Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15 this week, I’d avoid Marvel and DC altogether and go for some more independent offerings. Top of the pile would definitely be Prophet #21 (Image, $2.99), Brandon Graham’s much-anticipated revamp of the Rob Liefeld book from the mid-90s, recreated (with artist Simon Roy) as some kind of Heavy Metal fever dream; I’m a massive fan of Graham’s, and excited to see what he can come up with when he tries to play it (relatively) straight. I’d also grab Dynamite’s Kirby Genesis: Dragonbane #1 ($3.99), another spin-off from the Busiek/Ross/Herbert series this time focusing on the almost Thor-analog warrior, and IDW’s Memorial #2 ($3.99), continuing the urban fantasy series that I enjoyed so much last month. Lastly, I’d grab the cheap relaunch for Antony Johnston’s Wasteland (#33, Oni, $1.00); I’ve really enjoyed this post-apocalyptic world building book for awhile, but this relaunch – which will return the book to a monthly schedule as well as debut new artist Justin Greenwood – looks set to be a good jumping-on point for those who’ve never sampled its charms before.
If I had $30, I’d be likely to put Dragonbane back on the shelf and try out Marvel’s Fear Itself: Journey Into Mystery Premiere HC collection ($19.99) instead. Not having been a fan of Matt Fraction’s Thor, I skipped the first few issues of this and then, by the time I kept hearing great things and realized I actually really enjoy Kieron Gillen’s writing, it was far enough into the run that I knew I’d end up waiting for the collection. Color me cautiously optimistic.
When it comes to splurging, my love of comics from around when I was born rears its ugly head again, and I find myself drawn to Marvel Firsts: 1970s Vol. 1 TP (Marvel, $29.99). This is possibly my favorite era from the House of Ideas, so the idea of an anthology of some of its weirdest hits sounds right up my alley.
It’s time once again for our monthly trip through Previews looking for cool, new comics. As usual, we’re focusing on graphic novels, collected volumes and first issues so that I don’t have to come up with a new way to say, “ Mouse Guard is still awesome!” every month. And I’ll continue letting Tom and Carla do the heavy lifting in regards to DC and Marvel’s solicitations.
Also, please feel free to play along in the comments. Tell me what I missed that you’re looking forward to or – if you’re a comics creator – mention your own stuff.
Explorer: The Mystery Boxes - With the Flight anthologies done, the all-ages version, Flight Explorer has morphed into this. I expect it to be as lovely as its predecessors and especially like the Mystery Box theme.
Jinx – J Torres and Rick Burchett’s graphic novel aimed at tween girls.
Kevin Keller, Volume 1 and Kevin Keller #1 – Archie collects the first appearances and mini-series of their major, gay character and also launches his ongoing series.
Flash Gordon: Vengeance of Ming – The third volume in Ardden’s Flash Gordon series.
Photo by ~djohn9
When I saw this Steve Canyon statue over at the Hermes Press blog (they’ve published a collection of the seven Steve Canyon issues from Dell’s Four Color comics), I wondered what the hell a Steve Canyon monument was doing in Idaho Springs, Colorado. Canyon’s creator Milton Caniff never lived there, nor does the town figure prominently in the comic strip character’s adventures.
The Historic Idaho Springs website doesn’t offer many details, saying only that the statue was erected as part of a “publicity stunt” by the area’s Jaycees in the ’50s. Oddly, the full story is told in the historical archives of a completely different city: Dayton, Ohio. Columnist (and friend of Caniff) Roz Young wrote for the Dayton Daily News for more than 25 years and penned a 1997 article celebrating the 50th anniversary of Caniff’s famous character. What’s cool about the story is its reminder of just how important comics used to be to the general population in the US.