The Dark Knight Rises is on its way. Man of Steel is filming. The costume from that David E. Kelley Wonder Woman show will finally get some air time. I wouldn’t even bet against Green Lantern 2.
So today, I’m here to talk about adapting The Flash.
Apparently a Flash movie has been in development for several years, at least since Green Lantern went into production (and from a few of the same folks). I don’t know the basics — which by now may well have changed — but I suspect many of us fans would start from the same points: which Flash, which Rogue(s), etc. After so many superhero-comic adaptations, we can derive certain formulae from the things.
However, to me The Flash is different.
The idea of super-speed is ideal for the comics medium, because time basically slows down for everyone but the speedster, and comics excel at playing with the reader’s perception of time. Ironically, though, in a moving-picture setting, the real effect of super-speed is trickier to pull off. Sometimes it works to show everyone else slowing down, as in The Matrix’s “bullet time,” the bionic running of The Six Million Dollar Man, or the tray-catching scene of the first Spider-Man. (Naturally, the last always seemed to be an homage to Barry Allen discovering his powers in Showcase #4.)