Star Trek Into Darkness Archives | Robot 6 | The Comics Culture Blog

The Grumpy Color | Tom and Carla take apart 2013, Part 1

I heard they changed the ending to 'August: Osage County'

I heard they changed the ending to ‘August: Osage County’

Every year ROBOT 6 contributors Tom Bondurant and Carla Hoffman get together to talk about everything in Big Two superhero comics. Watch for Part 2 on Thursday.

Carla: Is it me or was 2013 crazy-busy? There were event comics, new titles, canceled titles, movies (plural for Marvel!),  TV shows and video games. It seems like there’s no escape from comics, making it harder and harder to get a general idea of the industry. Some days I kind of envy the indie comic fans as it must be a lot easier to handle comics as they come, as opposed to our gestalt juggernaut that is the Big Two. How much DC business could you comfortably follow before overwhelm set in?

Tom: Well, for starters, I pretty much skipped all of the video game and Cartoon Network developments, because I don’t have time for either area.

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Cheat Sheet | From ‘X-Men’ to ‘The Wake’ to 2D

cheat sheet-may27

Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. While most readers in the United States are enjoying a three-day weekend, our contributors are already looking to the week ahead, from the comics arriving on shelves Wednesday to 2D, the Northern Ireland Comics Festival, which kicks off Thursday.

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The Fifth Color | ‘Star Trek Into Darkness’ between two worlds

star-trek-into-darkness-teaser-poster1This time I think I’m going to be less biased. That’s not to say I wasn’t fair to the first J.J. Abrams Star Trek movie; in fact, I thought it was a pretty ingenious way to honor the past while divorcing it from your present. There’s something to be said for discovering that balance between old and new, continuity and change, that’s so hard to find when adapting something as well-chronicled as Star Trek. We’re looking at years of television history, hours of movies, and shelves and shelves of novels to work into the mix, and 2009’s Star Trek managed to juggle all of that to an extent I wouldn’t have expected to work. Of course, it wasn’t perfect, but it tried, and it got the heart of this new universe centered into its own final frontier.

Also, I was in that movie, so like I said, this time I’m going to be less biased.

I have seen Star Trek Into Darkness (no colons needed!) in the finest format I could think of: true IMAX and in real 3D. It was vivid and full of life; as the closing credits rolled and I watched the names of countless CGI artists and editing staff go by, I was once again thinking of that balance between the old and the new. The 2009 Trek brought in boatloads of new fans, a whole new generation to enjoy the adventures of the Starship Enterprise. Die-hard Trekkies and Trekkers had a breath of fresh air and something of their favorite television show back in the public eye, giving us new life and new civilizations to explore. While I’m sure there are plenty of opinionated people on the Internet that prefer one or the other, there’s been a resurgence in the Star Trek community that has benefited from Abrams’ new vision. And as I can wax rhapsodical about what the new movie means and how it will effects fans and the stories to come, it’s really important to take a moment and talk about Star Trek Into Darkness for what it is right here and now. Is this a good movie? Regardless of impact on science fiction or as a litmus test for what the Star Wars franchise is in for now that Abrams is tapped to work in a galaxy far, far away, join me as I look at what we see on screen and if it works just as well the second time around.

WARNING: SPOILERS for Star Trek Into Darkness ahead! Lots and lots of SPOILERS!! We’re talking plot, major scenes and character arcs, so for those who haven’t gotten to see the movie yet, please be warned. Everyone else? Let’s boldly go …

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Watch a homemade take on Star Trek Into Darkness trailer (BRAAM!)

Hair stylist to the bridge!

I’m not sure what I enjoy most about DustFilms Originals’ shot-for-shot recreation of the Star Trek Into Darkness trailer, the musical score created by voices — BRAAAAAAM! — the exaggerated eyebrows on the Chris Pine/James Kirk analog, or the choice of a hair salon as a stand-in for the bridge of the Enterprise (with trademark J.J. Abrams lens flares, no less). Too many choices! You can watch the recreation, and a side-by-side comparison with the original, below.

If some of the players, or the approach, look familiar, it’s because the same folks were behind the homemade Man of Steel trailer that made the rounds in December. This one’s better, though.

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