Steve Niles recently shared on Twitter this encouraging (and kind of gross) postcard he received from Stephen King in 1988, when Niles was just starting out as a writer. Niles had sent King a copy of his first comic Bad Moon, which featured a giant nun named Sister Anne who was trying to stop a demon with the help of a priest, a werewolf and a vampire. Niles told me the nun was named after the MC5 song and “was more akin to the Hulk than Mother Teresa.” He also joked, “Nuns in Space was King’s suggestion, but I never got around to it.”
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today we are joined by guest Evan Young, an “influential pioneer” of digital literature and creator of the digital graphic novel The Carrier. He’s currently raising funds for his next project, The Last West, via Kickstarter, so head over there and check it out.
To see what Evan and the Robot 6 team have been reading, click below.
Neil Gaiman and Robert Kirkman are among The Hollywood Reporter’s 25 most powerful authors in Hollywood, appearing alongside the likes of J.K. Rowling, Stephen King and George R.R. Martin.
At No. 6, Kirkman is recognized not only for the success of AMC’s adaptation of The Walking Dead but for a “banner year for the veteran comic-book writer and Image Comics partner” that includes overseeing his Skybound imprint and publishing Thief of Thieves, which is also being developed by the cable network.
Gaiman, co-creator of The Sandman, clocked in at No. 23 on the strength of his prose work — The Graveyard Book and American Gods are being developed for film and television, respectively — and the adaptations of Coraline and Stardust.
Comics strips | An original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, has sold at auction for $203,150. The piece had been owned by Adam@Home and Red and Rover cartoonist Brian Basset, who exchanged original comics with Watterson in 1986. [The Daily Cartoonist]
Best of the year | The Top Ten lists are coming thick and fast now. Michael Cavna counts down his favorites of the year, which include Chris Ware’s Building Stories, Raina Telgemeier’s Drama, and Matt Dembicki’s Washington, D.C.-focused anthology, District Comics. [The Washington Post]
Best of the year | … and George Gene Gustines weighs in with his list. [The New York Times]
Welcome to another edition of What Are You Reading?, where today we welcome special guest Ron Marz. Marz has written everything from Green Lantern to Witchblade, and you can currently find him working on comics like Artifacts, Prophecy, Blackburn Burrow and The Ride: Southern Gothic. He also writes the column Shelf Life for Comic Book Resources and can be found on Twitter.
To see what Ron and the Robot 6 crew have been reading, click below.
Happy Father’s Day and welcome to What Are You Reading?, where each week we talk about what comics and other stuff have been on our reading piles. Today’s guests are two of the contributors to Skullkickers #18, which features several “Tavern Tales” short stories by different creative teams. Joining us today are Charles Soule of 27, Strange Attractors and Strongman fame, and Aubrey Sitterson, winner of the Skullkickers Tavern Tales Contest. He’s also the writer of Gear Monkey for Double Feature Comics and community manager for WWE Games.
To see what Charles, Aubrey and the Robot 6 crew have been reading, click below.
Conventions | Thousands of fans were locked out of the Calgary Comic & Entertainment Expo after the local fire marshal declared that the building had reached capacity. The big draw was not actually comics but a reunion of the cast of Star Trek: The Next Generation. [Calgary Herald]
Awards | The Thrill Electric, an online comic created by Leah Moore and John Reppion, Emma Vieceli, Windflower Studio and LittleLoud for the U.K.’s Channel 4, has been nominated for best website in the 2012 Broadcast Digital Awards. [Broadcast]
Creators | Jay Faerber talks about his early ambitions, his current comic Near Death, and what is so special about being published by Image: “The thing about Image is you have absolute creative freedom. Once Near Death was approved, I just wrote it. There were no notes from Eric or anyone else at Image telling me what they think I should do, which is awesome. But it can also be a burden, because if a book sucks, I can’t say, ‘Well, if I had been able to do it my way…’ – because I did do it my way. So working at Image has made me become my own editor. The buck stops here, you know?” [Broken Frontier]
Hello and welcome to a special birthday bash edition of our weekly “What Are You Reading” feature. Typically the Robot 6 crew talks about what books we’ve read recently, but since it’s our anniversary, we thought we’d invite all our friends and colleagues from Comic Book Resources and Comics Should Be Good! to join in the fun.
To see what everyone has been reading, click below …
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that I don’t have to come up with a new way to say, “ Wonder Woman is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Judge Bao and the Jade Phoenix - A detective story set in ancient China. Plus: cool name.
Dicks #1 – Garth Ennis and John McCrea’s humor makes my top hat explode and my monocle fly off my face, but I remember this being pretty popular back in the day and I imagine that it’s new presentation in color and leading into a new storyline could make it popular again.
Ralph Wiggum Comics #1 – This, on the other hand, is exactly my kind of funny. Kind of like 30 Days of Night, I’m astonished no one’s thought of it before. Too bad it’s just a one-shot, but hearing that Sergio Aragones is one of the contributors makes me want to poke myself with my Viking helmet to see if I’m dreaming.
Creators | With the announcement that Rob Liefeld’s Extreme Studios is back in business, former Extreme Studios employee and current Image Comics publisher Eric Stephenson reflects on his time with the studio. “From 1992-1998, Extreme Studios was more or less my life. Youngblood, Supreme, Brigade, Bloodstrike, Team Youngblood, New Men, Prophet, Youngblood: Strikefile, Bloodpool, Glory… We put out a lot of comics, and for the most part everyone involved was incredibly young. Rob and I were amongst the oldest at 25. So many of the artists involved in various aspects of production were just out of their teens, and that made the work as frustrating as it was fun. But looking back, the main thing I remember about that time is Rob wanted to share his success with people who loved comics and wanted to make a living in the business as much as he had.” [It Sparkles!]
Webcomics | A Distant Soil creator Colleen Doran, who began serializing the comic online in 2009, notes “my bottom line is up significantly, and my online audience is ten times higher than when I started the five day a week online serialization of A Distant Soil 2.5 years ago.” She also shares advice she received when she started the endeavor that hasn’t worked for her. [A Distant Soil]
The New York Comic Con officially opened its doors this afternoon, but comics publishers and distributors have been releasing announcements leading up to it all this week. Here’s a round-up of news from today, as well as some that hit earlier this week.
• DC Comics, who were having a pretty good week already, announced two creative team changes for the New 52. Ann Nocenti of Daredevil and Longshot fame will write Green Arrow starting with issue #7. She spoke to Comic Book Resources about her approach to the series: “I have a particular way of writing a comic. Comics are short. They are only twenty pages, so you can take a year of comics and that can be your opera, and the opera can have a lot of different passages in it. I kind of believe every issue should be a single story, just a complete story. But there is a momentum that forms like triptychs over it, and then it forms your big overtures, and then the whole thing ends up kind of operatic. I also want a beginning, middle and end, a classic short story approach to every single comic. What I do is I try to figure out, what is the kick in this comic, what is the main feeling I want to get, and everything in the comic has to serve that.”
• And Marc Bernardin (Monster Attack Network, The Highwaymen, The Authority) will take over the writing duties on Static Shock beginning with issue #7. “As a fan and as a writer, one of the great things about Static isn’t just that he’s a new hero, it’s also that he’s a young hero,” Bernardin told CBR. “He will make the mistakes of youth and, even though the New 52 is resetting a lot of heroes to their early days as do-gooders, there’s nothing quite like the fumblings of a teenager.”
[Editor's Note: Due to technical issues, Carla's column from last Friday was delayed until today.]
It is more fun to announce things at comic conventions where there’s a live audience to ooh and ahh at all the new and exciting products you’re putting out than it is to post it on the internet. It’s the difference between selling your car in a showroom as opposed to an ad on Craigslist. I’m sure there’s a dirty joke in there somewhere, so feel free to fill it in for yourself, but the point remains. So that’s why we didn’t get the Marvel Comics solicitations for June 2011 when we usually do; as all the other kids down the block showed off their upcoming new comics, Marvel waited until C2E2 was over because the big show came first.
Or so I thought.
Ladies and gentlemen, boys and girls, Marvel Comics has unleashed the full power of their June line-up. They weren’t waiting for the live announcements to go first, they were keeping their readership safe from the imminent disasters that will befall us in the future! They were protecting us! They had only our safety in mind and now the true story can be told! I present the June 2011 solicitation list that will very nearly END EXISTENCE AS WE KNOW IT!!!
Anyone prone to heart conditions, seizures or who could be pregnant, read the following list of colossal entertainment at your own risk. These comics are rated M for “Oh MY God, these comics will crack the internet in half!”
When DC announced it was shuttering the Wildstorm and Zuda imprints back in September, after having announced the shutterings of the CMX line less than six months ago (and only two years since they canceled the failed Minx experiment), all eyes started moving uneasily towards Vertigo, the first and final imprint DC had left. It didn’t help that DC had also announced they were going to be absorbing certain Vertigo characters like Swamp Thing back into the superhero fold. Add to that the recent cancellation of such series as Air, Unknown Soldier and Greek Street, and many ended up wondering not just if Vertigo was being sized up for the chopping block but when the ax would fall (I’ve got $20 in the office pool down for May 2011).
Mark Oliver Frisch aside, we don’t have access to DC’s actual, total sales numbers, however, so it’s nigh-impossible to tell exactly how well Vertigo books are selling and how essential the line is to DC as a publishing and licensing entity. Perhaps the only way we can make any assumptions at all about the health of the line is to look at the comics that Vertigo has published in the past few months. Which is exactly what I plan on doing after the jump.
Welcome to another spook-tacular edition of What Are You Reading? Our special guest this week is writer Sam Costello, who operates and writes horror comics for the site Split Lip. If you’re looking for some spooky stories to read tonight, it’s a good place to start.
To see what Sam and the rest of the Robot 6 crew have been reading lately, click below, if you dare …
Bestselling author Stephen King, whose vast body of work includes Salem’s Lot, has some strong opinions about vampires. So it comes as little surprise that he would voice those views in an interview promoting the hardcover collection of American Vampire, the Vertigo series whose initial story arc he co-wrote, and in his introduction to the first volume.
“A traditional vampire is always a taker, and that’s the story of American expansion and laissez-faire and the rise of industrialism,” King tells USA Today, referring to his Western outlaw Skinner Sweet. “The idea that he wants to come back and get his vengeance and he wants to get it as fast as he can and as harshly as he can, that’s a very American desperado thing.”
In the collection’s foreword, reprinted at EW.com, King takes aim at the likes of Twilight and True Blood: “Here’s what vampires shouldn’t be: pallid detectives who drink Bloody Marys and only work at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers who never get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance.”
Read the full introduction at EW.com. American Vampire, Vol. 1, by King, Scott Snyder and Rafael Albuquerque, is in stores today.