spx Archives - Robot 6 @ Comic Book Resources
Giant robots and wisecracking cats. They’re such great cartoon tropes that you wonder why someone hasn’t tried to mesh them together before now. But mesh they do in Brian Ralph’s Reggie-12, an episodic comic strip about an constantly plucky, ever-optimistic Astro Boy-like robot who constantly is saving the city he lives in from danger (usually in the form of other, bigger robots), only to face withering indifference from everyone back home, especially the afore-mentioned cat.
Originally serialized in the pages of Giant Robot magazine and other assorted comics anthologies, the Reggie-12 strips have now been collected in a handsome, oversize, hardbound book from Drawn and Quarterly. Ralph was at the Small Press Expo this year, signing copies of his new book and generally helping man the D& Q booth. I pulled him away for a bit and, once we found a place to sit down, peppered him with questions about Reggie-12.
Chris Mautner: When was the first appearance of Reggie-12? Do you remember when you started these strips?
Brian Ralph: You know, I don’t. I had done comics in Giant Robot earlier before Reggie-12. There was this thing I did called The Legend of Giant Robot. It wasn’t funny. It was trying to be an ongoing serialized comic. I just didn’t have the storytelling chops yet. I ended it and wanted to start something new. That’s when Reggie-12 started and it was such a better fit for the magazine. It’s hard to do a daily strip in a magazine that comes out every month. I got so much more story packed into a smaller space. I don’t know the exact year [it began] though. Ten years ago?
Welcome to “Report Card,” our week-in-review feature. If “Cheat Sheet” is your guide to the week ahead, “Report Card” is typically a look back at the top news stories of the previous week, as well as a look at the Robot 6 team’s favorite comics that we read.
So read on to find out what we thought about Daredevil, Buzzkill and more.
As promised, here are some thoughts on this year’s SPX, along with some sorta short reviews of some of the more notable comics I picked up at the show (that I’ve read thus far.
If you paid Roger Langridge for a sketch at Baltimore Comic Con but never came by with your sketchbook to collect it, he has a message for you on his blog:
[...] I’ll start posting some of the sketches I did, which should keep us busy for a while. First, though, a plea to whoever it was at Baltimore who asked me to draw “my favourite childhood cartoon character”. According to my list, you paid me money for this one and were going to bring your sketchbook along later for me to draw your picture – but you never came back! I would like to either refund your money or send you this picture which fits your brief – it’s Frankie Stein, a big favourite with me when I was a lad, created by the great Ken Reid but drawn (very nicely!) by Robert Nixon by the time I discovered him in the pages of Shiver and Shake.
Hopefully the lucky person will step forward and collect his or her original sketch, but in the meantime, the rest of us can enjoy it as well. Langridge was in town for both Baltimore Comic Con and Small Press Expo, so watch for his sketches and impressions of both cons over the next few days.
Awards | Gilbert Hernandez is the recipient of the 2013 PEN Center USA award for outstanding body of work in graphic literature. Drawn and Quarterly announced the honor along with news that it will publish Hernandez’s next graphic novel, Bumperhead. [The Comics Reporter]
Conventions | “SPX is all about the hugs,” says Heidi MacDonald, who relegates her business piece on the Small Press Expo to Publishers Weekly and turns to her blog to discuss not only her impressions but what folks were saying on social media. [The Beat]
I’ll be posting some thoughts on the Small Press Expo, along with a short rundown of the more notable books I received, later this week. For now, though, here’s a varied look at this year’s convention from various folks’ Twitter feeds and Instagram accounts that I culled together using Storify. Enjoy!
Awards | All the presenters for last weekend’s Ignatz Awards ceremony were women, and that was no accident: This year’s host, New Yorker cartoonist Liza Donnelly, explains, “More and more of us are now in the business, unlike previous years, and I wanted to celebrate that fact by bringing attention to it.” [Comic Riffs]
Creators | Tom Spurgeon has an in-depth interview with experimental cartoonist Warren Craghead. [The Comics Reporter]
Creators | Stan Lee, in town for Wizard World Ohio Comic Con, chats with reporter Michael Grossberg about superheroes as modern fairy tales. [The Columbus Dispatch]
Heidi at The Beat has posted the winners of the 2013 Ignatz Awards, which were announced at the Small Press Expo, or SPX, in Bethesda, Maryland last night.
The awards are named in honor of the brick-wielding mouse in George Herriman’s Krazy Kat comic strip. Nominees were selected by a panel of five cartoonists — this year it was Lisa Hanawalt, Dustin Harbin, Damien Jay, Sakura Maku and Jason Shiga — and then voted on by SPX attendees. The winners are bolded below:
- Lilli Carré, Heads or Tails
- Michael DeForge, Lose #4
- Miriam Katin, Letting It Go
- Ulli Lust, Today is the Last Day of the Rest of Your Life
- Patrick McEown, Hair Shirt
One of the biggest indie comics events of the year, Small Press Expo (aka SPX), will take place Saturday and Sunday at the Bethesda North Marriott Hotel and Conference Center in North Bethesda, Maryland.
It’s a must-attend show for me, and this year will be no different. Well, it will be a little different, as my 11-year-old daughter will be coming along for what will be her first-ever comics convention. She will have copies of her own comic, Indefinable, for sale, so if you see us wandering the aisles, say hello.
Traversing the aisles of SPX with a pre-teen might prove to be a bit of a challenge, but I’m going to try to cram as much age-appropriate comics fun in the weekend as possible. Here’s some things I’m looking forward to/hoping to buy.
Five comics I’m planning on buying:
1. Wild Man: Island of Memory by T. Edward Bak. I’m a big fan of Bak’s Service Industry and really enjoyed the story he was serializing in Mome, about explorer and scientist Georg Steller. Wild Man: Island of Memory collects and reworks that material, the first part of what will be a projected four-volume series. Based on what I’ve read so far, I feel expect that this will be one of the more talked-about books at SPX this year.
2. Frontier #2 by Hellen Jo. Jo has been relatively quiet comics-wise since she released Jim and Jan a few years back. Now, via Ryan Sands’ relatively new publishing venture, Youth in Decline, she’s got what’s sure to be a swell mini collecting various paintings, pencils and other artwork.
3. Monster. It just wouldn’t be SPX if Hidden Fortress Press didn’t have a new volume of this usually reliable anthology. This year looks to be especially good, with 200 pages of comics by such noteworthy names as Marc Bell, Mat Brinkman, Jordan Crane, Michael DeForge, Edie Fake and Leif Goldberg. That’s a pretty killer list of talent – when was the last time we saw a new Brinkman comic, anyway?
4. Gold Pollen and Other Stories by Seiichi Hayashi. It’s nice to see more and more classic manga from people that aren’t Osamu Tezuka coming to Western shores. This is a collection of short stories from the author of Red Colored Elegy, a book I was a bit flummoxed by initially but that has slowly won me over more in ensuing years. The Picturebox site still labels it as “coming soon,” but it’s listed as a debut book on the SPX site. Basically, if it’s there, I’m buying a copy.
5. Love Stories by Mat Tait. New Zealand will be duly represented at the show by Tait, who will have this collection of stories available for sale. I’ve heard good things about Tait’s work and am excited to delve into it.
Next weekend SPX will once again be held in Bethesda, Maryland, where they will have not only a tote bag designed by Bone and RASL creator Jeff Smith, but also a limited edition print featuring the main characters from both those books. Signed copies will also be included in the SPX Limited Edition Print Set, which includes all the art created for SPX 2013 by Smith, Jeremy Sorese, Farel Dalrymple, Ed Piskor, Peter Bagge, Michael DeForge and many more.
Check out Smith’s print below.
Following a failure of the online-registration system last week that left many would-be exhibitors out in the cold, the Small Press Expo announced it’s expanding the number of tables available for the Sept. 14-15 convention.
In a statement posted last night on the SPX Tumblr, organizers said they’ve reserved the full ballroom at the Bethesda North Marriott Hotel & Conference Center, allowing for an increase in the number of tables from 210 to about 280. While that won’t accommodate all of those shut out March 17, they believe it should take care of most of them.
Exhibitors who attempted to register for tables should be contacted later this week about their status; there will also be a waiting list. Those who are still unable to secure tables are invited to attend SPX, where two free two-day passes and a tote bag will be waiting for them at the registration desk.
“So, to be clear, this will be an experiment — and an acknowledgement that we let our community down last weekend,” the statement reads. “This expansion may not be a permanent move for SPX, but we’ll do our utmost to make sure that this year’s show is the best — and best attended — yet. As to whether the expansion is permanent will be dependent upon how well you exhibitors do in terms of sales and the resultant feedback we get about this expansion after the show.”
Digital comics | So, your $3.99 comic comes bundled with a download code for a free digital copy, but you’re strictly a paper person. What to do? Todd Allen has a fascinating article about the secondary market in unused download codes, not just the fact that they are being sold fairly openly but also what that market tells us about the true value of comics: “Outside of eBay it’s relatively easy to use Google to find somewhere to swap or purchase Ultraviolet codes. The Home Theater Forum’s classified ad section has codes sprinkled in, with a low $2-$3 looking like a common price. Codes are also easy to find on Reddit, including a dedicated subreddit, though codes on Reddit are swapped or given away, not sold.” [The Next Web]
Conventions| Small Press Expo announced its first round of guests for the Sept.14-15 convention: Seth, Gary Panter, Lisa Hanawalt, Gene Yang and Frank Santoro. [SPX]
It’s been two years since I last interviewed Renée French, but the release in September of Bjornstrand from PictureBox provided a terrific excuse to catch up with her again. In addition to chatting about the limited-edition signed and numbered risograph novella, French explained how the release was part of a larger project as well as how it related to her ongoing (NSFW) webcomic at Study Group, Baby Bjornstrand.
Tim O’Shea: Are you more flattered or bewildered when some folks compare your work to David Lynch’s films (see Brian Warmoth’s recent review)?
Renée French: Oh, I’m flattered. Lynch is at the top of my list of favorite directors, and seeing Eraserhead for the first time in college was incredibly important to the way I made stuff at the time.
To ask the question that Tom Spurgeon meant to ask: Is this project named after Gunnar Bjornstrand?
Ha! Do I have to answer that?
Another Small Press Expo has come and gone, and I have the empty wallet to prove it. My official SPX report appears at Comic Book Resources. You can also hear me blathering on about the show with Joe McCulloch and Matt Seneca over here. Short recap: It was a great show, arguably the best SPX I’ve been to in a long while.
Despite my self-induced reputation as a horrible photographer, I opted to take photos at the show anyway.
Legal | Marvel has sued a Jerusalem retailer for $25,000, claiming the well-known Kippa Man store is infringing on its trademarks by selling unlicensed yarmulkes bearing Spider-Man’s likeness. “A reasonable consumer could be fooled into thinking that the infringing product is manufactured and/or sold by the plaintiff with the knowledge and/or approval of the defendant,” Marvel said in its complaint. Kippa Man owner Avi Binyamin notes the yarmulkes are manufactured in China, and that he only sells them. “There are 20 stores on this street, they all sell the same thing,” he told The Jerusalem Post, theorizing that he’s being targeted because his store is well known. The Times of Israel characterized the lawsuit as “the first move by Marvel against what it perceives as widespread copyright infringement in Israel, where products featuring its copyrighted superheros are commonly sold.” [The Jerusalem Post, The Times of Israel]