write people outside of your experience better, because you look at pages of other people’s comics and you don’t recognize it as the world around you.”
Passings | Isabelle “Barbara” Fiske Calhoun, who as Barbara Hall was an artist for Harvey Comics during World War II, died Monday at age 94. Calhoun and her first husband, Irving Fiske, left New York in 1946 and founded a commune in Vermont on land they bought with their wedding money. The commune became the Quarry Hill Creative Center and is “Vermont’s oldest alternative and artist’s retreat.” While the obituary mentions Calhoun’s comics career only in passing, Trina Robbins has more detail in Pretty in Ink: She says Calhoun drew the Black Cat, one of the first comic-book superheroines, and then was the artist for the Speed Comics feature, Girl Commandos, an all-woman team of Nazi fighters led by Pat Parker, War Nurse. “She left comics when her husband-to-be persuaded her to give up cartooning and become an oil painter, a gain for the world of fine art but a loss for comics,” Robbins writes. [Burlington Free Press]
Inspired by The Amazing Spider-Man 2, professional stunt man Ronnie Shalvis dons the familiar red-and-blue costume for an incredible short film in which the wall-crawler runs out of web fluid and turns to — what else? — parkour make his way across the city.
Directed by Cameron Manwaring and Chris Jordan, it’s a beautiful video that follows Shalvis as he leaps across rooftops, scales walls and flips down alleyways.
If you’re curious how they got some of those shots, the answer is drones, courtesy of Sky Candy Aerial Cinema. You can watch the video, along with a look behind the scenes, below.
Over the course of his 30-year career, Todd McFarlane has spoken frequently about his lone road into the comics industry, one dotted with more than 700 submissions and 350 rejection letters. If you thought that was an apocryphal story akin to tales of having to walk five miles to school … uphill … both ways, think again.
On his Facebook page, the creator of Spawn shares a few photos from his submission days, featuring a sampling of his rejection letters, including one from former Marvel Editor-in-Chief Jim Shooter, as well as a chart he created to track where he sent the packages, and whether he received responses.
Gaurav Sharma wants the votes of residents of South Mumbai, India, and he’ll go to almost any lengths — or heights — to get them.
An Independent candidate for the lower house of the Parliament of India, Sharma is a martial-arts instructor better known as the Indian Spider-Man. Earlier this year he donned the familiar red-and-blue costume of the Marvel superhero to climb one of Mumbai’s tallest buildings in record time, but now he’s scaling apartment complexes and jumping from window to window and balcony to balcony to drum up support.
Countless children, and more than a few adults, have played with toy versions of Spider-Man’s web-shooters, the kind that shoot water or Silly String or short strips of nylon rope. However, it’s never quite like the “actual” thing, or so I’m guessing (come on, in some cases you’re essentially strapping a squirt gun to your wrist).
Enter Patrick Priebe, described by Gizmag as a “German laser weapons hobbyist” — everybody needs a hobby, right? — who has crafted his own real-life web-shooter. Only instead of web fluid, it shoots a brass-tipped mini-harpoon at the end of a length of fishing line. As you can see, it’s pretty impressive, with a triggering mechanism beneath the glove and even an aiming laser. But Priebe doesn’t stop there: He’s also created a wrist-mounted burning laser and a Cyclops-inspired visor … with burning lasers, naturally. Check and mate, Peter Parker!
Check them out in action in the videos below.
Marvel and Paris-based mobile game developer Gameloft have released the launch trailer for The Amazing Spider-Man 2, a tie-in to the Sony Pictures movie sequel that pits the wall-crawler against villains ranging from Electro and the Green Goblin to Kraven and Venom.
Available now on iOS and Google Play, the action-adventure follows Spider-Man as he swings through Manhattan in an effort to save New York City from the chaos of a costumed crime wave.
If you were surprised by that promotional campaign by Sony Pictures and the United States Postal Service featuring Stan Lee and Spider-Man, you may want to sit down for this one: Evian stakes out its own Amazing Spider-Man 2 tie-in with a commercial that introduces the world to Spider-Baby, a web-slinging, rope-skipping, dancing infant-sized mirror version of the wall-crawler. The TV spot is either inspired, or completely insane, I can’t decide.
Titled “The Amazing Baby & Me 2,” it’s the latest commercial in Evian’s “Live Young” campaign (aka the baby series).
Filed in federal court in Philadelphia, and first reported by Deadline, Disney’s reply is the latest volley in what began last summer as a relatively straightforward lawsuit against the Lancaster, Pennsylvania-based American Music Theatre, which was accused of using unlicensed elements from Spider-Man, Mary Poppins and The Lion King.
However, as the media giant’s attorneys later noted, that “simple case” was “transmogrified” with the surprising assertion that the theater had licensed Spider-Man … from Stan Lee Media, which was named in a third-party counterclaim (it should be noted the license was obtained after Disney filed suit).
The failed dot-com, which hasn’t been connected to its co-founder and namesake in more than a decade, in turn sued Disney on Feb. 7, seeking a jury trial regarding ownership of Spider-Man, and, presumably, other characters co-created by Stan Lee. Disney responded with a motion to dismiss, which was of course opposed by SLMI; the company maintains none of the previous court cases has directly addressed ownership of the characters.
Legal | Those wondering how Stan Lee Media can possibly afford its long, and so far entirely unsuccessful, legal battle with Marvel and Disney may want to read this brief Wall Street Journal article about “litigation finance” — which it characterizes as the growing practice of investing in lawsuits. However, pointing to the fight over the rights to Spider-Man and other characters, writer Rob Copeland points out there are high risks: namely, that investors could never see financial return. As we’ve noted before, Stan Lee Media’s efforts are backed by a group of investors that includes the $21 billion hedge fund Elliott Management, which helps to explain why the lawsuits keep coming. [MoneyBeat]