"Gotham" Debuts First Look at Mr. Freeze
In perhaps the most unexpected news to come out of Comic-Con International today, IDW Publishing and BOOM! Studios announced a crossover between their popular Star Trek and Planet of the Apes franchises.
StarTrek.com reports that IDW will publish Star Trek/Planet Apes: The Primate Directive, a multi-issue miniseries featuring the original Enterprise crew and the characters from 1968’s Planet of the Apes. IDW’s Star Trek regulars Scott and David Tipton will write the comic, which will be illustrated by newcomer Rachael Stott.
Star Trek never dies, it just flies into a wormhole made by red matter, and emerges with hot new actors and lens flares. No matter how many times the series gets rebooted, though, the Roddenberry original will always be with us.
The aesthetic of the original series will always hold a special place in the hearts of many fans. Its appeal is two-fold: It taps into the optimistic side of science fiction, where the peoples of Earth can set aside their differences to voyage to distance stars. It’s also a great peek into 1960s mod fashion, with miniskirts, beehive hairdos and primary colors everywhere. Even as early as The Next Generation, a lot of that aesthetic appeal was stripped away to create a bridge that can charitably be described as the lobby at a LensCrafters.
In a move that will undoubtedly lead to many head-splitting verses Klingon drinking songs at Star Trek conventions around the globe, CBS Consumer Products and the Federation of Beer have announced Klingon Warnog branded beer.
It’s the second official Star Trek beer, but the first to arrive in the United States; Vulcan Ale debuted last year, but it’s still only available in Canada.
Brewed by Tin Man Brewing Company in Evansville, Indiana, Klingon Warnog is a handcrafted Roggen Dunkel, “a bold beer suited for the harsh Klingon lifestyle.”
Harlan Ellison’s original teleplay for the acclaimed 1967 Star Trek episode “The City on the Edge of Forever,” which was rewritten before filming began, will be adapted in a miniseries debuting in June from IDW Publishing.
“Presenting Harlan Ellison’s brilliant original script for ‘City on the Edge…’ has been a goal of ours since IDW first began publishing Star Trek comics in 2007,” IDW Editor-in-Chief Chris Ryall said in a statement. “The episode justifies its position atop ‘best Star Trek episodes’ lists but even it ain’t nuthin’ compared to what Ellison did in his original teleplay. This is truly going to be a Star Trek adventure unlike any other, even to fans who have that beloved episode memorized.”
The five-issue Star Trek: Harlan Ellison’s City on the Edge of Forever: The Original Teleplay is adapted by writers Scott Tipton and David Tipton and artist J.K. Woodward, with regular covers by Juan Ortiz and variants by Paul Shipper.
“The City on the Edge of Forever” follows Kirk and Spock as the pursue a temporarily delusional McCoy through an ancient time portal, where they end up in 1930s New York City. There they must not only rescue their friend but save their own future, which has been changed by McCoy’s actions in the past. The episode won the 1968 Hugo Award for best dramatic presentation.
“It was a superlative joy of my long life to have worked with Leonard Nimoy, who became my friend, and many others at Star Trek,” Ellison said, “and an equally heart-happy joy to be working with J.K. and the Tipton Bros. and Chris Ryall on this long-awaited visual of my (humbly, I say it) brilliant original ‘City…'”
Welcome to Best of 7, our new weekly wrap-up post here at Robot 6. Each Sunday we’ll talk about, as it says above, “The best in comics from the last seven days” — which could be anything from an exciting piece of news to a cool publisher’s announcement to an awesome comic that came out on Wednesday.
So without further ado, let’s get to it …
Conventions | More than 50,000 fans are expected this weekend at Montreal Comiccon, where comics guests include Adam Kubert, Andy Belanger, Becky Cloonan, Bob Layton, Chris Claremont, Dale Eaglesham, Dan Parent, David Finch, Karl Kerschl, Mike Grell and Rags Morales. Last year’s event drew 32,000, but organizers believe the inclusion of celebrity guests will attract significantly more attendees. [Montreal Gazette]
Creators | Artist, writer, and former carnival fire-eater Jim Steranko talks about his career in comics ahead of Nashville Comic Expo, where he will appear this weekend. He talks about learning to read — from comics — when he was a year and a half old, his many adventures outside of comics, and why he chose Nick Fury, Agent of S.H.I.E.L.D. when Stan Lee asked him which Marvel comic he would like to work on: “I could have nailed Spider-Man or Thor or the Fantastic Four, but that meant following Kirby. I might be crazy, but I wasn’t stupid. I pointed to Strange Tales and said I’d tackle the S.H.I.E.L.D. series, which was a Marvel embarrassment — the word ‘wretched’ comes to mind. I didn’t mention it to Stan, but I figured that on this strip, there was nowhere to go but up!” [Nashville Scene]
Digital comics | IDW Publishing released its first batch of digital comics on the motion-comics platform Madefire this week. The selection includes partially animated My Little Pony, Star Trek and Transformers comics, which sell for $1.99 each. Jeff Webber, IDW’s vice president of digital publishing, noted that because Madefire has a partnership with DeviantArt, the books are being exposed to “an incredibly broad network of illustration fans.” To commemorate My Little Pony’s Madefire debut, Dave Gibbons drew the image at right “to show that Friendship IS Magic!” `[Publishers Weekly]
Passings | Cartoonist Jack Matsuoka, who chronicled life in the Poston, Arizona, internment camp in his book Camp II, Block 211, has died at the age of 87. , Born in the United States to Japanese parents, Matsuoka was a teenager when his family was sent to internment camps in Salinas, California, and then Poston. After leaving the camp he was drafted and served as an interpreter for the U.S. Army in occupied Japan. He went to college on the G.I. Bill and worked as an illustrator and cartoonist for many years. Camp II, Block 211 was based on sketches he did while living in the camps and set aside for many years; his mother found them and encouraged him to share them with the public. They were put on exhibit in San Francisco and then collected into the book, which was first published in 1974. A revised edition was released in 2003. [The Rafu Shimpo]
Publishing | John Jackson Miller dissects the latest sales numbers and finds July 2013 to be the second-best month for comics sales in the direct market so far this century—actually, since 1997. Combined comics and graphic novel sales were up almost 17 percent compared to July 2012, and year-to-date sales are up almost 13 percent compared to last year. [The Comichron]
Retailing | Brian Hibbs, one of the founding members of the direct-market trade organization ComicsPRO, has left the group “because of the reactions of the Board to recent DC moves.” He revealed his decision in the comments on his blog post about DC’s allocation of 3D covers for Villains Month: “The org that I formed was intended to look out for the little guy; the current Board seems much more interested in keeping the big guys big. Democracy in action, I suppose, so I vote with my dollars.” [ICv2]
Hello and welcome to Shelf Porn, where fans invite us into their homes to take a look around. Today’s shelves come from Jeff in Edmonton, Canada, who shows us his collection of comics, statues, action figures and more.
If you’d like to submit your own collection, you can find the details here. We’ve built up a pretty good backlog, so it might be awhile before your collection appears — but don’t worry, we’ll get to it!
And now here’s Jeff …
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. While most readers in the United States are enjoying a three-day weekend, our contributors are already looking to the week ahead, from the comics arriving on shelves Wednesday to 2D, the Northern Ireland Comics Festival, which kicks off Thursday.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. While some of you will be taking full advantage of the three-day Memorial Day Weekend by enjoying a summer blockbuster, a barbecue or the first dip of the year in the outdoor pool, others will be heading to the Phoenix Convention Center for the 13th annual Phoenix Comicon.
But while everyone else is packing their bags, and stocking up on sunscreen, ROBOT 6’s contributors are busy spotlighting some of the best books going on sale Wednesday.
Conventions | The Brooklyn Comics and Graphics Festival has come to an end, after establishing itself in just four short years as one of the most loved indie-comics events. A message posted on the event’s blog under the headline “Thank You and Good Night” reads simply, “We have decided not to continue with BCGF. We had a great run and thank all of our colleagues for their support.” [The Beat]
Creators | Garry Trudeau talks about Doonesbury, supporting wounded warriors, and his Alpha House show in a video interview with CNN’s Jake Tapper. [The Daily Cartoonist]
Creators | Michael Aushenker profiles Rutu Modan, whose The Property, a tale of a Jewish woman returning to Poland to reclaim an apartment lost during the Holocaust, debuted at Toronto Comic Arts Festival: “When I go to vote, I have to decide who is bad and who is a good guy, but when I write I can support the Poles and the Jews. I’m much more interested in the gray areas. They’re more closer to reality.” [The Jewish Journal of Los Angeles]
Gather ‘round, kiddos, because we begin with another tale of Gen-X adolescence!
From 1977 through 1986, I grew from a snot-nosed third-grade punk into a snot-nosed (I had allergies) high-school senior, accompanied along the way by at least one big-budget sci-fi/fantasy movie milestone.* Specifically, right in the middle of the run were three sequels by which every self-respecting fan swears: The Empire Strikes Back (1980), Superman II (released in the United States in 1981) and Star Trek II: The Wrath of Khan (1982). Each built on its predecessor using darker elements and/or more “mature” themes, because each had the sequel’s luxury of an established setting.
For Young Tom, though, the cumulative effect of these three movies was mind-expanding, if not mind-blowing. I’m not talking about Empire’s Big Reveal (echoed coincidentally in Khan) or the unsettling sight of a powerless Clark Kent. Instead, each catapulted the fevered suppositions of a junior-high imagination to higher levels of awareness. I went into the theater each time wondering will this be as good? and came out giddy at how much better each one was.
So what’s this have to do with comics? Read on …
Hello and welcome to Shelf Porn, where fans invite us into their homes to take a look at their collections. Today Jamie from Australia shares his “man cave,” which features action figures, comics, DVDs, more action figures and much more.
If you’d like to share your collection, you can find details on how to do so here.
And now let’s hear from Jamie …
You might criticize President Obama’s drone policy or question his stance on immigration, but his nerd credentials have always been beyond reproach. After all, this the commander-in-chief who collects Spider-Man and Conan comic books, does battle with a pint-sized wall-crawler in the White House, wields Lion-O’s Sword of Omens and flashes the Vulcan salute with Nichelle Nichols. However, what happened today now throws all of that into question.
The Wall Street Journal reports that in an impromptu briefing this morning about sequestration, Obama was asked about keeping Congressional leaders in a room until a solution could be worked out. His response was absolutely shocking: “I know that this has been some of the conventional wisdom that’s been floating around Washington that somehow, even though most people agree that I’m being reasonable, that most people agree I’m presenting a fair deal, the fact that they don’t take it means that I should somehow, you know, do a Jedi mind meld with these folks and convince them to do what’s right.”