CBR TV: Working on "March" Has Changed Artist Nate Powell
Franco Urru, the Italian artist best known to American readers for his work on Spike: Asylum, Spike: Shadow Puppets and Angel: After the Fall, has passed away, reports IDW Publishing Editor-in-Chief Chris Ryall.
“Between flights now, I just got terrible news that Angel artist and wonderful person Franco Urru passed away,” Ryall wrote this morning on Twitter. “Rest peacefully, dear friend.”
Urru, who began working in comics in Italy as an assistant, inking, penciling backgrounds and conducting research for established artists, broke into the U.S. industry in 2006 with Spike: Asylum. “I landed into that wonderful script after a friend showed my pages to Chris Ryall,” he told The Comic Book Guide to Buffy the Vampire Slayer in 2009. “At the time Brian Lynch had written his first story for IDW and I started to work immediately on the covers of the entire mini. After finishing the first cover I realized that I was exactly where I wanted to be.”
In Italy, Urru worked in a variety of genres, ranging from fantasy to superheroes to erotic comics. His death follows the passings this week of alternative comix pioneer Spain Rodriguez and 30 Days of Night and Willow Creek artist Josh Medors.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
For once, I’m doing this in semi-reverse order. Or, at least, I’m starting with my would’ve-should’ve splurge, anyway, because if I had the money to spare, I’d definitely pick up the Invisibles Omnibus HC (DC/Vertigo, $150). Yes, I’ve read the comics before, and yes, I own all the trades. And yet … I really, really wish I could own this book. In another world, I am rich enough for that to happen.
Back in the real world, my first $15 pic is very easy: Mark Waid and Chris Samnee’s Rocketeer: Cargo of Doom #1 (IDW Publishing, $3.99); both creators are at the top of their games these days, as demonstrated in Daredevil on a regular basis, and so seeing them both take on Dave Stevens’ classic character feels like the kind of thing I will happily sign onto. Similarly, the first issue of the new Buffy The Vampire Slayer: Spike spin-off (Dark Horse, $2.99) automatically gets a pick-up, based on the quality of both the core Buffy and spin-off Angel and Faith books alone.
If I had $30, I’d add Prophet Vol. 1: Remission TP (Image Comics, $9.99) to my pile. I dropped off the single issues for this early on, because I wasn’t digging it as much as I wanted to, but enough people have told me that I’m wrong that I’m coming back to check out the collection — especially because (a) Brandon Graham and (b) that price point. I am continually a sucker for the $9.99 collection; publishers, you should remember this for me and people like me in future.
Publishers, creators, retailers and fans rolled into Chicago this weekend for the Chicago Comics and Entertainment Expo, or C2E2. While the convention officially kicked off Friday, the announcements started rolling out Thursday during the Diamond Retailer Summit. After going through Kiel Phegley’s lengthy report on CBR, I’ve pulled out a few tidbits that publishers shared with attending retailers:
• Dynamite Entertainment shared that the first issue of Garth Ennis and Aaron Campbell’s The Shadow, which comes out next week, will likely go to second print. Following their Vampirella and Pantha projects, they also plan to roll out more of the former Harris Publications characters they now own, and they said they plan to work again with Kevin Smith in the future, who they’ve worked with on Bionic Man and Green Hornet.
• Dark Horse Comics announced two Buffy the Vampire Slayer spinoff miniseries; one featuring Spike and one featuring Willow (Editor Scott Allie spoke more about them with CBR). In addition, legendary artist Russ Heath will draw some pages in an upcoming issue of Buffy. Dark Horse will launch a new Dragon Age series in August, following the online miniseries that’s been running on Dark Horse Digital. They also confirmed that Becky Cloonan will return to Conan after James Harren’s three issues, and they announced Ex Sanguine, a five-issue miniseries by Tim Seeley and Josh Emmons. Finally, The Goon will go monthly with issue #40.
Entertainment Weekly shares the news that Dark Horse has two spinoff miniseries planned for later this year, featuring Buffy the Vampire Slayer supporting characters Spike and Willow.
The Spike miniseries, which kick off in August, will be written by X-Men writer Victor Gischler and picks up after the end of Buffy the Vampire Slayer Season Nine #10. “The focus is on Spike and his coming to terms with some things, sort of getting right in the head,” Gischler told EW. “He loves Buffy, but can’t be with her. What does that mean to a vampire with a soul?” He also meets up with some demons trying to collect the shards of the magic “seed” that was destroyed in Season Eight of the comic.
The Willow series, meanwhile, starts in November and is written by Thunderbolts and Hulk writer Jeff Parker. Willow, who took off from the pages of Buffy with the mystical slayer scythe, hunts down Angel in a quest to try and bring magic back to Earth.
You can see the cover art for the first issue of the Spike series over at the EW site.
Update: Kiel Phegley at CBR picks up a few more tidbits on the two miniseries at the Diamond Retailer Summit leading into C2E2; Brian Ching will draw the Willow series with covers by David Mack and Megan Lara. Paul Lee will draw Spike with covers by Jenny Frison and Steve Morris.
With a cheerful crowd, a pleasant venue, and plenty of exciting creators and books, this year’s MoCCA seems to have been deemed a success. Both Christopher Mautner and I were there, and we decided that rather than write two separate blog posts, we would have a dialogue in which we contrast our impressions of the show. If you’re looking for a more comprehensive report on the show, check out the MoCCA report by our CBR colleague Alex Dueben as well as Tim Callahan’s writeup of his visit.
Chris: I’ll start: Was this your first time at a small-press comics show? I know you’ve gone to NYCC and several manga/anime related shows before, but I didn’t know if you’d been to something like MoCCA before? What was your general impression?
Brigid: This was my first time at MoCCA and my first time at a small-press comicsshow like this, although I have been to art shows with a similar feel.
First of all, I loved the locale. I actually used to live a few blocks away, so it was a bit of a homecoming for me to walk through Madison Square Park in the sunshine. The building itself had a nice, open, loft-like feel with plenty of rough edges—it felt artsy.
The show itself seemed like a giant, really good, Artists Alley. (I kept getting this feeling of deja vu because there were so many people I had just seen at C2E2.) The show definitely felt crowded, but never overwhelming. I made a pretty good circuit of the floor, but I felt like I missed as much as I saw, and I could easily have spent twice as much time there as I did.