Stacy Curtis Archives - Robot 6 @ Comic Book Resources

Comics A.M. | Cul de Sac inker celebrates Richard Thompson

Cul de Sac

Creators | Cartoonist Stacy Curtis talks about inking Cul de Sac for creator Richard Thompson, who announced last week he’s ending the celebrated comic strip because Parkinson’s disease has left him unable to maintain the schedule: “I never felt inking Cul de Sac for Richard worked. It was like going into a theater to see Jerry Seinfeld do stand-up and watching Steve Martin deliver his lines. And that’s what it felt like. Every time I sat down at my drawing table to ink Cul de Sac, I could hear a narrator’s voice say, ‘For tonight’s performance, the part of Richard Thompson will be played by his understudy, Stacy Curtis.’” The final strip will appear Sept. 23. [Stacy Curtis]

Graphic novels | Andrews McMeel Publishing, which has focused on comic strips and comic strip compilations up to now, has announced its first original graphic novel series: The Chronicles of Desmond, by Mark Tatulli, creator of Lio and Heart of the City. The books will be published in October 2013 under Andrews McMeel’s new AMP! imprint and will be aimed at middle-grade readers. [Publishers Weekly]

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Comics A.M. | Jules Feiffer to publish first graphic novel

Jules Feiffer

Creators | Veteran artist Jules Feiffer is publishing his first graphic novel (not counting a graphic novel-ish work in the 1970s), and he says his fans won’t recognize it, as it’s in a much more realistic style than his other work. Feiffer got his start in Will Eisner’s studio but felt he couldn’t draw like the other artists there, but he seems to have developed the ability recently: “Now I seem to be able to work in the adventure story drawing style. All of this comes out of my early love of Dashiell Hammet and Raymond Chandler.” [Publishers Weekly Comics World]

Creators | Pitting teenagers against one another for a television reality/talent show, America’s Got Powers may sound a bit like The Hunger Games, but artist Bryan Hitch says there’s more to it than that: “The talent show/gladiatorial stuff isn’t the story, though — it’s the setting against which the story takes place and at heart this is the story of two brothers and how they changed the world, or at least the world from their point of view. It’s personal, emotional and, given my own visual tendencies, massive, explosive and destructive!” [USA Today]

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