Jessica Jones Shows Off Vertical Leap In New Series Teaser
With the end of Geoff Johns’ tenure on Green Lantern and Grant Morrison’s upcoming farewell to Batman, a fan’s thoughts turn naturally to other extended runs. Marv Wolfman wrote almost every issue of New (Teen) Titans from the title’s 1980 preview through its final issue in 1995. Cary Bates wrote The Flash fairly steadily from May 1971’s Issue 206 through October 1985’s first farewell to Barry Allen (Issue 350). Gerry Conway was Justice League of America’s regular writer for over seven years, taking only a few breaks from February 1978’s Issue 151 through October 1986’s Issue 255.
However, in these days of shorter stays, I wanted to examine some of the runs that, despite their abbreviated nature, left lasting impressions. At first this might sound rather simple. After all, there are plenty of influential miniseries-within-series, like “Batman: Year One” or “Whatever Happened to the Man of Tomorrow?,” where a special creative team comes in to tell a particular story. Instead, sometimes a series’ regular creative team will burn brightly, but just too quickly, leaving behind a longing for what might have been.
A good example of this is found in Detective Comics #469-76, written by Steve Englehart, penciled by Marshall Rogers and inked by Terry Austin (after Walt Simonson penciled and Al Milgrom inked issues 469-70). Reprinted in the out-of-print Batman: Strange Apparitions paperback, and more recently (sans Simonson/Milgrom) in the hardcover Legends of the Dark Knight: Marshall Rogers, these issues introduced Silver St. Cloud, Rupert Thorne, Dr. Phosphorus and the “Laughing Fish,” featured classic interpretations of Hugo Strange, the Penguin and the Joker, and revamped Deadshot into the high-tech assassin he remains today. Tying all these threads together is Bruce Wayne’s romance with Silver, which for my money is the Bat-books’ version of Casablanca. It’s the kind of much-discussed run that seems like it should have been longer. Indeed, I suspect it’s one of the shorter runs in CSBG’s Top 100 list.
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Every week, hard as it may be to believe, I try honestly to offer something I think might interest the larger group of DC Domics superhero readers. However, this week I am invoking a personal privilege. For one thing, with Halloween on a Wednesday (when I usually end up writing these essays), the holiday will more than likely take priority.
The main reason, though, is that today is my birthday, and as you might have guessed from the headline, this year is my 43rd birthday. Therefore, this week I have pulled together an especially memorable DC story and/or issue from each of those years, 1969 through 2012. (Note: They may not always line up with the actual year, but just for simplicity’s sake, all dates are cover dates.) These aren’t necessarily the best or most noteworthy stories of their particular years, but they’ve stuck with me. Besides, while I’ve read a lot of comics from a lot of sources, for whatever reason DC has been the constant. Maybe when I’m 50 I’ll have something more comprehensive.
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Today I am pondering that Ivan Brandon essay on TheAwl.com, and the things comics can do that movies just can’t.
Last week I mentioned the Lazarus Pit as an example of a comics staple that Batman movies — any Batman movies, arguably — would probably be reluctant to use. While the Pit comes with certain restrictions and side effects, it still boils down basically to an unlimited supply of extra lives. It runs counter to the idea of Batman as being grounded in reality, but in the context of a shared universe where Batman pals around with extraterrestrials (and their agents), a super-powered Amazon, and the King of Atlantis, it’s not that far-fetched. This is the old “Character Y could solve Character X’s problems” hypothesis, and it tends to be met with “Character X and Character Y play by different rules.” A good example of the latter was a “No Man’s Land” story featuring Superman (coincidentally collected in the new NML Vol. 3), where the Man of Steel’s well-intentioned assistance in trying to rebuild an earthquake-devastated Gotham turned out to be exactly wrong under the circumstances.
If you’re going to work for a big company, you’re going to be exploited. But we were lucky, because the work was so much fun.
– Elliot S! Maggin, on his experiences writing for DC Comics in the ’70s.
Creators’ rights was a big topic at the ’70s panel I attended a couple of weeks ago at Comic-Con International. Moderator Mark Evanier asked how Maggin and the other panelists had felt at the time about the previous generation of comics creators from a business standpoint. Steve Englehart shared that he’d come into the industry just as Jack Kirby was leaving Marvel for DC without any royalties. He said, “I remember saying, ‘I’m not going to end up in a situation like that where I’m not getting paid for the stuff that I created.’ As it turned out, I didn’t listen to myself.”
Englehart said it with a smile, though, and to my surprise, that was the most critical anyone on the panel ever got about their treatment by the big comics companies. Maggin’s comment above came shortly after.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s not even a fifth week, but I find myself curiously distanced from this week’s releases for some reason. Outside of some books I’ve been reading for awhile, there’s little to really catch my eye, so if I had $15, I’d likely find myself buying Dark Horse Presents #10 (Dark Horse, $7.99) and Memorial #4 (IDW, $3.99), and being quite happy with those two books.
If I had $30, I might go back to Justice League with #7 (DC, $3.99); I wasn’t entirely convinced by the opening arc, but I found myself enjoying the Pandora back-up in #6 enough that I found myself more curious about sticking around than I would’ve expected. I’d also grab Legion of Super-Heroes #7 (DC, $2.99), another book I’ve found myself liking more than I initially thought, as well as Thunderbolts #171 (Marvel, $2.99) for one of the few, final times before it becomes a part of the Avengers family.
Splurging, oddly, is a much easier choice for me than what I’d get in single issues: Avengers: West Coast Avengers – Lost In Space-Time (Marvel, $34.99) collects some of the first issues of West Coast Avengers that I read way back when, launching a love affair with Steve Englehart’s writing that continues to this day. Those original issues are long since lost to history (Somewhat fittingly, considering the time travel subject matter), so this will be a welcome nostalgia trip for me.
Hello and welcome to What Are You Reading? Our special guest today is Andy Burns, editor-in-chief of the pop culture site Biff Bam Pop!, which is doing a holiday gift guide with giveaways through Dec. 24. You can follow them on Twitter for more information.
To see what Andy and the Robot 6 crew have been reading, click below …
Hello and welcome once again to What Are You Reading? This week our special guest is Von Allan, creator of the self-published graphic novel series Stargazer. The first volume is still available, while the second one is due in shops in October.
To see what Von and the Robot 6 crew have been reading, click below.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a “Splurge” item.
If I had $15:
I’d surround myself with good-humored, good-natured comics. Sometimes you just gotta do that. My stack would include Veronica #207 ($2.99), which launches the new Kevin Keller miniseries; Donald Duck #367 ($3.99), with a rework of a classic Carl Barks story; Space Warped ($3.99), kaboom’s new Star Wars parody comic (I probably won’t get half the jokes, but it looks like it’s worth checking out); and Love and Capes Ever After #5 ($3.99), just because Love and Capes is such a charming comic. I may be poor, but at least I’ll be happy.
Welcome once again to What Are You Reading? Today our special guest is John Jackson Miller, writer of Star Wars: Knight Errant and Mass Effect comics for Dark Horse and various Star Wars prose novels. He’s also the curator of The Comics Chronicles research website. His next comics series, Star Wars: Knight Errant, Deluge, starts in August.
To see what John and the Robot 6 crew are reading, click below.
A couple of weeks ago, I mentioned The Comics Reporter’s excellent list of “emblematic” ‘70s comics, and how I’d like to put together something similar. Thus, with help from the timeline at comics.org, I started putting together a short list of significant creators, books and characters that I thought defined ‘70s DC.
However, the more I thought about my list, the more it struck me as indicative of a company at odds with itself. In the ‘80s and ‘90s, DC boasted several successful long-term marriages of professional and property, including Alan Moore’s Swamp Thing, Marv Wolfman and George Pérez’s New Teen Titans and Pérez’s Wonder Woman, Steve Englehart and Joe Staton’s Green Lantern, John Byrne’s Superman, Grant Morrison’s Animal Man, Doom Patrol and JLA, and Mark Waid’s Flash. In the ‘70s, though, this wasn’t necessarily the case. Writers like Gerry Conway and Cary Bates became synonymous with Justice League and Flash, so much so that by the mid-‘80s (and the Detroit League and “Trial of the Flash”) they had arguably stayed too long.
Kevin is out sick today, so I’m filling in on Comics A.M. … apologies for the lateness.
Publishers | Viz Senior Vice President and General Manager Alvin Lu discusses the state of the company after the layoffs that occurred in May, as well as the overall manga market. “We continue to get great support from our retail partners. They do see that these very popular series continue to do well. They are getting up there in the 40s and 50s of the volume count, and there is the challenge of bringing in newer readers, to catch them up. I was looking though a calendar from several years ago when we were looking at Bleach Vol. 5 or something. That is a conversation we’ve been having with the bookstores, and they’re being very responsive on how to work with us, to continue to drive the category. They’ve been very supportive of helping us launch new series as well. So it’s a balancing act of getting the space to launch new series while nurturing the more mature series that continue to enjoy a loyal readership.” [ICv2]
Events | Brian Heater from the Daily Cross Hatch and Sarah Morean from Blog Chicka Blog Blog have declared Aug. 28 “International Read Comics in Public” Day. They’ve started a blog that features, as you might guess, people reading comics in public. [Daily Cross Hatch]
Last week I talked about rediscovering the ‘70s series Secret Society of Super-Villains. As you might have guessed, this was made possible largely by the Internet. Without it, I would have had to scour back-issue boxes at regional comics shops and/or at the occasional convention. After all, that’s what I grew up doing.
Regardless of where or how I bought those back issues, the fact remains that I bought them pretty much sight-unseen. Oh sure, I remembered random scenes from isolated issues, but basically my yen for SSoSV grew out of two things: its concept and its reputation. I knew what it aimed to be, and I figured if Gerry Conway wrote most of it, it couldn’t be all bad.*
What’s more (at the risk of being obvious) I had to track down these back issues because a collected version of Secret Society of Super-Villains is apparently still trapped in royalty-payment limbo. Not that I am especially bitter about that, mind you; because clearly I don’t mind reading the individual issues and they weren’t that hard to find.