EXCLUSIVE: Battleworld Gets Dangerous in Marvel's July 2015 Solicitations
Taking a large step back from what we know as fandom today, it’s amazing to imagine what things were like in the beginning — before we had the Internet to produce original material, before we had hundreds of pay channels. Long, long ago in the far away time of the 1960s, when a show reached a generation of people in a surprising new way.
The best stories sneak in moral lessons or truths about ourselves and our society, not in a preachy direct way, but couched in the comfort of fantasy and fable. “Persevere” sounds like a direct command, but “slow and steady wins the race” can be taken however we wish. Star Trek could be about racism, religion, greed or power balance, but because it was set in space and spoken in the language of science fiction, we chose how to interpret its meanings and the messages given to us by Mr. Spock.
A lot of obituaries for Leonard Nimoy, who sadly passed away today at age 83 from chronic obstructive pulmonary disease, will mention that Gene Roddenberry called him “the conscience of Star Trek,” something I’d never heard before but that I can believe wholeheartedly.
Fans have been arguing since roughly 1977 about which space opera is better, and now fan-trailer editor extraordinaire Alex Luthor pits the two franchises against each other in Star Wars vs. Star Trek.
Utilizing footage from a handful of sources, but primarily from the original Star Wars trilogy and J.J. Abrams’ Star Trek reboot — which, depending on your perspective, may not seem like a fair fight — Luthor crafts a narrative involving the Empire’s attack on the Federation, punctuated by a showdown between the Emperor and Kirk, and a battle in the skies above San Francisco.
Now, if Spock only knew about the design flaw in the Death Star …
BoingBoing has stumbled across a vehicle so stellar you can probably see it from space. And it could be yours for just $9,500.
A Canadian man has (reluctantly) listed his sweet 1978 GMC Star Trek van on sale on Craigslist. The van, which is “NOT a vehicle for the shy,” according to the ad, consists of one, large paint job done by artist G.S. Roy.
Although he wasn’t seeking out new life and new civilizations, LEGO enthusiast Chris Melby was indeed on a mission: to build a replica of the U.S.S. Enterprise from J.J. Abrams’ rebooted Star Trek franchise.
Eight months, 18,000 bricks and “tons of coin” later, he accomplished just that, with a starship that measures 68 inches long, 29 inches wide, and stands about 32 inches tall on its wooden base. More impressive still, Melby found a way to do it while hiding all of the signature LEGO studs. (The solution? Layers.)
Passings | Acclaimed sci-fi novelist and manga writer Kazumasa Hirai passed away Jan. 17 at age 76. Hirai was the co-creator of several manga that spawned anime, prose and television franchises, including Genma Taisen and the classic cyborg superhero story 8 Man. He also collaborated with Ryoichi Ikegami on the Spider-Man manga, serialized from 1970 to 1971 in Monthly Shonen Jump, succeeding Kōsei Ono as writer. [Anime News Network]
Legal | The Bombay High Court heard arguments Monday on a public interest litigation petition challenging India’s sedition act. The petition stems from the 2012 arrest of cartoonist Aseem Trivedi on sedition charges, which were dropped after national and international protests. “It [sedition charge] can be misused any time,” said Chief Justice Mohit Shah. But Advocate-General Sunil Manohar, arguing for the state, said they only acted on the Trivedi case after receiving a dozen complaints: “The cartoonist [Aseem Trivedi] ran perilously close to borderline. He is not absolutely innocent. It is not the case that the state vindictively slapped charges on him.” The court did not immediately hand down a decision but has reserved judgment. [The Hindu]
Legal | The Wally Wood estate has sued Tatjana Wood, ex-wife of the late cartoonist, claiming she’s in possession of 150 to 200 pages of his art erroneously sent to her address in 2005 by Marvel. The couple were married in 1950 but divorced in the 1960s; Tatjana later worked extensively as a colorist for DC Comics. Wally committed suicide in 1981, leaving “all bank accounts, whether savings, checking, Certificates of Deposit, or otherwise” to Tatjana, and everything else to his estate, supervised by John H. Robinson. [The Comics Reporter]
Creators | “I’m an acquired taste,” says Howard Chaykin, who was speaking to the press in advance of this weekend’s Vegas Valley Comic Book Festival. He talks about working for small publishers, his unhappiness with the licensed Star Wars comics he did for Marvel, and the current trend of movies based on comics: “It’s really just a matter of the guys who beat us up in high school finally figuring out a way to make money off our asses.” [Las Vegas Review-Journal]
Hello and welcome to Shelf Porn, our weekly look at one fan’s collection. Today’s collection comes from down south, as Scotty in New Orleans shows off his artwork, comics and much more.
If you’d like to see your collection featured here on ROBOT 6, you can find instructions on how to do so at the end of this post.
And now here’s Scotty …
If the biggest surprise coming out of Comic-Con International on Friday was that, before last night, Gilbert and Jaime Hernandez had never won an Eisner Award — seriously, how can that be? — a close second was undoubtedly the Star Trek/Planet of the Apes crossover from IDW Publishing and BOOM! Studios.
Yes, the two sci-fi franchises will finally meet in an alternate-future event that brings the original crew of the Enterprise together with Taylor, Nova and other characters from 1968’s Planet of the Apes as the Klingons secretly support a renegade gorilla general in a coup to seize control of Ape City. Writers Scott and David Tipton will be joined by artist Rachael Stott for the crossover, which marks the first time BOOM! has partnered with another publisher.
Other announcements of note:
• After being introduced into the Marvel Universe at the end of the Age of Ultron miniseries and discovering her past in Thor & Loki: The Tenth Realm, Neil Gaiman’s angelic warrior Angela will star in her own ongoing, Angela: Asgard’s Assassin, by Kieron Gillen and Marguerite Bennett and artists Phil Jimenez and Stephanie Hans.
In perhaps the most unexpected news to come out of Comic-Con International today, IDW Publishing and BOOM! Studios announced a crossover between their popular Star Trek and Planet of the Apes franchises.
StarTrek.com reports that IDW will publish Star Trek/Planet Apes: The Primate Directive, a multi-issue miniseries featuring the original Enterprise crew and the characters from 1968’s Planet of the Apes. IDW’s Star Trek regulars Scott and David Tipton will write the comic, which will be illustrated by newcomer Rachael Stott.
Star Trek never dies, it just flies into a wormhole made by red matter, and emerges with hot new actors and lens flares. No matter how many times the series gets rebooted, though, the Roddenberry original will always be with us.
The aesthetic of the original series will always hold a special place in the hearts of many fans. Its appeal is two-fold: It taps into the optimistic side of science fiction, where the peoples of Earth can set aside their differences to voyage to distance stars. It’s also a great peek into 1960s mod fashion, with miniskirts, beehive hairdos and primary colors everywhere. Even as early as The Next Generation, a lot of that aesthetic appeal was stripped away to create a bridge that can charitably be described as the lobby at a LensCrafters.
In a move that will undoubtedly lead to many head-splitting verses Klingon drinking songs at Star Trek conventions around the globe, CBS Consumer Products and the Federation of Beer have announced Klingon Warnog branded beer.
It’s the second official Star Trek beer, but the first to arrive in the United States; Vulcan Ale debuted last year, but it’s still only available in Canada.
Brewed by Tin Man Brewing Company in Evansville, Indiana, Klingon Warnog is a handcrafted Roggen Dunkel, “a bold beer suited for the harsh Klingon lifestyle.”
Harlan Ellison’s original teleplay for the acclaimed 1967 Star Trek episode “The City on the Edge of Forever,” which was rewritten before filming began, will be adapted in a miniseries debuting in June from IDW Publishing.
“Presenting Harlan Ellison’s brilliant original script for ‘City on the Edge…’ has been a goal of ours since IDW first began publishing Star Trek comics in 2007,” IDW Editor-in-Chief Chris Ryall said in a statement. “The episode justifies its position atop ‘best Star Trek episodes’ lists but even it ain’t nuthin’ compared to what Ellison did in his original teleplay. This is truly going to be a Star Trek adventure unlike any other, even to fans who have that beloved episode memorized.”
The five-issue Star Trek: Harlan Ellison’s City on the Edge of Forever: The Original Teleplay is adapted by writers Scott Tipton and David Tipton and artist J.K. Woodward, with regular covers by Juan Ortiz and variants by Paul Shipper.
“The City on the Edge of Forever” follows Kirk and Spock as the pursue a temporarily delusional McCoy through an ancient time portal, where they end up in 1930s New York City. There they must not only rescue their friend but save their own future, which has been changed by McCoy’s actions in the past. The episode won the 1968 Hugo Award for best dramatic presentation.
“It was a superlative joy of my long life to have worked with Leonard Nimoy, who became my friend, and many others at Star Trek,” Ellison said, “and an equally heart-happy joy to be working with J.K. and the Tipton Bros. and Chris Ryall on this long-awaited visual of my (humbly, I say it) brilliant original ‘City…'”
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out on Wednesday.
So without further ado, let’s get to it …
Conventions | More than 50,000 fans are expected this weekend at Montreal Comiccon, where comics guests include Adam Kubert, Andy Belanger, Becky Cloonan, Bob Layton, Chris Claremont, Dale Eaglesham, Dan Parent, David Finch, Karl Kerschl, Mike Grell and Rags Morales. Last year’s event drew 32,000, but organizers believe the inclusion of celebrity guests will attract significantly more attendees. [Montreal Gazette]
Creators | Artist, writer, and former carnival fire-eater Jim Steranko talks about his career in comics ahead of Nashville Comic Expo, where he will appear this weekend. He talks about learning to read — from comics — when he was a year and a half old, his many adventures outside of comics, and why he chose Nick Fury, Agent of S.H.I.E.L.D. when Stan Lee asked him which Marvel comic he would like to work on: “I could have nailed Spider-Man or Thor or the Fantastic Four, but that meant following Kirby. I might be crazy, but I wasn’t stupid. I pointed to Strange Tales and said I’d tackle the S.H.I.E.L.D. series, which was a Marvel embarrassment — the word ‘wretched’ comes to mind. I didn’t mention it to Stan, but I figured that on this strip, there was nowhere to go but up!” [Nashville Scene]
Digital comics | IDW Publishing released its first batch of digital comics on the motion-comics platform Madefire this week. The selection includes partially animated My Little Pony, Star Trek and Transformers comics, which sell for $1.99 each. Jeff Webber, IDW’s vice president of digital publishing, noted that because Madefire has a partnership with DeviantArt, the books are being exposed to “an incredibly broad network of illustration fans.” To commemorate My Little Pony’s Madefire debut, Dave Gibbons drew the image at right “to show that Friendship IS Magic!” `[Publishers Weekly]
Passings | Cartoonist Jack Matsuoka, who chronicled life in the Poston, Arizona, internment camp in his book Camp II, Block 211, has died at the age of 87. , Born in the United States to Japanese parents, Matsuoka was a teenager when his family was sent to internment camps in Salinas, California, and then Poston. After leaving the camp he was drafted and served as an interpreter for the U.S. Army in occupied Japan. He went to college on the G.I. Bill and worked as an illustrator and cartoonist for many years. Camp II, Block 211 was based on sketches he did while living in the camps and set aside for many years; his mother found them and encouraged him to share them with the public. They were put on exhibit in San Francisco and then collected into the book, which was first published in 1974. A revised edition was released in 2003. [The Rafu Shimpo]