Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
Summer is officially over, so this is a little late, but I’ve been meaning to talk about a certain arc from the summer of 1993. It was the height of the speculator bubble, when everything came with cover enhancements, trading cards, unfortunate hairstyles and/or superfluous pouches.
For many DC Comics readers, 20 years ago was also the summer of “Reign of the Supermen!” That’s not necessarily enthusiasm — the exclamation point was part of the title, which in turn was inspired by Jerry Siegel and Joe Shuster’s early proto-supervillain story, “The Reign of the Superman.” The third (and by far the longest) chapter of the “Death of Superman” saga began with teasers at the back of Adventures of Superman #500, published around April 15,* and ended with Superman Vol. 2 #82, published around Aug. 26.** Those four and a half months may not seem like much, but they saw 20 issues of the four regular Superman books (including Action Comics and Superman: The Man of Steel) spread over 20 weeks. In fact, “Reign” was front-loaded, with all four titles marking the official start of the arc on April 29 or so, two weeks after Adventures #500. That meant there were some weeks without a new installment, and those were sometimes hard to take.
“Reign of the Supermen!” is not the greatest Superman story ever memorialized in print. On one level it is very much a product of its era. However, for the Superman books, that era was energized not just by the efforts of their creative teams, but by the overarching framework the books had developed. While “Reign” wasn’t the only big DC event of the summer — for one thing, the debut of DC’s imprint Milestone Media has much more historical significance — it’s a reminder of the ebbs and flows of serial superhero storytelling, and it remains instructive today.
Warning: This is a very long post, because I think there’s a lot of background to be explored.
With the end of Geoff Johns’ tenure on Green Lantern and Grant Morrison’s upcoming farewell to Batman, a fan’s thoughts turn naturally to other extended runs. Marv Wolfman wrote almost every issue of New (Teen) Titans from the title’s 1980 preview through its final issue in 1995. Cary Bates wrote The Flash fairly steadily from May 1971’s Issue 206 through October 1985’s first farewell to Barry Allen (Issue 350). Gerry Conway was Justice League of America’s regular writer for over seven years, taking only a few breaks from February 1978’s Issue 151 through October 1986’s Issue 255.
However, in these days of shorter stays, I wanted to examine some of the runs that, despite their abbreviated nature, left lasting impressions. At first this might sound rather simple. After all, there are plenty of influential miniseries-within-series, like “Batman: Year One” or “Whatever Happened to the Man of Tomorrow?,” where a special creative team comes in to tell a particular story. Instead, sometimes a series’ regular creative team will burn brightly, but just too quickly, leaving behind a longing for what might have been.
A good example of this is found in Detective Comics #469-76, written by Steve Englehart, penciled by Marshall Rogers and inked by Terry Austin (after Walt Simonson penciled and Al Milgrom inked issues 469-70). Reprinted in the out-of-print Batman: Strange Apparitions paperback, and more recently (sans Simonson/Milgrom) in the hardcover Legends of the Dark Knight: Marshall Rogers, these issues introduced Silver St. Cloud, Rupert Thorne, Dr. Phosphorus and the “Laughing Fish,” featured classic interpretations of Hugo Strange, the Penguin and the Joker, and revamped Deadshot into the high-tech assassin he remains today. Tying all these threads together is Bruce Wayne’s romance with Silver, which for my money is the Bat-books’ version of Casablanca. It’s the kind of much-discussed run that seems like it should have been longer. Indeed, I suspect it’s one of the shorter runs in CSBG’s Top 100 list.
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DC Comics announced today that John Henry Irons will shine up the Steel suit for his big New 52 appearance in Action Comics #4. Steel will also appear in the first eight-page back-up story in Action written by “Grant Morrison’s hand-picked choice,” Sholly Fisch, and drawn by Brad Walker.
“The lead story in Action #4 by Grant Morrison and Rags Morales features the debut of the ‘New 52 Steel!” said Will Moss, associate editor, on The Source blog. “Last we saw of John Henry Irons, in Action #2, he had quit his military job in protest over Lex Luthor torturing Superman under General Lane’s command. Now, as the Terminauts lay siege to Metropolis, it’s time for John Henry to put his money where his mouth is and go help Superman defend the city. The backup in #4 ties into the main story by depicting a critical fight between Steel and the brand new Metall-0!”
Back-up tales are also slated for issues #5, #6 and #7. Issue #5 will feature an eight-page tale by Fisch and ChrisCross, starring Ma and Pa Kent. CrhisCross is also drawing the back-up for issue #6, with Walker returning for issue #7. Issue #8 concludes Action‘s first story arc and won’t have a back-up.
“As a bonus, check out this first look at Steel’s armor by Brad Walker (based off a design by Rags Morales)!” Moss said about the above image. “Much in the same way that Superman is wearing jeans and a T-shirt in this current arc, at this point Steel’s armor is in its ‘prototype’ phase. Look for the final design somewhere down the line, but in the meantime, get ready for one heck of a throwdown!”
In many ways, for longtime DC superhero readers, this is the first week of the rest of our lives. This is the week the first batch of New-52 second issues come out, and as such, this week the New 52 stops being a September-specific gimmick. We all know the second issue is where the rubber meets the road. Accordingly, in conjunction with a look at December’s titles, here’s where I am after a month of first issues.
Back when the September solicitations came out, I listed 37 books that I was planning at least to try:
Action Comics, All-Star Western, Aquaman, Batgirl, Batman, Batman And Robin, Batwing, Batwoman, Blackhawks, Blue Beetle, Captain Atom, Catwoman, DC Universe Presents, Demon Knights, Detective Comics, The Flash, Frankenstein: Agent Of SHADE, The Fury Of Firestorm, Green Lantern, Green Lantern Corps, Green Lantern: New Guardians, Grifter, Justice League, Justice League Dark, Justice League International, Men Of War, Mister Terrific, Nightwing, Red Lanterns, Resurrection Man, Static Shock, Stormwatch, Supergirl, Superman, Swamp Thing, and Wonder Woman
Hello and welcome to another week of What Are You Reading?, where we talk about what comics and other stuff we’ve been reading lately. This week our special guest is Robin McConnell of Inkstuds fame, who will be guest blogging with us as well. Robin has a new book out that collects 30 of his interviews with folks like Jeff Lemire, Joe Sacco, Kate Beaton, Jaime Hernandez and many more; you can find more details on it over on his website.
To see what Robin and teh rest of the Robot 6 crew are reading, click below.
Welcome to the first Food or Comics? for 2011. Every week we talk about what comics we’d buy on Wednesday based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on what we call our “Splurge” item.
Check out Diamond’s release list for this week if you’d like to play along in our comments section.
Hey, it’s the first week of 2011, and time to get some awesome comics, right? Right? So for my $15, I’ll pick up… Oh. Kind of a slow week, then, huh? Well, there’s always Steel #1 (DC, $2.99), the sure-to-be-controversial one-shot that launches the retro “Reign of Doomsday” crossover, and my love of James Robinson’s Justice League will ensure I pick up the Starman/Congorilla one-shot (DC, $2.99), if only to find out what all those interludes in the middle of the current “Omega” storyline are all about. Curiosity compels me to pick up Image’s Walking Dead Weekly #1 ($2.99), if only to see if it’s pretty much an exact reprint of the original first issue with a different cover, but that remaining $6 may just end up burning a hole in my pocket. Maybe I’ll put it toward my $30 haul…
There’s so much I find fascinating about Vaneta Rogers’s Newsarama interview with Steel #1 writer Steve Lyons that I hardly know where to begin. I suppose I’ll start by saying that there’s a lot to be excited about in the comic, which kicks off DC’s “Reign of Doomsday” event. For example, I’ve long argued that Steel is one of the most undervalued characters and designs in DC’s pantheon. Iron Man’s powers, Thor’s hammer, Superman’s cape, and an African-American folk hero’s name? That’s pure gold. And seriously, what a great design: The Alex Garner cover to the issue — itself part of DC’s genuinely awesome iconic-cover line-up for the month of January — is practically payoff enough. Plus, in a genre often (and accurately) decried for its lack of strong non-white heroes, John Henry Irons is an armor-clad, hammer-wielding, ‘S’-shield-wearing super-genius whose role in Metropolis’s scientific and business community is basically “the anti-Lex.” Tough to top that.
Similarly, at nearly two decades’ remove from the controversial “Death of Superman” storyline, I’m much better able to appreciate Doomsday him/itself. He’s no longer just the out-of-the-blue newcomer who got to deliver the coup de grace to the Man of Steel over more “deserving” villains like Lex Luthor (and set sales records in the process). Rather, he is to the villainous side of the superhero genre what the Hulk is to its heroic half: The power fantasy in its purest form, i.e. giant unstoppable guy pounds the crap out of everyone in his way. On an inner-eight-year-old level, that’s a thing of beauty. And remember how in his original appearances he slowly shedded a Kirbyesque jumpsuit-and-goggles look to reveal badass bone spikes and claws jutting out of every possible place on his body? He’s basically a microcosm of the direction of the entire superhero genre from that period, a walking symbol of ’90s excess at its boldest and best. Finally, in story terms, he accomplished the pinnacle achievement for any DCU villain: He killed Superman! Okay, so he got better, but still. As I believe Geoff Johns has argued, Doomsday’s name alone should scare the crap out of every character in the DC Universe. As such he’s a terrific basis for a crossover event.