Luke Cage History: From Hero for Hire to Hollywood
TV, Comic Books
Saturday is the deadline to get your order form for this month’s Previews catalog to your local comic book shop. With that date looming, Edison Rex co-creators Chris Roberson and Dennis Culver are hoping to make Edison Rex, Vol. 2: Heir Apparent one of the most-wanted trade paperbacks.
In fact, writer Roberson and artist Culver concocted an eye-catching wanted poster to drum up interest in the upcoming collection, which includes issues 7-12 of the Monkeybrain Comics digital series. The creative team was quite willing to discuss the latest news with me about the villain turned superhero.
I first became aware of colorist Steve Downer due to his work on MonkeyBrain Comics’ Edison Rex. But as I quickly learned, he serves as colorist on a variety of projects, as well as artist on Dracula the Unconquered. Given the variety of Downer’s projects, I thought it would be insightful to discuss his craft with him.
Tim O’Shea: How long have you been a colorist?
Steve Downer: I’ve been working full-time as a colorist since 2009, though I started coloring as a side job much earlier, in 2007, while I worked as a T-shirt graphic designer.
Last week was a banner one for Monkeybrain Comics, as plans were revealed to “bring its digital titles to print beginning in June in collected editions released through IDW Publishing and Shadowline/Image.” But before this deal was announced I caught up with Chris Roberson, the writer of Edison Rex and co-publisher of Monkeybrain.
This interview was conducted before the IDW and Shadowline/Image agreements were announced, which is why they’re not discussed. Edison Rex #6 will be released March 13. Roberson is great to chat with about the creative process, as he relishes revealing how the narrative hot dogs are made almost as much as creating the stories themselves. The world that Roberson and co-creator/artist Dennis Culver had built for the series fascinates me, and it was a pleasure to chat with the writer about it.
Tim O’Shea: As much as this series is about a villain becoming a hero, there’s a great undercurrent of humor. Is that the core appeal of the series from a creative standpoint?
Chris Roberson: I always like a little levity in the stories I read or the shows I watch. When stories maintain a consistently grim tone, it can be a little wearying. Adding in a joke here and there not only serves to lighten the mood from time to time, but also makes the more serious moments stand out by contrast.